1.5
Table Of Contents
- Color User Manual
- Contents
- Welcome to Color
- Color Correction Basics
- Color Correction Workflows
- An Overview of the Color Workflow
- Limitations in Color
- Video Finishing Workflows Using Final Cut Pro
- Importing Projects from Other Video Editing Applications
- Digital Cinema Workflows Using Apple ProRes 4444
- Finishing Projects Using RED Media
- Digital Intermediate Workflows Using DPX/Cineon Media
- Using EDLs, Timecode, and Frame Numbers to Conform Projects
- Using the Color Interface
- Importing and Managing Projects and Media
- Creating and Opening Projects
- Saving Projects
- Saving and Opening Archives
- Moving Projects from Final Cut Pro to Color
- Before You Export Your Final Cut Pro Project
- Move Clips That Aren’t Being Composited to Track V1 in the Timeline
- Remove Unnecessary Video Filters
- Organize All Color Corrector 3-Way Filters
- Divide Long Projects into Reels
- Export Self-Contained QuickTime Files for Effects Clips You Need to Color Correct
- Use Uncompressed or Lightly Compressed Still Image Formats
- Make Sure All Freeze Frame Effects Are on Track V1
- Make Sure All Clips Have the Same Frame Rate
- Media Manage Your Project, If Necessary
- Recapture Offline Media at Online Quality, If Necessary
- Check All Transitions and Effects If You Plan to Render 2K or 4K Image Sequences for Film Out
- Using the Send To Color Command in Final Cut Pro
- Importing an XML File into Color
- Before You Export Your Final Cut Pro Project
- Importing EDLs
- EDL Import Settings
- Relinking Media
- Importing Media Directly into the Timeline
- Compatible Media Formats
- Moving Projects from Color to Final Cut Pro
- Exporting EDLs
- Reconforming Projects
- Converting Cineon and DPX Image Sequences to QuickTime
- Importing Color Corrections
- Exporting JPEG Images
- Configuring the Setup Room
- The File Browser
- Using the Shots Browser
- The Grades Bin
- The Project Settings Tab
- The Messages Tab
- The User Preferences Tab
- Monitoring Your Project
- Timeline Playback, Navigation, and Editing
- Basic Timeline Elements
- Customizing the Timeline Interface
- Working with Tracks
- Selecting the Current Shot
- Timeline Playback
- Zooming In and Out of the Timeline
- Timeline Navigation
- Selecting Shots in the Timeline
- Working with Grades in the Timeline
- The Settings 1 Tab
- The Settings 2 Tab
- Editing Controls and Procedures
- Analyzing Signals Using the Video Scopes
- The Primary In Room
- The Secondaries Room
- What Is the Secondaries Room Used For?
- Where to Start in the Secondaries Room?
- The Enabled Button in the Secondaries Room
- Choosing a Region to Correct Using the HSL Qualifiers
- Controls in the Previews Tab
- Isolating a Region Using the Vignette Controls
- Adjusting the Inside and Outside of a Secondary Operation
- The Secondary Curves Explained
- Reset Controls in the Secondaries Room
- The Color FX Room
- The Primary Out Room
- Managing Corrections and Grades
- The Difference Between Corrections and Grades
- Saving and Using Corrections and Grades
- Managing Grades in the Timeline
- Using the Copy To Buttons in the Primary Rooms
- Using the Copy Grade and Paste Grade Memory Banks
- Setting a Beauty Grade in the Timeline
- Disabling All Grades
- Managing Grades in the Shots Browser
- Managing a Shot’s Corrections Using Multiple Rooms
- Keyframing
- The Geometry Room
- The Still Store
- The Render Queue
- Appendix A: Calibrating Your Monitor
- Appendix B: Keyboard Shortcuts in Color
- Appendix C: Using Multi-Touch Controls in Color
- Appendix D: Setting Up a Control Surface
Why Is Your Project Getting So Big?
Because all still images are saved within the “StillStore” subdirectory inside your project
bundle, you may notice that your project takes longer to back up than it used to if you
save a lot of still images. If you need to reduce the size of the project file, you should
delete as many unused Still Store images as you can.
Saving Still Store Images in Subdirectories
By default, whenever you save a still image, it’s saved in your project’s internal “StillStore”
subdirectory and appears in the Still Store bin along with all the other stills you saved.
All stills in the Still Store bin appear in the order in which they were created, with the
newest stills appearing last.
You can also organize your saved stills into subdirectories. You might create individual
subdirectories based on the date of work, the scene stills are saved from, or any other
organizational means of your own devising.
To create a custom subdirectory in the Still Store bin
1 Click the Still Store tab.
2 Click New Folder.
3 When the New Folder dialog appears, enter a name in the “Name of new folder” field,
then click Create.
A new subdirectory appears inside of the “StillStore” directory within your project bundle
and becomes the currently open directory to which all new still images are saved.
Important: You cannot move still images into subdirectories once they’ve been created.
To save new stills in a subdirectory, you need to navigate the Still Store bin to that directory
before saving any new stills.
Removing Images from the Still Store
Saved images can stack up pretty quickly in the Still Store, so you want to make sure you
regularly remove all unnecessary stills.
To remove an image from the Still Store
1 Click the Still Store tab.
2 Select the still image you want to remove.
3 Press the Delete or Forward Delete key.
4 Click Yes in the warning dialog that appears, to confirm that you really do want to delete
the selected still image.
You cannot undo the deletion of a still from the Still Store.
383Chapter 16 The Still Store










