Manual
Table Of Contents
- Contents
- Chapter 1: What’s new in Final Cut Pro?
- Chapter 2: Final Cut Pro basics
- Chapter 3: Import media
- Chapter 4: Analyze media
- Chapter 5: Organize your library
- Chapter 6: Play back and skim media
- Chapter 7: Edit your project
- Editing overview
- Create and manage projects
- Select clips and ranges
- Add and remove clips
- Adding clips overview
- Drag clips to the Timeline
- Append clips to your project
- Insert clips in your project
- Connect clips to add cutaway shots, titles, and synchronized sound effects
- Overwrite parts of your project
- Replace a clip in your project with another clip
- Add and edit still images
- Create freeze frames
- Add clips using video-only or audio-only mode
- Remove clips from your project
- Solo, disable, and enable clips
- Find a Timeline clip’s source clip
- Arrange clips in the Timeline
- Cut and trim clips
- View and navigate
- Work with markers
- Correct excessive shake and rolling shutter issues
- Chapter 8: Edit audio
- Chapter 9: Add transitions, titles, effects, and generators
- Transitions, titles, effects, and generators overview
- Add and adjust transitions
- Transitions overview
- How transitions are created
- Set transition defaults
- Add transitions to your project
- Delete transitions from your project
- Adjust transitions in the Timeline
- Adjust transitions in the Transition inspector and Viewer
- Adjust transitions with multiple images
- Create specialized versions of transitions in Motion
- Add and adjust titles
- Adjust built-in effects
- Add and adjust clip effects
- Add generators
- About themes
- Use onscreen controls
- Use the Video Animation Editor
- Chapter 10: Advanced editing
- Group clips with compound clips
- Add storylines
- Fine-tune edits with the Precision Editor
- Create split edits
- Make three-point edits
- Try out clips using auditions
- Retime clips to create speed effects
- Conform frame sizes and frame rates
- Use roles to manage clips
- Use XML to transfer projects and events
- Edit with multicam clips
- Multicam editing overview
- Multicam editing workflow
- Import media for a multicam edit
- Assign camera names and multicam angles
- Create multicam clips in the Browser
- Cut and switch angles in the Angle Viewer
- Sync and adjust angles and clips in the Angle Editor
- Edit multicam clips in the Timeline and the Inspector
- Multicam editing tips and tricks
- Chapter 11: Keying and compositing
- Chapter 12: Color correction
- Chapter 13: Share your project
- Chapter 14: Manage media, libraries, and archives
- Chapter 15: Preferences and metadata
- Chapter 16: Keyboard shortcuts and gestures
- Glossary
Chapter 14 Managemedia,libraries,andarchives 423
Text at the bottom of the window indicates how many potential matches to items in your
original list were found (based on the lenames only).
Text indicates how many
matches were found.
Note: Final Cut Pro identies matches based on proximity in the directory structure and related
lenames. For example, if your original les were in two adjacent folders, Final Cut Pro looks in
folders adjacent to the folder containing the le you chose and relinks all matching les in the
relative path. If your original les were named “File1,” “File2,” “File3,” and so on, and you chose to
relink to a le named “File1_A,” Final Cut Pro looks for les named “File2_A,” “File3_A,” and so on
to relink the remaining items in your list.
6 Click Choose.
Final Cut Pro analyzes the les to conrm that all attributes (in addition to the lename) match
items in the original selection. Analysis results are shown below the Original Files list (for
example, “3 of 3 les matched”).
7 Click the disclosure triangle next to the analysis results to show a list of old les (on the left) and
the new matching les (on the right).
If a le was matched incorrectly, select it in the list and press Delete. The item is placed back in
the original list at the top of the Relink Files window.
Items with no matches remain in the original list above. You can continue to locate those by
selecting them and repeating steps 4 through 6.
67% resize factor