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Table Of Contents
67Final Cut Pro User Guide
5. Click the Info button at the top of the inspector.
6. In the Info inspector, click the Modify RED RAW Settings button.
7. In the RED RAW Settings window, adjust the settings.
Your changes are saved nondestructively to an external metadata file with the file
extension .RMD, overwriting any existing RMD metadata file. Unlike video effects
that are applied to a clip, these adjustments are associated with the file (via the RMD
metadata file). Any changes you make to these settings are applied to all copies of the
selected clip or clips.
To produce wide-gamut colors for HDR without the use of a LUT, set Color Space to
Rec. 2020 and Gamma to HDR-2084. For information about wide-gamut HDR settings in
Final Cut Pro, see Use wide-gamut HDR color processing in Final Cut Pro.
Note: Final Cut Pro supports the RED ROCKET card, a PCI card that provides a
significant boost in performance. For more information about REDCODE RAW (R3D) files
and the RED ROCKET card, go to http://www.red.com.
Import Canon Cinema RAW Light files into
Final Cut Pro
You can import and work with Canon Cinema RAW Light files in Final Cut Pro when you
install additional software from Canon.
Your camcorder or camera must be compatible with Final Cut Pro. For a list of compatible
devices, see the Apple Support article Cameras supported by Final Cut Pro.
1. Verify that the current versions of Final Cut Pro and Pro Video Formats software are
installed:
Final Cut Pro: Choose Apple menu > App Store, then click Updates in the sidebar.
Pro Video Formats: Choose Apple menu > System Preferences, then click Software
Update.
2. From the Canon website, download the appropriate Canon plug-in for Final Cut Pro,
then install the software on your Mac.
3. Import the media into Final Cut Pro.
See Import into Final Cut Pro from file-based cameras and Import into Final Cut Pro
from your Mac or storage device.
Note: Canon Cinema RAW Light files have the filename extension .crm.
4. Optionally, confirm that Final Cut Pro applied the appropriate built-in Canon camera LUT
(Canon Log 2/Cinema Gamut), or apply a custom LUT.
See Apply LUTs in Final Cut Pro.
5. If you like, generate optimized or proxy media from the Canon Cinema RAW Light media.
After you add the Canon Cinema RAW Light clips to your project, you can edit them as you
would any other clips.