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Table Of Contents
704Final Cut Pro User Guide
Canon Log2/Cinema Gamut: Uses Canon’s EOS C300 Mark II 3D LUTs that convert
Canon Log 2 with Cinema Gamut to Wide DR gamma.
Canon Log3/Cinema Gamut: Uses Canon’s EOS C300 Mark II 3D LUTs that convert
Canon Log 3 with Cinema Gamut to Wide DR gamma.
Panasonic V-Log: Uses Panasonic’s Varicam 35 3D LUTs that convert V-Log to
V-709/V-2020.
Sony S-Log2/S-Gamut: Applies the appropriate linearization and 709(800%) MLUT
tone mapping for footage shot with the S-Log2/S-Gamut setting on Sony cameras
such as the F5 and F55.
Sony S-Log3/S-Gamut3: Applies the appropriate linearization and 709(800%) MLUT
tone mapping for footage shot with the S-Log3/S-Gamut3 setting on Sony cameras
such as the F5 and F55.
Sony S-Log3/S-Gamut3.Cine: Applies the appropriate linearization and 709(800%)
MLUT tone mapping for footage shot with the S-Log3/S-Gamut3.Cine setting on
Sony cameras such as the F5 and F55.
If you’ve imported custom camera LUTs, you can choose one from the Custom Camera
section of the pop-up menu.
Final Cut Pro applies the camera LUT you chose, and alters the look of the video clip
accordingly. The change is applied to all instances of the clip, in all projects and events
in the current library.
Note:
Final Cut Pro properly displays Apple ProRes media captured with the ARRI ALEXA
camera Log C recording option and imported with Final Cut Pro 10.0.8 or later. If Log C
media was imported into an earlier version of Final Cut Pro, Log C processing is disabled by
default for that media.
Import a custom camera LUT
1. Select a video clip in the Final Cut Pro browser or timeline.
2. In the Info inspector, click the Metadata View pop-up menu in the bottom-left corner
and choose General, Extended, or Settings.
3. Click the Camera LUT pop-up menu and choose Add Custom Camera LUT.
4. In the window that appears, navigate to the LUT file you want to import, and select it.
You can import 3D LUT files with the filename extensions .cube and .mga. You can
select single files, multiple files, or a folder of files.
5. Click the Output Color Space pop-up menu and choose the target color space that the
custom camera LUT converts to.
The target color space is usually indicated in the custom camera LUT name.