1.5
Table Of Contents
- Color User Manual
- Contents
- Welcome to Color
- Color Correction Basics
- Color Correction Workflows
- An Overview of the Color Workflow
- Limitations in Color
- Video Finishing Workflows Using Final Cut Pro
- Importing Projects from Other Video Editing Applications
- Digital Cinema Workflows Using Apple ProRes 4444
- Finishing Projects Using RED Media
- Digital Intermediate Workflows Using DPX/Cineon Media
- Using EDLs, Timecode, and Frame Numbers to Conform Projects
- Using the Color Interface
- Importing and Managing Projects and Media
- Creating and Opening Projects
- Saving Projects
- Saving and Opening Archives
- Moving Projects from Final Cut Pro to Color
- Before You Export Your Final Cut Pro Project
- Move Clips That Aren’t Being Composited to Track V1 in the Timeline
- Remove Unnecessary Video Filters
- Organize All Color Corrector 3-Way Filters
- Divide Long Projects into Reels
- Export Self-Contained QuickTime Files for Effects Clips You Need to Color Correct
- Use Uncompressed or Lightly Compressed Still Image Formats
- Make Sure All Freeze Frame Effects Are on Track V1
- Make Sure All Clips Have the Same Frame Rate
- Media Manage Your Project, If Necessary
- Recapture Offline Media at Online Quality, If Necessary
- Check All Transitions and Effects If You Plan to Render 2K or 4K Image Sequences for Film Out
- Using the Send To Color Command in Final Cut Pro
- Importing an XML File into Color
- Before You Export Your Final Cut Pro Project
- Importing EDLs
- EDL Import Settings
- Relinking Media
- Importing Media Directly into the Timeline
- Compatible Media Formats
- Moving Projects from Color to Final Cut Pro
- Exporting EDLs
- Reconforming Projects
- Converting Cineon and DPX Image Sequences to QuickTime
- Importing Color Corrections
- Exporting JPEG Images
- Configuring the Setup Room
- The File Browser
- Using the Shots Browser
- The Grades Bin
- The Project Settings Tab
- The Messages Tab
- The User Preferences Tab
- Monitoring Your Project
- Timeline Playback, Navigation, and Editing
- Basic Timeline Elements
- Customizing the Timeline Interface
- Working with Tracks
- Selecting the Current Shot
- Timeline Playback
- Zooming In and Out of the Timeline
- Timeline Navigation
- Selecting Shots in the Timeline
- Working with Grades in the Timeline
- The Settings 1 Tab
- The Settings 2 Tab
- Editing Controls and Procedures
- Analyzing Signals Using the Video Scopes
- The Primary In Room
- The Secondaries Room
- What Is the Secondaries Room Used For?
- Where to Start in the Secondaries Room?
- The Enabled Button in the Secondaries Room
- Choosing a Region to Correct Using the HSL Qualifiers
- Controls in the Previews Tab
- Isolating a Region Using the Vignette Controls
- Adjusting the Inside and Outside of a Secondary Operation
- The Secondary Curves Explained
- Reset Controls in the Secondaries Room
- The Color FX Room
- The Primary Out Room
- Managing Corrections and Grades
- The Difference Between Corrections and Grades
- Saving and Using Corrections and Grades
- Managing Grades in the Timeline
- Using the Copy To Buttons in the Primary Rooms
- Using the Copy Grade and Paste Grade Memory Banks
- Setting a Beauty Grade in the Timeline
- Disabling All Grades
- Managing Grades in the Shots Browser
- Managing a Shot’s Corrections Using Multiple Rooms
- Keyframing
- The Geometry Room
- The Still Store
- The Render Queue
- Appendix A: Calibrating Your Monitor
- Appendix B: Keyboard Shortcuts in Color
- Appendix C: Using Multi-Touch Controls in Color
- Appendix D: Setting Up a Control Surface
Corrections are adjustments that are made within a single room. You have the option to
save individual corrections into the bins available in the Primary In and Out, Secondaries,
and Color FX rooms. Once saved, corrections can be applied to one or more shots in your
project without changing the settings of any other rooms. For example, if there are five
shots in a scene to which you want to apply a previously saved secondary correction, you
can do so without affecting the primary corrections that have already been made to those
shots. Each room has its own corrections bin for saving and applying individual corrections,
although the Primary In and Primary Out rooms share the same saved corrections.
A grade, on the other hand, encompasses multiple corrections across several rooms,
saving every primary, secondary, and Color FX correction together as a single unit. When
you save a group of corrections as a grade, you can apply them all together as a single
preset. Applying a saved grade overwrites any corrections that have already been made
to the shot or shots you're applying it to. Saved grades are managed using the Grades
bin, located in the Setup room.
Saving and Using Corrections and Grades
You can save any correction and grade, in order to apply one shot's settings to others at
a later time. Examples of the use of saved corrections and grades include:
• Saving the finished grade of a shot in your program in order to apply it to other shots
that are also from the same angle of coverage
• Saving a correction to a shot from a specific problem reel of tape (for example, a reel
with a uniformly incorrect white balance) that you'll want to apply to every other shot
from the same reel
• Saving a stylistic "look" correction in the Primary, Secondaries, or Color FX room that
you want to apply to other scenes or programs
For more information, see:
• Saving Corrections into Corrections Bins
• Saving Grades into the Grades Bin
• Deleting Saved Corrections and Grades
• Organizing Saved Corrections and Grades with Folders
• Applying Saved Corrections and Grades to Shots
Saving Corrections into Corrections Bins
The Primary In, Secondaries, Color FX, and Primary Out rooms all have corrections bins
where you can save corrections that are specific to those rooms for future use. When you
save corrections in any room, they're available to every project you open in Color.
318 Chapter 13 Managing Corrections and Grades










