Manual
Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your library
- Chapter 6: Play back and skim media
- Chapter 7: Edit your project
- Editing overview
- Create and manage projects
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Create freeze frames
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Work with markers
- Correct excessive shake and rolling shutter issues
- Chapter 8: Edit audio
- Chapter 9: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set transition defaults
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- About themes
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 10: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Conform frame sizes and frame rates
- Use roles to manage clips
- Use XML to transfer projects and events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 11: Keying and compositing
- Chapter 12: Color correction
- Chapter 13: Share your project
- Chapter 14: Manage media, libraries, and archives
- Chapter 15: Preferences and metadata
- Chapter 16: Keyboard shortcuts and gestures
- Glossary
Chapter 12 Color correction 389
Note: If you have applied multiple corrections to a clip, you can drag them in the Video inspector
to change their order. Rearranging the processing order can provide dierent results.
View color correction keyframes in the Timeline
If a clip has multiple corrections with animated shape masks, you can view a correction’s shape
mask keyframes in the Video Animation Editor above the clip in the Timeline.
1 In the Timeline, select a clip that has multiple color corrections with animated shape
masks applied.
2 Choose Clip > Show Video Animation (or press Control-V).
3 Choose the color correction you want to view from the Color pop-up menu:
•
To see a composite of keyframes from all corrections: Choose the correction, and if it contains
multiple shape masks, choose the one you want to see.
•
To see keyframes from a specic shape mask in a correction: Choose the correction, and if it
contains multiple shape masks, choose the one you want to see.
When you choose a specic correction, such as Correction 2, you see its keyframes in white
and the keyframes of other corrections in dark gray.
Add a transition between color corrections
You can have a video clip change from one color correction to another using a transition.
For example, if you want a scene to gradually highlight the two main characters, you can use
a transition to dissolve between the normal clip and the clip with shape masks and a color
correction applied that darkens the image outside of the masks.
Important: Make sure that Available Media is chosen from the “Apply transitions using” pop-up
menu in the Editing pane of Final Cut Pro preferences. For more information about this setting,
see How transitions are created on page 212 .
Congure a clip to change transitions
1 Temporarily switch to the Blade tool by holding down the B key.
2 In the Timeline, click a video clip at the point where you want to change between
color corrections.
The clip splits into two clips.
3 Apply a dierent color correction to each clip.
You can also leave one clip uncorrected and apply a color correction to the other.
The color correction could be an exaggerated tint, an exposure change, or any other
noticeable adjustment.
4 Select the edit point between the two clips, and press Command-T to insert a cross dissolve.
When you play the clip, one color correction dissolves into the other as the edit point is passed.
67% resize factor