Manual
Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your library
- Chapter 6: Play back and skim media
- Chapter 7: Edit your project
- Editing overview
- Create and manage projects
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Create freeze frames
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Work with markers
- Correct excessive shake and rolling shutter issues
- Chapter 8: Edit audio
- Chapter 9: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set transition defaults
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- About themes
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 10: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Conform frame sizes and frame rates
- Use roles to manage clips
- Use XML to transfer projects and events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 11: Keying and compositing
- Chapter 12: Color correction
- Chapter 13: Share your project
- Chapter 14: Manage media, libraries, and archives
- Chapter 15: Preferences and metadata
- Chapter 16: Keyboard shortcuts and gestures
- Glossary
Chapter 12 Color correction 391
Turnlogprocessingonoro
Many modern cameras have a log or wide-dynamic-range recording option that provides more
f-stops of exposure latitude in the image. You can apply log processing to this footage to convert
its appearance to a standard broadcast look. Some cameras embed metadata in the media le
that enables Final Cut Pro to turn on the appropriate log processing setting automatically. Many
cameras do not embed this metadata, and sometimes the metadata may simply be lost if the
material is transcoded. In any case, you can change this setting at any time.
Turn a clip’s log processing on or o
1 Select a clip recorded with the log option.
2 To open the Info inspector, click the Inspector button in the toolbar (shown below), and click the
Info button at the top of the pane that appears.
3 In the Info inspector, choose Settings View from the Metadata View pop-up menu.
4 In the Log Processing pop-up menu, choose an option for converting the appearance of your footage:
•
None: Turns o log processing.
•
ARRI Log C: Applies ARRI Log C linearization with a default tone mapping.
•
ARRI Log C (3DLUT): Uses the 3DLUT embedded in the media to apply a custom look.
•
BMD Film: Applies the appropriate linearization for the Blackmagic Cinema Camera and the
Blackmagic Pocket Cinema Camera.
•
BMD Film 4K: Applies the appropriate linearization for the Blackmagic Production Camera 4K.
•
Canon Log: Applies the appropriate linearization for Canon Log.
•
Sony S-Log2: Applies the appropriate linearization and 709(800%) MLUT tone mapping for
footage shot with the S-Log2/S-Gamut setting on Sony cameras such as the F5 and F55.
•
Sony S-Log3: Applies the appropriate linearization and 709(800%) MLUT tone mapping for
footage shot with the S-Log3/S-Gamut3.Cine setting on Sony cameras such as the F5 and F55.
Note: Final Cut Pro properly displays Apple ProRes media captured with the ARRI ALEXA camera
Log C recording option and imported with Final Cut Pro X 10.0.8 or later. If Log C media was
imported into an earlier version of Final Cut Pro X, Log C processing is disabled by default for
that media.
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