1.5
Table Of Contents
- Color User Manual
- Contents
- Welcome to Color
- Color Correction Basics
- Color Correction Workflows
- An Overview of the Color Workflow
- Limitations in Color
- Video Finishing Workflows Using Final Cut Pro
- Importing Projects from Other Video Editing Applications
- Digital Cinema Workflows Using Apple ProRes 4444
- Finishing Projects Using RED Media
- Digital Intermediate Workflows Using DPX/Cineon Media
- Using EDLs, Timecode, and Frame Numbers to Conform Projects
- Using the Color Interface
- Importing and Managing Projects and Media
- Creating and Opening Projects
- Saving Projects
- Saving and Opening Archives
- Moving Projects from Final Cut Pro to Color
- Before You Export Your Final Cut Pro Project
- Move Clips That Aren’t Being Composited to Track V1 in the Timeline
- Remove Unnecessary Video Filters
- Organize All Color Corrector 3-Way Filters
- Divide Long Projects into Reels
- Export Self-Contained QuickTime Files for Effects Clips You Need to Color Correct
- Use Uncompressed or Lightly Compressed Still Image Formats
- Make Sure All Freeze Frame Effects Are on Track V1
- Make Sure All Clips Have the Same Frame Rate
- Media Manage Your Project, If Necessary
- Recapture Offline Media at Online Quality, If Necessary
- Check All Transitions and Effects If You Plan to Render 2K or 4K Image Sequences for Film Out
- Using the Send To Color Command in Final Cut Pro
- Importing an XML File into Color
- Before You Export Your Final Cut Pro Project
- Importing EDLs
- EDL Import Settings
- Relinking Media
- Importing Media Directly into the Timeline
- Compatible Media Formats
- Moving Projects from Color to Final Cut Pro
- Exporting EDLs
- Reconforming Projects
- Converting Cineon and DPX Image Sequences to QuickTime
- Importing Color Corrections
- Exporting JPEG Images
- Configuring the Setup Room
- The File Browser
- Using the Shots Browser
- The Grades Bin
- The Project Settings Tab
- The Messages Tab
- The User Preferences Tab
- Monitoring Your Project
- Timeline Playback, Navigation, and Editing
- Basic Timeline Elements
- Customizing the Timeline Interface
- Working with Tracks
- Selecting the Current Shot
- Timeline Playback
- Zooming In and Out of the Timeline
- Timeline Navigation
- Selecting Shots in the Timeline
- Working with Grades in the Timeline
- The Settings 1 Tab
- The Settings 2 Tab
- Editing Controls and Procedures
- Analyzing Signals Using the Video Scopes
- The Primary In Room
- The Secondaries Room
- What Is the Secondaries Room Used For?
- Where to Start in the Secondaries Room?
- The Enabled Button in the Secondaries Room
- Choosing a Region to Correct Using the HSL Qualifiers
- Controls in the Previews Tab
- Isolating a Region Using the Vignette Controls
- Adjusting the Inside and Outside of a Secondary Operation
- The Secondary Curves Explained
- Reset Controls in the Secondaries Room
- The Color FX Room
- The Primary Out Room
- Managing Corrections and Grades
- The Difference Between Corrections and Grades
- Saving and Using Corrections and Grades
- Managing Grades in the Timeline
- Using the Copy To Buttons in the Primary Rooms
- Using the Copy Grade and Paste Grade Memory Banks
- Setting a Beauty Grade in the Timeline
- Disabling All Grades
- Managing Grades in the Shots Browser
- Managing a Shot’s Corrections Using Multiple Rooms
- Keyframing
- The Geometry Room
- The Still Store
- The Render Queue
- Appendix A: Calibrating Your Monitor
- Appendix B: Keyboard Shortcuts in Color
- Appendix C: Using Multi-Touch Controls in Color
- Appendix D: Setting Up a Control Surface
Using the Copy Grade and Paste Grade Memory Banks
You can use the Copy Grade and Paste Grade commands to copy grades from one shot
and paste them into others. Five memory banks are available for copying and pasting
grades. This means that you can copy up to five different grades—with one in each
memory bank—and then paste different grades into different shots as necessary.
To copy a grade into one of the five memory banks
1 Move the playhead to the shot you want to copy a grade from.
2 Make the grade you want to copy the currently selected grade.
3 Choose Grade > Copy Grade > Mem-Bank 1 through 5 (or press Shift–Option–Control–1
through 5).
To paste a grade from one of the five memory banks
1 Move the playhead to the shot you want to copy a grade to.
2 Set the currently selected grade to the grade you want to paste into.
3 Choose Grade > Paste Grade > Mem-Bank 1 through 5 (or press Shift–Option–1 through
5).
The grade is applied to the shot at the position of the playhead.
Note: You cannot paste a grade from one of the five memory banks to multiple selected
shots at once.
You can also use the Copy and Paste memory banks feature via a supported control
surface. For more information, see Setting Up a Control Surface.
Setting a Beauty Grade in the Timeline
When you've set up a project with multiple grades for each shot, it may become difficult
to keep track of the grade you like best for any given shot. Marking a particular grade as
the beauty grade lets you keep track of the currently preferred grade for each shot.
While the beauty grade setting is primarily intended as a visual marker for your reference,
there is a command available from the Render Queue menu to add all beauty grades to
the Render Queue. (For more information, see How to Render Shots in Your Project.) This
means that you can use the beauty grade designation to control which shots are added
to the Render Queue. For example, you might use the beauty grade to keep track of
which clips you’ve changed during a revisions session, making it easy to render only the
changed shots at the end of the day.
The beauty grade does not have to be the currently selected grade, although if you begin
using the beauty grade designation, it’s best to keep it up-to-date for each shot in your
project to avoid confusion.
334 Chapter 13 Managing Corrections and Grades










