Manual
Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your library
- Chapter 6: Play back and skim media
- Chapter 7: Edit your project
- Editing overview
- Create and manage projects
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Create freeze frames
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Work with markers
- Correct excessive shake and rolling shutter issues
- Chapter 8: Edit audio
- Chapter 9: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set transition defaults
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- About themes
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 10: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Conform frame sizes and frame rates
- Use roles to manage clips
- Use XML to transfer projects and events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 11: Keying and compositing
- Chapter 12: Color correction
- Chapter 13: Share your project
- Chapter 14: Manage media, libraries, and archives
- Chapter 15: Preferences and metadata
- Chapter 16: Keyboard shortcuts and gestures
- Glossary
Chapter 12 Color correction 397
Histogram display options
The Histogram provides a statistical analysis of the image by calculating the total number of
pixels of each color or luma level and creating a graph that shows the number of pixels at
each percentage of luma or color. Each increment of the scale from left to right represents a
percentage of luma or color, and the height of each segment of the Histogram graph shows the
number of pixels that correspond to that percentage.
The Settings pop-up menu in the upper-right corner of the Histogram provides a variety of
display options:
•
Luma: Shows only the luma component of the video. The height of the graph at each step on
the scale represents the number of pixels in the image at that percentage of luma, relative to
all the other values. For example, if an image has few highlights, the Histogram shows a large
cluster of values in the midtones.
Using the Luma Histogram view, you can quickly compare the luma of two shots so that you
can adjust their shadows, midtones, and highlights to match more closely.
The shape of the graph also helps you determine the amount of contrast in an image. A
low-contrast image has a concentrated clump of values nearer to the center of the graph. By
comparison, a high-contrast image has a wider distribution of values across the entire width of
the graph.
•
RGB Overlay: Combines waveforms for the red, green, and blue color components in one
display. If the image being examined has equal levels of two or more colors, you see the
combined color:
•
Equal levels of green and blue appear as cyan.
•
Equal levels of green and red appear as yellow.
•
Equal levels of red and blue appear as magenta.
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