2
Table Of Contents
- Compressor User Manual
- Contents
- An Introduction to Compressor
- Getting Started Quickly
- The Basic Transcoding Workflow
- The Compressor Interface
- Importing Source Media Files
- Creating, Previewing, and Modifying Settings
- Creating Jobs and Submitting Batches
- Assigning Settings to Source Media Files
- Assigning Destinations to Source Media Files
- Submitting a Batch
- About the History Drawer
- Resubmitting a Batch
- Saving and Opening a Batch File
- Submitting a Final Cut Pro Project for Transcoding
- Resubmitting a Final Cut Pro Project
- Transcoding Different Clips From One Source Media File
- Creating Dolby Digital Professional Output Files
- Creating H.264 DVD Output Files
- Creating MPEG-1 Output Files
- Creating MPEG-2 Output Files
- Creating MPEG-4 Output Files
- Creating QuickTime Movie Output Files
- Creating QuickTime Export Component, AIFF, and TIFF Files
- Adding Filters to a Setting
- Adding Frame Controls, Geometry, and Actions to a Setting
- Using the Preview Window
- Creating and Changing Destinations
- Using Droplets
- Customer Support
- Command-Line Usage
- Index
8
109
8 Creating H.264 DVD Output Files
Compressor can output H.264, also known as MPEG-4
Part 10. This ultra-efficient, fully scalable video technology
produces higher quality video at lower data rates.
Compressor 2 adds output for H.264, also known as MPEG-4 Part 10. Not only is H.264
very efficient, providing extremely high quality in smaller files, but H.264 is also
scalable, producing video for everything from 3G for mobile phones to High Definition
(HD). H.264 is currently mandatory in both new high definition DVD specifications (HD
DVD and Blu-Ray) and functionally included in hundreds of new electronics products.
At DVD data rates, H.264 is twice as efficient as MPEG-2. That means you can count on a
lower bit rate to get the same quality, or higher quality at the same bit rate. H.264 is
the result of the combined efforts of two standards bodies — the ITU (International
Telecommunication Union) and ISO MPEG (International Organization for
Standardization’s Moving Picture Experts Group). H.264’s outstanding performance and
efficiency makes it the likely successor to MPEG-2 in the professional media industry.
This chapter contains the following:
 About the H.264 Encoder Pane (p. 110)
 Job Segmenting and Multi-pass (p. 112)
 H.264 Workflows for DVD (p. 113)
For information on creating H.264 files for uses other than DVD authoring (such as web
video), see “Creating QuickTime Movie Output Files” on page 163.