Logic Pro 8 Control Surfaces Support
Apple Inc. © 2007 Apple Inc. All rights reserved. Under the copyright laws, this manual may not be copied, in whole or in part, without the written consent of Apple. Your rights to the software are governed by the accompanying software licence agreement. The Apple logo is a trademark of Apple Inc., registered in the U.S. and other countries.
Contents Preface 7 7 8 9 12 12 13 Introduction What Are Control Surfaces? Using Control Surfaces With Logic Pro Control Surfaces Supported by Logic Pro Control Surface Plug-ins About Software and Firmware About This Guide Chapter 1 15 15 16 18 19 22 29 32 33 Basic Control Surface Setup Getting Started Connecting Control Surfaces Adding Control Surfaces to Logic Pro Creating Control Surface Groups Configuring Your Control Surface Setup Setting Control Surface Preferences Modal Dialog Display Usage T
82 83 83 85 86 93 94 95 95 96 4 Global View Zone Modifier Buttons Automation Buttons Utilities Buttons Transport Zone Cursor Key Zone Jog/Scrub Wheel Zone Programmable User Modes Connecting Foot Switches Assignment Overview Chapter 4 107 107 107 108 110 110 112 112 112 113 114 M-Audio iControl Setting Up Your iControl Editing Plug-in Parameters Assignment Buttons Arrow Up and Arrow Down Buttons Channel Strip Controls Mixer View and Channel View The Jog Wheel Transport Controls Master Fader Assignment O
Chapter 8 141 141 142 JLCooper CS-32 MiniDesk Setting Up Your JL Cooper CS-32 MiniDesk Assignment Overview Chapter 9 147 147 147 148 JLCooper FaderMaster 4/100 What You Will Need Setting Up Your JLCooper FaderMaster 4/100 Assignment Overview Chapter 10 149 149 150 Korg microKONTROL and KONTROL49 Setting Up Your Korg microKONTROL and KONTROL49 Assignment Overview Chapter 11 155 155 156 Mackie Baby HUI Setting Up Your Mackie Baby HUI Assignment Overview Chapter 12 159 159 159 166 169 169 170 170
Chapter 17 203 203 204 Tascam US-2400 Setting Up Your Tascam US-2400 Assignment Overview Chapter 18 211 211 211 Tascam US-428 and US-224 Setting Up Your Tascam US-428 and US-224 Assignment Overview Chapter 19 215 215 216 218 219 219 219 219 Yamaha 01V96 Setting Up Your Yamaha 01V96 Assignment Overview SELECTED CHANNEL Section Data Entry Section Channel Strips Stereo Channel Strip Section User Defined Keys Section Chapter 20 223 223 224 Yamaha 02R96 Setting Up Your Yamaha 02R96 Assignment Overv
Preface Introduction You can use hardware control surfaces to control and automate transport, mixing, recording, and other tasks in Logic Pro. All of the Logic Pro functions which correspond to mixer controls, such as setting volume level and pan position, can be performed onscreen—using your mouse and computer keyboard. This is not an optimal method for precise real time control.
Some simple control surfaces only provide (non-motorized) faders and knobs. More sophisticated units include motorized faders, rotary encoders, LED rings, and programmable displays. The additional feedback these control surfaces provide make them easier to use—without having to refer to your computer screen to know what mode the device is in, or what current parameter values are.
Logic Pro directly supports a variety of control surfaces, as mentioned, but also allows you to remap existing assignments for supported control surfaces, or to program new assignments for unsupported control surfaces. This allows you to extend the use of faders, knobs, and switches—either directly, or through the use of modifier commands. You can use any combination of control surfaces with Logic Pro. You will get the most out of them when used in a control surface group.
Supported Devices Manufacturer Notes C4 Mackie The Mackie C4 is directly supported. See “Mackie C4” on page 159. CM408T (System 5 MC) Euphonix See “EuCon Support of Euphonix MC and System 5-MC” on page 117. CS-32 MiniDesk JLCooper See “JLCooper CS-32 MiniDesk” on page 141. DM1000 Yamaha The Yamaha DM1000 emulates two HUI units, using two virtual MIDI in and out connections over its USB cable. See “Yamaha DM1000” on page 229.
Supported Devices Manufacturer Notes Mackie Control Mackie The original Mackie Control hardware is similar to the Logic Control. The front panel legend is different, however. You should request a Logic Control Lexan Overlay from Mackie. As Logic Pro also recognizes the Mackie Control protocol, you may use any firmware version. If your unit has firmware version 1.02 or higher, you can freely use either the Logic Control or Mackie Control mode. See “Mackie Control” on page 57.
Control Surface Plug-ins Supported control surfaces communicate with Logic Pro via special plug-in files that are installed along with Logic Pro. The plug-in files are located in the /Contents/MIDI Device Plug-ins subfolder of the Logic Pro application bundle. To view the bundle contents, Control-click the Logic Pro application icon, and choose Show Package Contents from the menu.
About This Guide This document assumes that you are familiar with the basic use and terminology of Logic Pro. The functionality and uses of individual Logic Pro parameters are not covered. Please consult the Logic Pro 8 User Manual if you require further information. The next chapter, “Basic Control Surface Setup,” describes general setup procedures that are common to all control surfaces. The following chapters provide information about setting up and using specific devices.
1 Basic Control Surface Setup 1 Regardless of the device, you first need to connect, add, and configure your control surface for use with Logic Pro. This chapter describes aspects of the setup procedure, and preferences, that are common to all control surfaces. Setup information for specific devices is covered in the following chapters. Important: Please read this chapter first, then read through the chapter that pertains to your specific device.
The number of devices that can be used simultaneously depends on the number of free ports of the appropriate type (USB, FireWire, or other) available on your system. In a standard setup, you can use a single control surface—or one accompanied by one or more expansion devices. You can also create control surface groups, as discussed in “Creating Control Surface Groups” on page 19. Using multiple control surfaces allows you to control more tracks/channels, effects, and other parameters simultaneously.
Connecting Control Surfaces via Networking Ports A handful of devices are connected via the network (LAN) ports of your Macintosh, using a single, standard (CAT5) networking cable. Most devices connected in this way also incorporate audio I/O, and digital audio converters, plus built-in MIDI ports— making the addition of these peripherals a simple, single cable (and driver) installation.
Powering Up Once everything is connected, press the power switch on your control surface. Once powered, the displays (such as an LCD, if your device has one) or LEDs are lit. Some LCDs display a welcome message, which includes the firmware version number, during power-up. On most control surfaces with motorized faders, each fader will slide to its top position, then back to its bottom or center position. This self-diagnostic power-on procedure indicates that your units are functioning correctly.
Some control surfaces don’t support automatic scanning. Such devices must be added manually to your setup. When you add a device manually, you also need to assign the appropriate MIDI In and Out port parameters. Note: It is preferable to install devices by scanning, whenever possible. Logic Pro is able to gather more information about devices through scanning, than via manual installation.
To create a control surface group: 1 Open the Control Surfaces Setup window by choosing Logic Pro > Preferences > Control Surfaces > Setup. 2 In the Setup window, drag the icons of the control surfaces you want to group, so that they form a single horizontal row. The order of the icons from left to right defines the order in which tracks and parameters are arranged on the devices.
The top row, consisting of the Mackie Control #1, Mackie Control XT #1, and Mackie Control XT #2 forms a single control surface group with 24 channels. Mackie Control #1 controls channels 1 to 8, XT #1 controls channels 9 to 16, and XT #2 handles channels 17 to 24. In the second row, the Mackie Control #2 and Mackie Control XT #3 form a second control surface group—controlling instruments (on channels 1 to 8) and auxes (on channels 9 to 16).
Configuring Your Control Surface Setup The left side of the Setup window contains two or three parameter boxes: Device parameters, Special parameters (if your connected device supports them), and Control Surface Group parameters. You can configure your control surface setup to meet your needs by editing the parameters in these boxes. Device Parameters The Device Parameter box contains the following parameters: Â Out Port: Choose the MIDI output port from the pop-up menu.
Special Parameters Some control surfaces (such as the Mackie Control) allow you to define “special” parameters such as fader touch sensitivity. When a device that offers special parameters is connected, the Special Parameters box appears on the left side of the Setup window. For more information about supported special parameters, refer to the documentation for the specific device.
Note: The exact elements displayed, and thus their positions, depend on the selected SMPTE or bar/beat display option defined in the Logic Pro Preferences. Â Channel Strip View Mode: Â Arrange: The channel strips on the device correspond to Logic Pro channel strips as they appear in the Mixer window. The layout of channel strips matches the way tracks are laid out in the Arrange window.
    Input: Encoders adjust/select channel input source. Output: Encoders adjust/select channel output (main outs/auxes/surround). Automation: Encoders adjust/select channel automation mode. Group: Encoders adjust group membership of the track. Editing the parameter allows you to set either “no group” or a single group. Enabling membership of multiple groups is not possible (this can only be done directly in the Logic Pro Mixer).  Displayed Par.
If your control surface does not display all EQ parameters at once, you view them by stepping through the parameter pages in sequence. As an example, if your control surface has eight channel strips, you can directly control parameters 1 to 8 with knobs or sliders 1 to 8 when you switch to EQ Channel Strip Edit view. You then need to switch by a page to access parameters 9 to 16.
 Insert Slot: Sets the current Insert slot number, both for selecting a plug-in (in Plug-in Channel Strip view) and for editing its parameters. The default is 1, which sets the first (top) plug-in slot on each channel as the Insert slot. A value of 2 sets the second plug-in slot as the Insert slot, and so on. With Split Mode enabled, this applies to Split Upper.  Insert Slot (Split Lower): Sets the current Insert slot number for Split Lower when selecting or editing a plug-in when Split Mode is enabled.
 Full: Turning the encoder to the right sets the maximum value. Turning it to the left sets the minimum value. The encoder also stops at its default value. As an example, when the Pan knob is left of center, turning the encoder to the right initially sets the Pan parameter to center (its default value). A further turn to the right sets the Pan to full right (its maximum value).  Fine: The parameter is incremented or decremented in fine steps—by one tick or other unit.
Setting Control Surface Preferences Various settings that affect the onscreen appearance and performance of control surfaces can be made in the Logic Pro > Preferences > Control Surfaces tabs. To open the Control Surfaces preferences: m Choose Logic Pro > Preferences > Control Surfaces > Preferences (or use the Open Control Surfaces Preferences key command). To temporarily disable your control surfaces: m Choose Logic Pro > Preferences > Control Surfaces > Bypass all Control Surfaces.
 Jog resolution depends on horizontal zoom checkbox: When active, the precision of scrubbing (using the jog/shuttle wheel of your control surface) is determined by the horizontal zoom level of Logic Pro. Your control surface must feature a jog/shuttle wheel (or similar control) for this to have any effect. To retain a consistent resolution, regardless of Logic Pro window zoom levels, disable this checkbox.
 Only when all parameters fit in one page: When turned on, the defined number of encoders are only used when there are sufficient encoders available to show all parameters, without changing pages. As an example, if you have a Mackie Control and two Mackie Control XTs (giving you at total of 24 encoders), a plug-in with 13 parameters will be shown with one encoder per parameter. Eleven encoders will remain unused. A plug-in with 11 parameters will be shown with two encoders per parameter.
 Parameter name checkbox: When turned on, the upper LCD line displays the full parameter name, rather than an abbreviated form of it, when you edit a parameter,  Parameter value checkbox: When turned on, the lower LCD line displays the full parameter value when you edit a parameter. If the “Show value units for parameter” boxes (see below) are checked, it will be appended by the measurement unit, where applicable (as examples: “dB,” “Hz,” or “%”).
 If the control surface has a Cancel or Exit button, it triggers the button labeled Cancel or Abort, where applicable.  All buttons in the modal dialog (push buttons, including Enter/default and Cancel, as well as checkboxes and radio buttons, but not pop-up menus) appear in the display’s lower row. Pressing a control surface button below the display triggers the appropriate function in the dialog, if applicable.
2 Customizing Controller Assignments 2 You can assign controllers to Logic Pro parameters, and edit controller assignments to fit you workflow. This chapter describes how to assign controllers to Logic Pro parameters, edit controller assignments, and use zones and modes to switch between groups of assignments. Assigning Controllers to Logic Pro Parameters You can assign any controller that is capable of generating a MIDI message to a parameter in Logic Pro.
Working in Easy View Easy view allows you to see, and assign, controllers to channel strip and plug-in parameters, and to change the track that assignments apply to. Assignment of controllers to channel strip and plug-in parameters is achieved through the Learn process. The Easy view of the Controller Assignments window contains the following fields and buttons: Â Expert View button: Click to open the editor in Expert view. Â Back/Forward buttons: Click to move back and forth between assignments.
3 Move the controller you want to assign to the selected parameter. Moving the controller sends a MIDI message to Logic Pro, which appears in the “Input message” field. The Learn Mode button remains active, allowing you to make further assignments. 4 To make another assignment, select the parameter you want to assign in Logic Pro, then move the desired controller on the control surface.
The dialog appears when the distance between the last two controllers matches the distance between tracks (or the number of parameters between the last two assigned, if dealing with plug-in parameters). In the above examples, the distance between 1 and 16 would equal 15. 3 Click OK to automatically fill the controllers between the first and last—with the corresponding assignments. Parameter assignment numbering (for plug-ins) is shown in the Plug-in window’s Control view.
To open the Controller Assignments window in Expert view: m Click the Expert view button. In Expert view, the Controller Assignments window contains the following fields, menus, and buttons—used to edit assignment parameters, and define zones and modes. Â Zone list: Displays the available zones for the device. The first entry “(No Zone)” is for zoneless assignments—assignments that are always active, regardless of the active zone.
 Input Message: The port and MIDI input message can be altered directly. Some fields in this section are merely displays, and cannot be changed.  Value: The range of values, and response, of the controller assignment to incoming messages is determined in this area. Feedback to the display of control surfaces can also be determined here. Controller Assignment Parameters This section outlines each parameter shown in the right-hand fields of the Expert view.
Value Section  Min and Max fields: Enter integer values—to set the range of incoming MIDI values.  Format pop-up menu: Choose the format used to encode negative values.  Multiply field: Enter a value—which will scale incoming MIDI values.  Mode pop-up menu: Choose the mode used by incoming values—to modify the current parameter value. Feedback pop-up menu and checkboxes: Choose the display format of the parameter value (on the control surface display, if applicable).
To delete an assignment in Expert view: 1 Select the assignment that you want to delete in the Control/Parameter list. 2 Choose Edit > Delete in the main menu bar (or press the Backspace key). About Zones and Modes You can define a group of controllers as a zone in Expert view, and switch all controls in a zone to different parameters—in one operation. Using a Mackie Control as an example; you can define the eight rotary encoders as a zone, and switch them between pan, send level, or plug-in parameters.
The following list illustrates one possible arrangement of zones and modes, which shows how you can define them, hierarchically: Zone 1 Zone 2 Modeless Assignment A Modeless Assignment B Mode 3 (inactive) Modal Assignment A Mode 1 (inactive) Modal Assignment A Modal Assignment B Mode 4 (active) Modal Assignment A Mode 2 (active) Modal Assignment A Modal Assignment B Modal Assignment C Mode 5 (inactive) Modal Assignment A Modal Assignment B Modal Assignment C Modal Assignment D Defining Zones and Mo
Reassigning a Controller The procedure for reassigning an active controller (an assigned controller in the active mode) is different to that for an inactive controller (one with an assignment in a non active mode). Reassigning an Active Controller When you use the Learn process to assign an active controller (one with an assignment in the active mode), a dialog is shown: Â Cancel: Deletes the new assignment, retaining the existing assignment. Â Keep both: Retains the new and old assignments.
Label Field For supported control surfaces, shows characters that represent the label for the assignment that appears on the control surface display. Unsupported control surfaces can only send information, not receive it, and cannot display an assignment label. If the field contains constant text, it can contain any number of characters. When used as a placeholder for dynamically created text, however, the field contains three characters that represent the label.
Flip Group Field Enter the same integer value for two assignments, to define a counterpart for Flip mode (for supported control surfaces that offer Flip mode). By setting a fader and an encoder to the same flip group, for example, they are coupled. To set “none” enter a value of 0. For unsupported devices: you need to set up two active assignments, which both use the same flip group; one assignment needs to be absolute (using a fader, for example), the other relative (encoder, for example).
Global Choosing the Global class lets you use an assignment to control global parameters. A Parameter pop-up menu appears below the Class menu, offering the parameters listed in the following table. Global Options Explanation Playhead This assignment controls the position of the playhead; Feedback is sent in the format chosen in the control surface group’s Clock Display parameter. Playhead (Beats) As above, but feedback is sent in beats format.
Global Options Explanation Autopunch Toggles the Autopunch function on and off. Go to Marker Allows you to move the playhead to a marker number. An additional number field below the Parameter menu is used to determine the destination marker number. Group Clutch Sets the automation group clutch; Automation groups are disabled when the clutch is enabled. For buttons, set the group clutch to 1 when the button is pressed, and set it to 0 when the button is released.
If you choose the Fader Bank, Index, Audio, Software Instrument, Bus, Auxiliary, Output, or Master setting in the Channel Strip pop-up menu, the following two parameters become available: Â Number field: A 0-based offset, which is added to the channel strip number. The typical use for this field is for sequential controls: Fader 1 uses offset 0, Fader 2 uses offset 1, and so on. Â Parameter field: Text description of the addressed parameter.
Note: Assignments for unsupported control surfaces always belong to the first control surface group. Parameter Option Additional Info Fader Bank for Current View Maps to the fader bank for the currently used View mode. This way, you need only one assignment per left/right button for all View modes. Filter for All View When this parameter is selected, eight additional checkboxes—for the eight channel strip types—are displayed, when the View mode is All.
Input Message Section The parameters in this section let you control different aspects of MIDI input. MIDI Input Pop-up Menu When you choose a MIDI input (port) from the menu, all assignments that use the same input are changed accordingly. If the assignment belongs to a supported control surface, the device’s MIDI Input also changes in the Setup window. This makes it easy for you to create default assignments for a new control surface.
Note: This only applies to the Channel Strip assignment class, and to parameters that can be automated. Value Section The parameters in this section let you control different aspects of the values for incoming MIDI messages. Min and Max Fields Enter an integer value to set the minimum and maximum range for incoming values represented by Lo7 and Hi7. Typically, the minimum defaults to 0, and the maximum defaults to 127.
Mode Pop-up Menu Choose the mode used by incoming values—to modify the current parameter value. The choices are: Â Direct: The incoming value is used as the parameter value. Â Toggle: If the parameter’s current value is 0, it is set to the incoming value. All other values set the parameter value to 0. This option is useful for buttons which toggle a value: Mute, Solo, and so on. Â Scaled: The incoming value is scaled; from its value range to the destination parameter’s value range.
Text Feedback Checkbox When selected, a text representation of the current value is sent to the control surface’s display. The control surface display facilities determine the display position and number of characters that are used. Local Feedback (Fader/Knob) Checkbox When selected, no feedback is sent while the parameter is in Touched mode. This prevents motorized faders from “fighting” against the user. Key Repeat Checkbox When selected, the assignment is repeatedly executed.
Typically, the value range of 1 to 127 is used for the button pressed message. The zero (0) value is generally used for the button released message. Note: Some control surfaces may use different value ranges (CM Labs MotorMix, for example). Assigning appropriate Min and Max values ensures that key repeat will work with such devices.
5 You can repeat steps 2 to 4 to make additional assignments, if desired. 6 When you are finished, click the Close button to exit the window. To assign a button or key release message to a key command: 1 Choose Logic Pro > Preferences > Key Commands to open the Key Commands window. 2 In the Command list, click the disclosure triangle to reveal the commands for a category, then select the key command you want to assign (or use the Search field).
3 Mackie Control 3 You can fully control Logic Pro with a Mackie Control, and can extend its functionality with several expansion devices. The information in this chapter applies to the Mackie Control Universal, the original Mackie Control, the Logic Control, and the Mackie (or Logic) Control Extender (XT). The term Mackie Control is used for all of these devices throughout the chapter. The controls of the Mackie Control are physically grouped into different areas, called zones.
4 Edit the project with the channel strip controls. See “Channel Strip Controls” on page 61 for more information. Display Zone The display zone, located along the top of the Mackie Control, features four displays. Each shows different information:  Main Liquid Crystal Display (LCD)  Assignment display  Time display  Solo LED Main Liquid Crystal Display (LCD) The main LCD is divided into eight sections (or columns, if you prefer), each with two lines of text.
You can switch between formats by pressing the SMPTE/BEATS button directly below the display. You can also set the default format with the Clock Display parameter in the Control Surface Setup window. Information on this (and other configuration options) is found in “Configuring Your Control Surface Setup” on page 22. Solo LED The Solo LED (labeled as Rude Solo on the Mackie Control), located at the right edge of the display zone, is lit when a channel strip is set to solo, or Solo mode is enabled.
Pressing the NAME/VALUE button while holding the x/ALT or OPTION buttons enters Control Surface Group Settings mode. This mode lets you edit the following control surface group settings—some of which are not accessible with a single button: Control Action V-POT 5 Sets the track name display format. Â Name: Displays the track name only. Â No:Name: Displays the track number and name. V-POT 6 Switches Channel view to Lock mode.
Channel Strip Controls Directly below the main LCD display are eight sets of channel strip controls. You can use these to control Logic Pro channel strip parameters, plug-in parameters, and other Logic Pro functions. Each channel strip includes the following controls, which are described in the following sections: Â V-Pot rotary encoder with button. Â Rec/Ready button and LED. Â Signal LED. Â Solo button and LED. Â Mute button and LED. Â Select button and LED. Â Touch-sensitive motorized fader.
Holding down the x/ALT button sets the V-Pots to high resolution (fine) mode, for parameters where this mode applies. Holding down the OPTION button and turning the V-Pot switches between the minimum, default, and maximum values for the parameter. Rec/Rdy (Record/Ready) Button Pressing the Rec/Ready button arms the channel strip for recording. If the channel is currently armed, pressing the Rec/Ready button disarms it.
SELECT Button Pressing the Select button chooses (activates) the channel for channel-based editing or assignment commands. Each Select button features a green LED which is lit when the channel is selected. Holding down the SHIFT button while pressing a channel’s SELECT button sets the channel volume to unity level (0 dB). Note: While holding down SHIFT, the SELECT button LED indicates if the channel volume is set to 0 dB.
Master Fader Controls the level of the master channel strip in the Logic Pro Mixer. This raises or lowers the level of all output channel strips, without changing their relative levels. When no master channel strip exists in the project, the Mackie Control Master fader is mapped to output channel strip 1-2. If you use multiple audio systems simultaneously, the Master fader only controls the master channel strip of the first device (matching the order shown in the Audio Preferences window).
Track Button Pressing the TRACK button selects Channel view—assigning the channel strip controls to edit channel strip parameters. Â Press the TRACK button once to edit a single parameter in multiple channel strips, and to activate Mixer view. Â Press the TRACK button again to edit multiple parameters for a single channel strip, and switch to Channel view.
The following table lists what each V-Pot edits in Channel view mode: Control Action V-Pot 1 Edits volume. The current value is shown in the lower row of the LCD. V-Pot 2 Edits pan. The current value appears in the lower row of the LCD. V-Pot 3 For software instrument tracks, turn to choose the instrument. Press the V-Pot 3 button to confirm your choice/insert the instrument and open the plug-in window.
Shortcuts Menu Holding down the TRACK button displays the Track shortcuts submenu on the LCD. While this menu is active, the mode display shows “t_ ” (for Track shortcuts). Pressing one of the V-Pot or Function buttons lets you make the following changes: Control Action V-Pot 1 or F1 Switches to Mixer view, and selects volume as the parameter edited by the V-Pot. V-Pot 2 or F2 Switches to Mixer view, and selects pan as the parameter edited by the V-Pot.
Pan/Surround Button Pressing the PAN/SURROUND button activates Pan/Surround Mixer view. Pressing the button repeatedly toggles between Pan/Surround Channel and Pan/Surround Mixer view. Pan/Surround Mixer View Pan/Surround Mixer view allows you to edit one pan/surround parameter of all channel strips: Angle or Pan (on non-surround channel strips), Diversity, LFE, Spread (on surround channel strips). The parameter being edited is displayed briefly when switching to this mode.
Alternate Mode Options Holding down the PAN/SURROUND button displays a submenu on the LCD. The V-Pots or Function keys allow you to make the following changes. Control Action V-Pot 1 or F1 Switches to Pan/Surround Mixer view and selects Angle. V-Pot 2 or F2 Switches to Pan/Surround Mixer view and selects Diversity. V-Pot 3 or F3 Switches to Pan/Surround Mixer view and selects LFE level. V-Pot 4 or F4 Switches to Pan/Surround Mixer view and selects Spread.
EQ Button Pressing the EQ button activates EQ Mixer view. Pressing the button repeatedly toggles between EQ Channel view and EQ Mixer view. Note: If no Channel or Linear Phase EQ is present on the selected channel strip, a Channel EQ is inserted automatically when you enter EQ Channel view. EQ Mixer View EQ Mixer view allows you to edit one equalizer parameter for all channel strips: Frequency, Gain, Q, or EQ bypass.
The Left and Right cursors switch to the next or previous EQ band. The LCD displays two EQ bands. If you have one or more connected Mackie Control (XT) units, each XT can display two EQ bands—up to a total of eight. Note: Ensure that the ZOOM button isn’t active when using the cursor buttons. Alternate EQ Edit Mode Options Holding down the EQ button accesses a further sub-menu in the LCD. The mode display shows E_ or E_., dependent on whether you are in EQ Mixer or EQ Channel view mode.
Send Button Pressing the SEND button activates Send Mixer view. Pressing the button repeatedly switches between Send Channel view and Send Mixer view. Send Mixer View Send Mixer view allows you to edit one send parameter for all channel strips: Destination, Level, Position, or Mute. The Send slot number, and the parameter being edited, are displayed briefly on the LCD when switching to this mode. Â The mode display shows S1 to S8, indicating the selected Send slot.
Alternate Send Edit Mode Options Holding down the SEND button accesses a further sub-menu in the LCD: The mode display shows S_ or S_., depending on whether you are in Send Mixer view or Send Channel view. Control Action V-Pot 1 or F1 Switches to Send Mixer view and selects destination. V-Pot 2 or F2 Switches to Send Mixer view and selects send level. V-Pot 3 or F3 Switches to Send Mixer view and selects position. V-Pot 4 or F4 Switches to Send Mixer view and selects mute.
If one or more sends are activated on multiple channels, you can switch between them while in the Channel view modes, by simply pressing the Select button of the desired channel. Plug-in Button Pressing the PLUG-IN button activates Plug-in Mixer view. Pressing the button repeatedly toggles between Plug-in Channel view and Plug-in Mixer view. Note: There is one exception to this behavior: If you are in Instrument Edit view, pressing this button switches to Plug-in Edit view.
To remove a plug-in: m Pre-select the “--” value (by turning the V-Pot fully counter-clockwise), then press the VPot button of the appropriate Insert slot. The Mackie Control does not switch to Plug-in Edit view, and no plug-in window is launched when the “--” value is chosen. If a plug-in window is open, it will be closed (if Link mode is inactive). Plug-in Channel View This mode shows the plug-ins associated with all Insert slots for the selected channel. Â The mode display shows the text “PL.
 Value: The upper LCD row shows the name of the parameter which can be edited via the corresponding V-Pot. The lower LCD row shows the current value of the parameter. If there is sufficient onscreen space, the unit type will be added—Example: Hz or dB.  Turning the V-Pots will change parameter values.  Pressing a V-Pot button sets the parameter to its default value, except where the parameter only has two values (on/off, for example). In this case, pressing the V-Pot button switches between these values.
Instrument Button Pressing the INSTRUMENT button activates Instrument Mixer view, unless the Mackie Control is currently in Plug-in Edit view. In this case, pressing the INSTRUMENT button switches to Instrument Edit view. If you can’t see the software instrument channel strips, use the BANK or CHANNEL buttons in the FADER BANKS zone, or switch to All view by pressing the INSTRUMENT button. (This assumes that you have created at least one or more software instrument tracks).
To remove an instrument: 1 Pre-select the “--” value (by turning the V-Pot fully counter-clockwise). 2 Press the V-Pot button. Mackie Control will not switch to Instrument Edit view, and no plug-in window will be launched. If a plug-in window is open, it will be closed. Instrument Edit View You can view and edit instrument parameters in this mode. Â The mode display shows “In.
Fader Bank Zone This Mackie Control zone contains two sets of left and right buttons—for switching between individual or grouped channels—as well as the FLIP and GLOBAL VIEW buttons. Bank Left and Right Buttons The Mackie Control provides 8 sets of channel strip controls—allowing you to edit eight corresponding channels. The Bank Left and Right buttons enable you to move/ switch between “banks” of eight channel strips.
For views where one type of channel strip is displayed (such as audio, instruments, or busses), Logic Pro remembers the last group of eight channel strips shown in the view—and returns to it when you switch back from another view. As an example; if you start in a view with audio channel strips 4 through 11 visible, switch to an instruments view, scroll to instruments 6 through 13, and then switch back to the audio channel view, you will return to audio channel strips 4 through 11 (not 6 through 13).
Global View Button The GLOBAL VIEW button is used in conjunction with the buttons in the Global View zone. These are discussed in “Global View Zone” on page 82. Function Key Zone The Function Key zone, located below the Time display and the Display buttons, features eight function key buttons—labeled F1 through F8. The eight function key buttons are assigned as follows: Function key Action F1 to F8 Recalls screensets 1 through 8.
In modal dialogs, pressing one of the Function keys is equivalent to using the computer keyboard number keys: Function key Action F1 1 F2 2 F3 3 F4 4 F5 5 F6 6 F7 7 F8 8 The buttons located directly below the Function keys complete the numeric input functions: MIDI Tracks button 9 Inputs button 0 In some other modes, the Function keys perform other duties, such as shortcuts to markers. Please see “Marker” on page 88. Also see the tables in “Assignment Overview” on page 96.
Modifier Buttons The four Modifier buttons correspond to the modifier keys on your computer keyboard (but function independently from them). You can use these buttons, along with the appropriate key on your computer keyboard (or with the mouse), in place of using the corresponding modifier key. This also applies to the modified Mackie Control commands. All modified Mackie Control commands are covered in each function’s description.
 LATCH: Similar to Touch mode, but the control remains active—even when the fader is no longer being touched, or the V-Pot is not being turned. When you release the fader, the current fader value replaces all existing automation data—for as long as the sequencer is in playback (or record) mode. Press STOP to prevent existing automation data from being overwritten.  WRITE: Overwrites all existing automation data, or creates new automation data if none exists.
Pressing the GROUP button while holding down the SHIFT button creates a new group, opens the Group window, and enters Group Edit mode. Pressing the GROUP button while holding down the TRACK button switches to Mixer view, with the channel strip group parameter shown. It displays the group that the selected channel strip belongs to. Multiple group membership is displayed as in the Mixer window. Turning a V-Pot changes group membership. Note: You can only select one group (or Off ) with this function.
Cancel When an alert appears on your computer screen, you can cancel (or abort) it by pressing the Cancel button. For information about alerts, see “Modal Dialog Display” on page 32. Pressing the CANCEL button when no alert is visible onscreen does the following: Â Opens the Toolbox at the current on-screen position of the mouse cursor. Â Alternately, it will perform any function currently assigned to the computer keyboard’s Esc key.
Fast Fwd Fast forwards/shuttles through the project. Pressing FAST FWD repeatedly while fast forwarding accelerates the shuttle speed. Pressing the REWIND button repeatedly— while fast forwarding—slows down, stops, and eventually reverses the shuttle direction. Pressing the STOP button halts the fast forward. Turning the Jog/Scrub Wheel also exits forward shuttle mode. When one of the Marker modes is active, pressing the FAST FWD button moves the playhead to the next marker.
Once the default audio file name has been entered, you may freely select and arm any audio channel strip, and then press the RECORD button. This will happen without the alert messages and file save dialog appearing onscreen. To avoid this situation, save your project with Assets. This will avoid the need to define file names, and makes handling faster and easier, particularly when using Logic Pro with the Mackie Control.
A recommended workflow for creating or deleting markers is to use the Jog/Scrub Wheel. Turn the wheel to move the playhead to the desired project position, and then press the appropriate V-Pot to create or delete a marker. Â For coarse placement, simply use the wheel to move the playhead. Â For fine placement, press the SCRUB button, then use the wheel to precisely position the playhead. (Only appropriate if creating or deleting an un-rounded marker).
Large Nudge Mode Pressing the NUDGE button while holding down SHIFT displays eight functions on the LCD, and assigns them to the corresponding V-Pot buttons. These functions allow you to move the selected region or events by various amounts, or to a specific position. The position of the first selected region or event is displayed above V-Pots 3 and 4. If nothing is displayed—either a window that does not allow the selection of regions or events is open, or no regions or events are selected.
The Nudge value for the REWIND and F.FWD buttons can also be defined with the function buttons: Function button Action F1 Sets Ticks. F2 Sets Division. F3 Sets Beat. F4 Sets Bar. F5 Sets Frames. F6 Sets Half Frames. Cycle Activates/deactivates Cycle mode. By default, the cycle area will fall between the first two markers. Subsequent markers can act as left/right boundaries for further cycle areas. To jump between cycle areas—defined by the markers: 1 Press the MARKER button.
    Turning V-Pot 6 changes the left locator in beats (denominator steps). Pressing V-Pot 7 picks up the current playhead position for the right locator. Turning V-Pot 7 changes the right locator in bars. Turning V-Pot 8 changes the right locator in beats (denominator steps). To return to a regular Assignment mode, press one of the Assignment buttons. Drop Activates/deactivates Autopunch mode. To navigate between punch-in areas: 1 Press the MARKER button.
Replace Activates/deactivates Replace mode. Click Enables/Disables the (MIDI or Klopfgeist) metronome click. There are independent click settings for play and record. The click settings are determined in File > Project Settings > Metronome. Pressing the SHIFT and CLICK buttons activates/deactivates both External Sync mode and transmission of MMC. Solo The SOLO button behaves as per the Solo key command. Individual channels can be soloed via the channel SOLO buttons of each channel strip.
Zoom Mode Pressing the ZOOM button enables Zoom mode. The cursor buttons are then used to change the vertical or horizontal zoom factor of the window with key focus. In the Arrange window: Â OPTION and Cursor Up/Down changes the zoom factor of the selected track. Â OPTION and Cursor Left resets the zoom factor of the selected track. Â OPTION and Cursor Right resets the zoom factor of all tracks of the same class (audio, MIDI, and so on) as the selected track.
Programmable User Modes The Mackie Control provides six programmable user modes, which you can use for your own assignments. You can activate each of these modes by holding down the SHIFT button—along with one of the Assignment buttons, as follows: Â TRACK + SHIFT = User mode 1. Â PAN/SURROUND + SHIFT = User mode 2. Â EQ + SHIFT = User mode 3. Â SEND + SHIFT = User mode 4. Â PLUG-IN + SHIFT = User mode 5. Â INSTRUMENT + SHIFT = User mode 6. The Assignment displays shows the users modes as u1, u2, and so on.
Assignment Overview The following assignment tables are broken down into zones of the Mackie Control. DISPLAY Buttons Button Modifier Function/Comments NAME/VALUE — Switch between parameter name and parameter value display. SHIFT Cycle through level meter displays: vertical, horizontal, and off. OPTION Switch between track name and track number:name display. CONTROL Clear clip/overload flags. SMPTE/BEATS x/ALT Enter control surface group settings mode.
Control Modifier Function/Comments MUTE button — Activate/deactivate Mute button of track’s channel strip. OPTION Disable Mute button for all channel strip. In Mixer view: SHIFT Activate/deactivate mute/bypass of the shown parameter. In EQ Mixer view: SHIFT Activate/deactivate bypass of the current EQ band. In EQ Frequency/Gain view: — Activate/deactivate bypass of selected EQ band. In Send Mixer view: SHIFT Activate/deactivate bypass of selected send.
Control Modifier Function/Comments Fader — Adjust volume. In Flip mode “Duplicate”: — Same function as V-Pot of same channel. In Flip mode “Swap”: — Swap function with V-Pot of same channel. In Surround Angle/Diversity view: — Adjust surround diversity. In EQ Frequency/Gain view: — Adjust gain of selected EQ band. In Send Destination/Level Mixer view: — Adjust send level of selected send. In Send Destination/Level Channel view: — Adjust send level of send on selected channel strip.
Button Modifier Function/Comments BANK <> — Shift fader bank left/right by number of channel strips. OPTION Shift fader bank to beginning or end. CHANNEL<> FLIP — Shift fader bank left/right by one channel. OPTION Shift fader bank to beginning or end. — Switch Flip mode between Off and Duplicate. SHIFT Switch Flip mode between Off and Swap. CONTROL Switch Flip mode between Off and Zero (turns fader motors off ). GLOBAL VIEW — Switch between Arrange view and All view.
Button Modifier Function/Comments F3 — Recall screenset 3. SHIFT Open or close Event Editor. x/ALT Paste TRACK Switch to Mixer view—Channel Strip mode. PAN/ Switch to Mixer view—Pan/surround LFE. SURROUND EQ Switch to Mixer view—Frequency. SEND Switch to Mixer view—Position. MARKER Delete marker. NUDGE Nudge value: Beat In modal dialog: F4 F3 key is equivalent to computer keyboard 3 key. — Recall screenset 4. SHIFT Open or close Score Editor.
Button Modifier Function/Comments F6 — Recall screenset 6. SHIFT Open or close Piano Roll Editor. x/ALT Select All Following TRACK Switch to Mixer view—Automation. PAN/ Switch to Angle/Diversity view. SURROUND EQ Switch to Channel view. SEND Switch to Channel Strip 2 view. NUDGE Nudge value: 1/2 Frame In modal dialog: F7 F6 key is equivalent to computer keyboard 6 key. — Recall screenset 7. SHIFT Open/Close Transport window. x/ALT Select Similar Regions/events.
GLOBAL VIEW Buttons Button Modifier Function/Comments MIDI TRACKS — Switch to All view and show MIDI tracks. SHIFT Set to fader bank no. 1 (channel strips 1 to 8, for example). In modal dialog: INPUTS MIDI TRACKS button is equivalent to computer keyboard 9 key. — Switch to All view and show input channel strips. SHIFT Set to fader bank no. 2 (channel strips 9 to 16, for example). In modal dialog: AUDIO TRACKS INPUTS button is equivalent to computer keyboard 0 key.
AUTOMATION Buttons Mackie Control Modifier Function/Comments READ/OFF — Set selected track’s automation to Read or Off. OPTION Set all tracks’ automation to Read or Off. TOUCH — Set selected track’s automation to Touch. OPTION Set all tracks’ automation to Touch. LATCH — Set selected track’s automation to Latch. OPTION Set all tracks’ automation to Latch. — Set selected track’s automation to Write. OPTION Set all tracks’ automation to Write. WRITE TRIM GROUP Currently unassigned.
TRANSPORT Buttons Button Modifier Function/Comments MARKER — Switch Small Marker mode on/off. SHIFT Switch Large Marker mode on/off. — Switch Small Nudge mode on/off. NUDGE SHIFT Switch Large Nudge mode on/off. MARKER Create a marker. This allows you to create a marker with one hand without entering Large Marker mode. CYCLE — Activate/deactivate Cycle mode. SHIFT Switch to Cycle view. DROP — Activate/deactivate Autopunch mode. SHIFT Switch to Punch view.
Button Modifier Function/Comments PLAY — Play SHIFT Pause — Record Modifier Function/Comments RECORD Cursor Keys Mackie Control Cursor Left/Right If in Mixer view: — Select previous/next parameter of current view. ZOOM Scroll window horizontally by page. If in Channel Strip EQ, Send view or Plug-in/Instrument Edit view: — Shift current editor page by one page. x/ALT Shift current editor page by one parameter. ZOOM Scroll window horizontally by page.
Jog/Scrub Wheel Control Modifier Function Jog Wheel — Move the playhead forward or back. CYCLE Set the Left locator to the current playhead position, advance the playhead as normally, then set the Right locator to the playhead position. Further Jog Wheel turns while still holding down CYCLE advances the playhead and sets the Right locator again. Tip: Rotating the Jog Wheel counterclockwise while holding down CYCLE defines a skip-cycle range.
4 M-Audio iControl 4 This chapter introduces you to using the M-Audio iControl with Logic Pro. Use of the iControl in Logic Pro provides full compatibility with GarageBand projects. When you open a GarageBand project in Logic Pro, you can edit it (using the iControl) in exactly the same manner as in GarageBand. You can also take full advantage of the greater control, editing, and processing power afforded by Logic Pro.
Assignment Buttons You can use the buttons along the left side of the iControl—in the area labelled All Tracks and Selected Track—to select different functions for the rotary encoders located along the right edge, in the channel strip area. In some cases, the channel strip area controls can change the functionality of the Select buttons. Volume Button Pressing the Volume button assigns the rotary encoders (in the channel strip area) to control volume for the eight active channels.
Generator If the selected channel strip is an instrument channel strip, pressing the Generator button assigns the rotary encoders to edit the sound generation parameters of the instrument. These assignments are in groups of eight parameters. The Arrow Up and Arrow Down buttons switch to the previous or next page of eight parameters. Activation of the Generator button has no effect if the selected channel strip is not a software instrument channel strip.
Arrow Up and Arrow Down Buttons The iControl has channel strip controls for eight channel strips, which default to channel strips 1 to 8. To access further channel strips, press the Arrow Up button. This switches to channel strips 9 through 16. Press the Arrow Up button again to switch to channel strips 17 to 24, or press the Arrow Down button to return to channel strips 1 to 8.
Record Enable Button Pressing a channel Record Enable button (denoted by a centered white dot) arms the associated channel strip for recording. When a channel is armed for recording, the dot is lit. Pressing the Record Enable button a second time disables recording for the channel. To disarm all channel strips, hold down the Option button while pressing the Record Enable button of any channel. Mute Button Pressing a channel Mute button (denoted by a speaker icon) mutes the channel.
Mixer View and Channel View The rotary encoders operate in two views—Mixer view and Channel view. Switching between these views determines whether the rotary encoders (and in some cases, the Select buttons) edit separate channels, or a single channel. Â Mixer view: Accesses the same parameter for eight channel strips, such as pan or volume (normally a section of the Mixer window). Â Channel view: Accesses eight parameters of the selected channel strip.
Play/Stop Press the Play button (denoted by a right arrow) to start playback from the current playhead position—or to stop playback—if the project is currently playing. Fast Forward Button Quickly press the Fast Forward button (denoted by two right arrows) to move the playhead forward by one bar. Hold down the Fast Forward button to continuously move the playhead forward in one bar increments.
Assignment Overview The following assignment tables show all assignments for each control—with and without the Option button (for the Assignment buttons and channel strip controls)—or the Cycle button (for the Jog Wheel and Transport buttons) being pressed. Assignment Buttons The Assignment buttons in the All Tracks and Selected Tracks area defines the behavior of the channel strip controls. iControl button Modifier Function/Comments Volume — Encoders control channel’s Level fader.
Jog Wheel iControl Jog Wheel Modifier Function/Comments — Moves playhead. Cycle Set the left locator to the current playhead position, advance the playhead as per usual, then set the right locator to the new playhead position. Further Jog Wheel turns (to the right) while holding down the Cycle button advances the playhead and resets the right locator position. Tip: Rotating the Jog Wheel counter-clockwise (to the left) while holding down Cycle defines a skip-cycle range.
5 EuCon Support of Euphonix MC and System 5-MC 5 Logic Pro supports the Euphonix EuCon protocol, enabling enhanced communication between the MC or System 5-MC and Logic Pro. The following chapter describes how the MC and System 5-MC are used to control Logic Pro in EuCon mode. Note: This is an addendum to the MC operation manual and is limited to descriptions of Logic Pro specific features. Please refer to the device operating manuals for more information about your control surfaces.
Note: If you have been using an earlier EuCon version, you should delete or rename the Logic Pro.xml file before installing newer EuCon versions. This file is used when controlling Logic Pro with the Euphonix device(s) HUI emulation—and will cause conflicts when controlling Logic Pro in EuCon mode.
 Left Wheel/Right Wheel: The commands found here allow you to configure the left or right wheel to perform a certain action when turned. This includes; horizontal or vertical zoom, waveform zoom, individual track zoom, move locators, adjust left locator, adjust right locator, move punch locators, adjust punch in or punch out positions, move markers, adjust marker lengths, nudge selected regions or events, left/right pan (surround X), and front/back pan (surround Y).
Faders The following section outlines the functionality of the MC fader elements in Logic Pro. You should note that this section is limited to descriptions of Logic Pro specific features. Please refer to the device operating manuals for information on basic fader functionality. Solo Keys This key activates the Solo button for each channel strip.
You can also use the Select key to switch between automation modes in Logic Pro: Â When you set the automation mode to Off or Read, the Select key switches between these two modes. Â When you set the automation mode to Read or Touch, the Select key switches between these modes. To choose an automation mode on a CM408T channel strip: 1 Press the Wave and Y keys simultaneously. The available automation modes are displayed in a pop-up menu on the CM408T display.
 EQ: Pressing the EQ Soft Key switches to EQ editing (see “EQ Knobset” on page 124). The On key is lit when EQ plug-ins are enabled (not bypassed). Please note that this only applies to Logic Pro plug-ins, not Audio Unit plug-ins. Pressing the On key switches the bypass state of all EQ plug-ins.  Sends: Pressing the Sends Soft Key switches to Send editing mode (see “Sends Knobset” on page 125).
2 Select the desired Insert slot by pressing the respective knob top. Press the left Page key to display Insert slots 9 to 15. When you press the respective knob top, the Soft Keys display the Logic Pro plug-in menu. 3 Choose the desired effect plug-in: Â Pressing the Soft Key or knob top enters a submenu or inserts a selected effect plugin. Â Pressing the Back key navigates up one level in the menu hierarchy.
2 Choose the desired Instrument plug-in: Â Pressing the Soft Key or knob top enters a submenu, or inserts a selected instrument plug-in. Â Pressing the Back key navigates up one level in the menu hierarchy (or switches back to the Input Knobset if you are in the top level of the menu). Opening and Closing Plug-in Windows Logic Pro supports the MC “Open plug-ins on workstation when editing” and “Close plug-ins on workstation when exiting” preferences.
Sends Knobset The Sends knobset displays the current channel send options. Â The Soft Key shows the send destination. Â The knob controls send level. Pressing the knob top sets the send level knob to its default value. Â The Select key switches between pre fader (off—unlit) and post fader (on—lit) modes. Â The On key switches the bypass state of the send. Â Pressing both Page keys simultaneously enters Send Configuration mode (see the following section).
Groups Knobset This knobset displays all currently used automation groups. Â The Soft Keys show group names. Press to choose the respective groups. Â The On key displays—and switches between—active/inactive group membership for the channel strip. Â Pressing the Back key returns to the top-level knobset. Output Knobset If the Output knobset is active, the Soft Keys display all possible output values for the channel strip: Â The first value is “Surround,” the second is “--”, meaning no output.
Track Control Bar The Track Control Bar of the Logic Pro Arrange window offers a special feature on the Euphonix MC and System 5-MC devices: it shows attentioned tracks in light blue. All currently accessed tracks are shown in dark blue. Note: The color of the track control bar can not be changed in the Control Surface Setup window. System 5-MC Specific Features This section describes how the System 5-MC (CM408T) fader module controls Logic Pro in EuCon mode.
Knob Cells The CM408T knob cells are almost identical to the MC knob cells. There is just one difference: They feature a four-character LED, but no Soft Key. Top Level Knobset Keys These keys allow you to access knobsets directly: Â “*” (asterisk) key: Same as Inserts Soft Key (see “Inserts (Configuration) Knobset” on page 122). Â Input: Accesses the Input knobset (see “Input Knobset” on page 123) Â Dyn: Selects the Dynamic knobset (see “Dyn(amic) Knobset” on page 124).
6 CM Labs Motormix 6 Setting Up Your CM Labs Motormix Please follow the steps outlined below to use your CM Labs Motormix control surface with Logic Pro. To set up your CM Labs Motormix control surface in Logic Pro: 1 Ensure that your Motormix unit is connected bi-directionally with the MIDI interface. 2 Choose Logic Pro > Preferences > Control Surfaces > Setup. 3 Choose New > Install from the Setup window’s local menu.
Mode Assignment WINDOW/ tool button LED on Window Select mode: Select buttons open, assign key focus, or close a particular window type. LED off: If the window is not open, the button opens it. LED on: If the window is open, but does not have key focus, the button activates it. LED flashes: If the window has key focus, the button closes it.
Mode Assignment Instrument Enters Instrument Edit mode for the selected (instrument) channel. Assign mode Instrument Edit mode Enables/disables the selected parameter, or resets it to the default value. Note: In modal dialogs, the Select buttons generate the computer keyboard character shown on the button face. Rotary Pots Control Assignment Rotary pots 1 to 8 Control parameter chosen with the Rotary Selector, as displayed in the 7 segment display (see below).
Control Assignment Rotary Selector Selects a slot or parameter for rotary encoders, depending on the parameter types being edited with the rotary encoders: Â Send slot when editing send level or assigning send destination. Â EQ band when editing an EQ parameter. Â Effect/Instrument slot when assigning an effect or instrument. Â Pan/Surround parameter when editing a Pan/Surround parameter. Â Channel parameter when editing a channel parameter.
Burn Buttons These buttons (labelled I to P) have multiple uses, depending on the current mode, as indicated by the red LEDs to the left. Mode Assignment record Enables/disables Record Enable status of channel. SHIFT (fnctA) Switches automation mode to Latch. ALL + SHIFT (fnctA) Switches automation mode of all channels to Latch. write Switches automation mode to Write. ALL Switches automation mode of all channels to Write. SHIFT (fnctB) Switches automation mode to Read.
VIEW Section Control Assignment Left/right buttons In Effect and Instrument Plug-in Edit modes: shifts the parameter bank. In other modes: Â If BANK LED is off: shifts the fader bank by one channel. Â If BANK LED is on: shifts the fader bank by one bank (a group of 8 channels). SHIFT In Effect and Instrument Plug-in Edit modes: shifts the parameter bank by one parameter. In Group Edit mode, the group parameter bank is shifted. bank Switches mode of left/right buttons (see above).
Faders The faders normally control volume, except when in Flip mode, where they duplicate the rotary encoder assignments. Right Function Buttons Control Assignment PLAY/ transport Play key command SHIFT Switches Select buttons to Transport Section mode. STOP/locate Stop key command SHIFT Switches Select buttons to Locate mode. FFWD/monitor REWIND/status Shuttle Forward key command Shuttle Rewind key command SHIFT Opens Project Settings Synchronization window.
7 Frontier Design TranzPort 7 Setting Up Your Frontier Design TranzPort The following section outlines the steps required to use your Frontier Design TranzPort control surface with Logic Pro. To set up your Frontier Design TranzPort device in Logic Pro: 1 Ensure that the software shipped with the TranzPort is installed. 2 Make sure that the Tranz Bridge (the wireless transmitter) is connected to the computer via USB.
Assignment Overview A SHIFT (or other modifier) shown below a button description indicates that the button has an alternate meaning, while holding down this modifier. Channel Strip Control Assignment Shifts the currently displayed channel right—by one channel. SHIFT Shifts the currently displayed channel right—by eight channels.
Control Assignment Jog Wheel Depending on current Jog Wheel mode: • Moves playhead by bars. • Controls audio (and MIDI) scrubbing. • Shuttles forward or backwards. SHIFT Adjusts volume of the currently displayed channel. LOOP Sets the left locator to the current playhead position, advances the playhead as per usual, then sets the right locator to the playhead position. Further Jog Wheel use—while holding down LOOP—advances the playhead, and sets the right locator.
8 JLCooper CS-32 MiniDesk 8 Setting Up Your JL Cooper CS-32 MiniDesk Please follow the steps outlined below to use your JL Cooper CS-32 MiniDesk control surface with Logic Pro. To add units connected via USB: 1 Install the software that ships with the CS-32. 2 Ensure that the CS-32 is in Host mode. 3 Make sure that your CS-32 units are connected to the computer via USB. USB units are installed automatically when you open Logic Pro.
Assignment Overview A modifier (such as SHIFT) below a button description indicates an alternate meaning for the button, while holding down this modifier. Display The display shows information on the current mode, and parameter being edited: Display text Meaning -- A switching parameter (Solo, Mute, Rec/Rdy) has been disabled. AE Automation Enable setup: Mute buttons 1–6 display/set various automation parameters. AS Pots (knobs) are in Pan/Send Assignment mode.
Pan/Send Mode Press F7 to enable Pan/Send mode (display shows “PA”). In this mode, the pots control the following channel parameters: Control Assignment SEND A/P1 Controls Send 1 level of selected channel. SEND B/P2 Controls Send 2 level of selected channel. PAN/P3 Controls pan of selected channel. SEND C/P4 Controls Send 3 level of selected channel. SEND D/P5 Controls Send 4 level of selected channel. SEND E/P6 Controls Send 5 level of selected channel.
Channel Strips Control Assignment PAN SELECT/TRACK SELECT Selects channel strip (destination for the selected track). SOLO Enables/disables Solo. LOCATE Moves playhead to markers 1 to 32. SHIFT LOCATE 17: LOCATE 18: LOCATE 19: LOCATE 25: LOCATE 26: LOCATE 28: LOCATE 29: LOCATE 30: LOCATE 31: LOCATE 32: MUTE Creates a new marker. Creates a new marker without rounding. Deletes the marker at the playhead position. Opens the Marker List. Opens the Marker Text window. Sets locators by previous marker.
F Key Section Control Assignment SHIFT Modifier for function of other controls. See SHIFT entries in left column. F1 While held down, MUTE buttons 1–6 enable/disable automation of certain parameters (see MUTE). SHIFT Enables/Disables Cycle mode. F2 While held down, MUTE buttons set automation mode to Read. SHIFT Enables/Disables Autopunch mode. F3 While held down, MUTE buttons set automation mode to Touch. SHIFT Sets left locator by current playhead position.
Transport Section Control Assignment RECORD Record STOP Stop REW Moves playhead backward by one bar. PLAY Play F FWD Moves playhead forward by one bar. Jog Wheel Section 146 Control Assignment Jog Wheel SCRUB off: Moves playhead (in bar increments). SCRUB on: Scrubbing of audio (and MIDI) is possible. SHUTTLE on: Shuttle mode SCRUB Switches Jog Wheel between Move Playhead (by bars), and Scrubbing modes. SHUTTLE Switches Jog Wheel between Move Playhead (by bars) and Shuttle modes.
9 JLCooper FaderMaster 4/100 9 What You Will Need You need one or more FaderMaster 4/100 (MIDI or USB version) units with firmware version 1.03 or higher. Important: If you have older firmware (see the sticker on the back of the unit), please contact JLCooper. Setting Up Your JLCooper FaderMaster 4/100 Please follow these steps before using your Faster Master 4/100 control surface with Logic Pro. Â USB model only: Install the software that ships with the FaderMaster 4/100.
Assignment Overview The following assignment tables are broken down into zones of the FaderMaster 4/100. Global Buttons Control Assignment Select Switches Track buttons to track selection duties. Aux Switches Track buttons to emulate Record Enable buttons. Solo Switches Track buttons to emulate Solo buttons. Mute Switches Track Buttons to emulate Mute buttons. Inc Increases fader bank display to show next four channels. Dec Decreases fader bank display to show previous four channels.
10 Korg microKONTROL and KONTROL49 10 Setting Up Your Korg microKONTROL and KONTROL49 The section below outlines the steps required before you can use your control surface with Logic Pro. To set up your control surface with Logic Pro: 1 Ensure that your units are connected to the computer via USB. 2 Open Logic Pro. The units will be scanned for, and installed automatically. The microKONTROL/ KONTROL49 is automatically set to native mode—internal Scene settings are ignored.
Assignment Overview A modifier button, such as SHIFT (shown below a button description), indicates that the button has an alternate meaning, while holding down this modifier. Pads The Pads can operate in one of eight modes, and three overlays. While pressing SCENE, the Pads allow you to select modes for the Pads and channel strips. Releasing SCENE without pressing a Pad does not affect the currently selected Pad or channel views. Pad Assignment 1 Switches Pads to Transport mode.
Pad Assignment 15 Play 16 Stop Solo/Mute Mode This mode is enabled by pressing SCENE and Pad 2. Pad Assignment 1–8 Enables/disables Solo for the eight channels being controlled with the eight channel strips. 9–16 Enables/disables Mute for the eight channels being controlled with the eight channel strips. Rec/Select Mode This mode is enabled by pressing SCENE and Pad 3.
Send Overlay Pressing SETTING while the encoders are in Send mode, changes the operation of the Pads in Send mode. Pad Assignment 1–8 Switches the send bypass state (of the currently selected send) for the eight channel strips. 9–16 Switches the send position (pre/post fader) of the currently selected send, for the eight channel strips. Effect Edit Mode This mode is enabled by pressing SCENE and Pad 13.
The controls in the main section have the following meaning: Control Assignment Main encoder Controls the playhead in one of three modes (see Pads 1–3 in “Transport Mode” on page 150). SETTING Held down in Send mode: Â Main encoder chooses the current send. Â Pads have special meaning—see “Send Mode” on page 151. Â LCDs display send destinations. Â Encoders choose send destinations. Held down in Effect Edit mode: Â Main encoder chooses the current Insert slot.
External Input 154 Control Assignment Foot Switch Starts and stops playback. Pedal Controls the master fader.
11 Mackie Baby HUI 11 Setting Up Your Mackie Baby HUI Baby HUI units do not support automatic scanning. You need to manually add these devices to your setup. When you add a device in this way, you need to specify the MIDI In and Out port parameters. To set up Mackie Baby HUI units: 1 Make sure that your Baby HUI units are connected bi-directionally with the computer, using a MIDI interface. 2 Choose Logic Pro > Preferences > Control Surfaces > Setup. 3 Choose New > Install in the Setup window.
Assignment Overview If SHIFT is shown below a button description, it indicates that the control has an alternate use while holding down this modifier. Channel Strips Control Assignment Rotary encoder Adjusts the parameter selected in the Encoder Assignment section. Rotary encoder push button Selects a channel strip. SHIFT Turns Record Enable button of selected channel on/off. Signal indicator Illuminates when a signal is present in the channel. It also indicates channel selection.
Display Section Control Assignment TRANSPORT Opens or closes the Transport bar window. MEM–LOC Opens or closes the Marker List. MIXER Opens or closes the Mixer. EDIT Opens or closes the Arrange window. Utility Section Control Assignment UNDO Undoes the last editing step). SHIFT Shifts to alternate use of some buttons (see below). Navigation Section Control Assignment RTZ Navigates to the left locator. SHIFT Sets the punch in locator (at current playhead position).
12 Mackie C4 12 Setting Up Your Mackie C4 A connected and powered Mackie C4 unit will automatically be detected when you open Logic Pro. You can use the C4 in an independent control surface group (with other control surface icons placed above/below the C4 icon), or combined in a group with one or more control surfaces (such as the Mackie Control—place the icon to the right or left of the existing icons).
V-Pot/V-Selects 9 to 32 These V-Pots have additional functionality in different view modes. In Mixer (multi channel) views, the V-Pots of rows 2, 3, and 4 usually edit the parameter that follows the parameter edited on row 1. Example: In Pan/Surround Mixer view, row 1 edits the pan/surround angle, row 2 edits surround diversity, row 3 edits LFE level, and row 4 edits spread. In Channel view, all four rows represent a group of 32 editable parameters.
Channel Strip Mixer View In Channel Strip Mixer view, the row order is reversed, so that the lowest row edits parameter 1. V-Pot row 4 (bottom row) edits the currently chosen channel parameter. Row 3 edits channel parameter 2, Row 2 edits channel parameter 3, and row 1 (top) edits channel parameter 4. The V-Pots edit the following channel parameters in this order: volume, pan/angle, input format, input assignment, output assignment, automation mode, group, displayed automation parameter.
EQ Channel View In EQ Channel view: Â Row 1 edits the frequency of all eight bands. Â Row 2 edits the gain/slope of all eight bands. Â Row 3 edits the Q factor of all eight bands. Â Row 4 sets the bypass state of all eight bands. If no Channel or Linear Phase EQ is present on the selected channel, a Channel EQ is automatically inserted when you enter the EQ Channel view. The TRACK L and TRACK R buttons switch to the previous or next channel.
Send Channel View In Send Channel view: Â Row 1 edits the (first) eight send destinations of the selected channel strip. Â Row 2 edits the send level of sends 1 to 8. Â Row 3 edits send positions 1 to 8 (pre/post fader). Â Row 4 mutes/unmutes sends 1 to 8. Â TRACK L and TRACK R switch to the previous or next channel. To access Send Channel view: 1 Hold the CHAN STRIP button. The channel strip overlay labels are shown on the C4 displays. 2 Press V-Select 28 (labeled Sends).
Effect Edit View In Effect Edit view: Â V-Pots 1 to 32 constitute a group of 32 parameters. Splitting is possible (see below). Â The SLOT UP/DOWN buttons select the desired Insert slot. Â BANK Left/Right shifts the edited parameters by one page. Â In Split mode, this applies to Split Upper. Â When holding down SHIFT, this applies to Split Lower. Â SINGLE Left/Right shifts the edited parameters by 1. Â In Split mode, this applies to Split Upper. Â When holding down SHIFT, this applies to Split Lower.
Instrument Edit View In Instrument Edit View: Â V-Pots 1 to 32 constitute a group of 32 parameters. Splitting is possible. Â BANK Left/Right shifts the edited parameters by one page. Â In Split mode, this applies to Split Upper. Â When holding down SHIFT, this applies to Split Lower. Â SINGLE Left/Right shifts the edited parameters by 1. Â In Split mode, this applies to Split Upper. Â When holding down SHIFT, this applies to Split Lower.
Punch View Holding the CHAN STRIP button and pressing V-Select 32 activates Punch view. In this mode, the V-Pots/V-Selects behave as follows: Â V-Pot/V-Select 1 shows and edits the current Autopunch status (off or on). Â V-Pot 3 (labeled Move): Moves the current punch in locator by a bar with each click of the V-Pot, when turned. Â V-Pot 4: Moves the current punch in locator by a beat with each click of the V-Pot, when turned. Â The display shows the punch in and punch out locators above V-Pots 5 and 7.
LOCK Activates/deactivates Track Lock. When enabled, selecting a different track in the Arrange window does not switch the current track/channel selection on the C4. SPOT ERASE Currently unassigned. MARKER Switches between Marker overlay (see “Marker Overlay” on page 169) and normal view modes. TRACK Switches between Track overlay (see “Track Overlay” on page 169) and normal view modes.
 V-Select 20 switches to Sends Mixer view (see “Send Mixer View” on page 162).  V-Select 21 switches to Effect Assign Mixer view (see “Effect Assign Mixer view” on page 163).  V-Select 22 switches to Instrument Select Mixer view (see “Instrument Assign Mixer View” on page 164).  V-Select 26 switches to Pan/Surround Channel view (see “Pan/Surround Channel View” on page 160).  V-Select 27 switches to EQ Channel view (see “EQ Channel View” on page 162).
TRACK L/R In Mixer view, TRACK L/R shifts the fader bank left or right by the number of channel strips in the control surface group. As an example: If you have two C4 units in a control surface group, the view shifts by 16 channels. Simultaneously pressing TRACK L or TRACK R and OPTION moves to the first or last group of channels in the project (or parameter pages, if in an edit mode).
Channel Strip Overlay The channel strip overlay is active when the CHAN STRIP button light is on. Â V-Pot/V-Select row 1 edits the frequency and gain of EQ bands 3 to 6 (the parametric bands), provided an EQ effect is inserted in the current channel strip. Â V-Pot/V-Select row 2 switches to Effect Edit mode for Inserts 1 to 8, provided an effect is inserted in the respective Insert slot. If no effect is inserted, turn the respective V-Pot to select an effect, then press the V-Select, to insert it.
Control Assignment 11 (Rg>Trk Autom.) Performs Move Current Region Data to Track Automation function. With the OPTION button held down (display: Ob>Trk Au All), Move All Region Control Data to Track Automation key command is executed. 12 (Clear Autom.) Performs Delete Currently Visible Automation Data of Current Track key command. With the OPTION button held down (display: Clear Au All), Delete All Automation Data of Current Track function is performed.
13 Mackie HUI 13 Setting Up Your Mackie HUI HUI units don’t support automatic scanning. You need to manually add these devices to your setup. When you add a device in this way, you need to assign the MIDI In and Out port parameters. To set up Mackie HUI units: 1 Make sure that your HUI units are connected bi-directionally with the computer, using a MIDI interface. 2 Choose Logic Pro > Preferences > Control Surfaces > Setup. 3 Choose New > Install in the Setup window. 4 Select HUI in the Install window.
Assignment Overview A modifier button (such as Shift) below a button description indicates that the button has an alternate use, while holding down this modifier. ASSIGN Section Control Assignment SEND A Assigns Send 1 level to V-Pots, and Send 1 to 4 levels to DSP V-Pots. While held down, the scribble strips show the current Send 1 destination (a bus number).
Control Assignment DEFAULT Hold this button down to switch the V-Select buttons between: standard operation, and setting default values. ASSIGN When V-Pots display a send level, the ASSIGN button switches them to Send Destination Assignment mode (choosing a bus, in other words). Press the V-Select to confirm the assignment. The DSP V-Pots display the assignments of Send slots 1–4 or Send slots 5–8.
Control Assignment OPTION/ALL While held down, value change mode is set to relative: This switches between a minimum, default, or maximum value for the edited parameter. Also see description of other buttons. CTRL/CLUTCH While held down, the Group Clutch is engaged (all groups are disabled). x/ALT/FINE While held down, value change mode is set to fine. All value changes work at maximum resolution. Also see descriptions of other buttons.
DSP EDIT/ASSIGN Section Control Assignment ASSIGN — COMPARE Switches DSP display between “track name/parameter name” and “parameter name/ parameter value” modes. BYPASS Switches the bypass state of the plug-in being edited. DSP Select 1 to 4 Assignment Pan mode  DSP Select 1 resets pan or surround angle.  DSP Select 2 resets surround diversity.  DSP Select 3 resets surround LFE (level).  DSP Select 4 resets the Spread parameter.
Function Keys Control Assignment F1 Clears Overload LEDs. SHIFT/ADD Switches to Mixer view, and displays MIDI channel strips. x/ALT/FINE Opens or closes Arrange window. F2 Recalls screenset 2. SHIFT/ADD Switches to Mixer view, and displays input channel strips. x/ALT/FINE Opens or closes Mixer. F3 Recalls screenset 3. SHIFT/ADD Switches to Mixer view, and displays audio channel strips. x/ALT/FINE Opens or closes Event List. F4 Recalls screenset 4.
AUTO MODE Section Control Assignment READ Sets selected channel to Read automation mode. While held down, pressing the channel strip AUTO button sets the automation mode to Read. OPTION/ALL Sets all channels to Read automation mode. LATCH Sets selected channel to Latch automation mode. While held down, press the channel strip AUTO button to set automation mode to Latch. OPTION/ALL Sets all channels to Latch automation mode. TRIM — TOUCH Sets selected channel to Touch automation mode.
EDIT Section Control Assignment CAPTURE — SEPARATE — CUT Cuts the selection (of regions or events). COPY Copies the selection. PASTE Pastes the Clipboard contents. DELETE Deletes the selection. Time Display Control Assignment TIME CODE Lit if counter is displaying SMPTE time code. FEET Not assigned. BEATS Lit if counter is displaying bars/beats/divisions/ticks. Time display Switches between a SMPTE time code or bars/beats/divisions/ticks display.
Control Assignment EDIT TOOL Selects tool (if applicable to window with key focus):  1: Pointer  2: Pencil  3: Eraser  4: Text tool  5: Scissors  6: Glue  7: Solo tool  8: Mute tool  9: Zoom tool 0 If in Go to Marker dialog: Equivalent to computer keyboard 0 key. .  If not in Go to Marker dialog: Enters Go to Marker dialog.  In in Go to Marker dialog: Equivalent to computer keyboard dot key. ENTER  If not in Go to Marker dialog: Enters folder of selected track.
Cursor Buttons Control Assignment Cursor Up  Cursor mode: Equivalent to computer keyboard Up Arrow key.  Zoom mode: Zooms out vertically (in the window with key focus). SHIFT/ADD Zoom mode: Individual track zoom (zooms out). x/ALT/FINE Page up OPTION/ALL + Scroll to top. x/ALT/FINE Cursor Down  Cursor mode: Equivalent to computer keyboard Down Arrow key.  Zoom mode: Zooms in vertically (in the window with key focus). SHIFT/ADD Zoom mode: Individual track zoom (zooms in).
14 Radikal Technologies SAC-2K 14 Setting Up Your Radikal Technologies SAC-2K Please make sure that your control surface is connected bi-directionally with the computer, using either: a MIDI interface, or the unit’s USB connector. If the units are connected via USB, ensure that the appropriate MIDI driver for the device is installed. Visit the manufacturer’s website to download updated drivers, if applicable. To set up SAC-2K units: 1 Choose Logic Pro > Preferences > Control Surfaces > Setup.
Assignment Overview A modifier button (such as SHIFT) below a button description indicates that the button has an alternate function/use, while holding down this modifier. LCDs and Encoders Control Assignment Left and middle LCDs Upper row displays the channel number when in a Mixer (multi channel) view mode. The parameter name is shown when in a (single) Channel view mode. Lower row shows the parameter value of the corresponding encoder (the one directly below the display).
Mixer View Mode Section Control Assignment Pan Switches to Mixer view (multi-channel) pan editing. Encoders 9 to 12 edit Pan/Angle, Diversity, LFE, and Surround Mode of selected channel (in Surround mode). High, HiMid, LowMid, Low Switches to Mixer view (multi-channel) gain editing of a certain EQ band. Encoders 9 to 12 edit Frequency, Gain, Q factor, and On/Off for the selected channel. Pressing and releasing the button chooses a specific EQ band.
Control Assignment Group Switches to Group editing mode: Â Encoder 1 to 10 push buttons edit a group property (the property is shown in the LCD’s lower line). Â Encoder 11 scrolls through group properties. Â Encoder 12 selects a group to edit. Its name is displayed in the lower LCD line, above Encoder 12. Â Select buttons 1 to 8 activate/deactivate group membership of the channel. 1 to 8 Shifts the fader bank (a group of channels or parameters) to the left, by one bank.
Note: All buttons that are equivalents of computer keyboard keys are independent from the computer keys. Either can be reassigned. Locator Section The locator displays the current playhead position in bars/beats format, as defined in the project settings. A period separates display segments, as the bars/beats format uses (up to) 14 characters in Logic Pro, and the SAC display is limited to eight digits. Marker Section Control Assignment SHIFT Shifts to secondary function of other buttons.
Channel Strips Section Control Assignment EQs Enters Channel view EQ Edit mode. Pressing the button repeatedly cycles through all available EQ parameter pages. Inserts/Sends Enters Channel view Plug-in Edit mode—edits the effect plug-in inserted into the currently chosen Insert slot (of the selected channel). Pressing the button repeatedly cycles through all available effect plug-in parameter pages.
15 Roland SI-24 15 Setting Up Your Roland SI-24 Please follow these steps before using your control surface with Logic Pro. To use the audio and MIDI facilities of the SI-24: Â Ensure that your SI-24 units are connected to the RPC card with the (included) cable. This connector provides both digital audio and MIDI connections. Â Make sure that the appropriate driver software is installed, and functioning correctly.
Assignment Overview A modifier button (such as SHIFT) shown below a button description indicates that the button has an alternate function/use, while holding down this modifier. Channel Strips Control Assignment EQ ON/OFF 1 to 4 In Pan mode: Â Switches the bypass state of EQ bands 1–4. Â Enters EQ/Send mode. If no Channel or Linear Phase EQ is present on the selected channel, a Channel EQ is automatically inserted. In EQ/Send mode: Â Switches the bypass state of EQ bands 1–4.
Control Assignment CH SELECT 1 to Selects track/channel. 12 STATUS 1 to 12 In Automation mode: Switches Automation mode between: Â Off (LED off ) Â Read (green) Â Latch (orange) Â Write (red) In Record Ready mode: Activates/deactivates Record Enable. In Solo mode: Enables/disables Solo. In Mute mode: Enables/disables Mute. Fader 1 to 12 Controls volume. STATUS MODE Section Control Assignment AUTOMIX Sets STATUS 1 to 12 buttons to Automation mode.
CH ASSIGN Controls Control Assignment INPUT Shows the first 12 audio input channel strips. SHIFT Shows the first 12 MIDI channels strips. OUTPUT Shows the first 12 outputs channel strips: Â 1: Output 1–2 (default surround assignment: front). Â 2: Output 3–4 (default surround assignment: rear). Â 3: Output 5 (default surround assignment: center). Â 4: Output 6 (default surround assignment: LFE). Â 5: Output 7–8 (digital out). SHIFT Shows the first 12 audio channels.
Numeric Key Section Control Assignment SYSTEM Switches SI-24 to System mode. See SI-24 user manual for details. LOCATE Switches numeric keys to Locate mode. SHORT CUT Switches numeric keys to Shortcut mode. SCREEN SET Switches numeric keys to Screenset mode. 0 to 9 System mode: See SI-24 user manual. Locate mode: Â 1 to 9: Moves playhead to marker 1 to 9 positions. Â 0: Creates marker at playhead position. Shortcut mode: Â 1: Saves project. LED is lit if project has changed since last save.
Transport Section 194 Control Assignment PAUSE Pause REW Rewinds playhead in one bar increments. F FWD Advances playhead by one bar. STOP Stops playback. PLAY Starts playback. RECORD Starts recording. Jog Wheel Scrub mode off: Moves playhead in one bar increments. Scrub mode on: Scrubs (audio and MIDI).
16 Tascam FW-1884 16 Introduction Logic Pro supports the Tascam FW-1884, FE-8 extension, and the FW-1082. Version 1.10 (and higher) driver versions support the SoftLCD application which displays information on track names, parameter assignments and current encoder values. SoftLCD displays the current track automation mode when one of the automation mode buttons is held down. The corresponding encoder edits the parameter. Alerts are displayed in SoftLCD.
Assignment Overview A modifier button (such as SHIFT) shown below a button description indicates that the button has an alternate function/use, while holding down this modifier. Note: The FE-8 units only offer the Channel Strip section, so other facilities mentioned in this document don’t apply. The FW-1884 ENCODERS section is, however, applicable to the FE-8 channel strips. The FW-1082 has no channel encoders, and offers an extended channel strip section.
Control Assignment UNDO Performs an Undo (of the last editing operation). The button LED is lit when a Redo is possible. SHIFT Performs a Redo (reverses an Undo operation). SHIFT Modifier for other buttons. CTRL Modifier for other buttons. Channel Strips Control Assignment REC LEDs These LEDs are lit when the corresponding track/channel is recording. The LEDs flash when the track/channel is in Record Enable mode (armed). SEL Selects the track/channel.
EQ Section (FW-1884 Only) The EQ controls apply to a certain EQ band of the selected channel. A Channel or Linear Phase EQ is automatically inserted in the channel, if not already present. Mode Assignment REC While held down, the SEL buttons activate/deactivate Record Enable for the corresponding channel strip. GAIN Edits the Gain of the currently selected EQ band. SET Selects the channel input. FREQ Edits the Frequency parameter of the currently selected EQ band. SET Selects the channel output.
Encoders and Controls Section (FW-1082 Only) The three buttons at the bottom of this section determine the mode of other controls: Â EQ/Pan mode: The controls apply to a certain EQ band of the selected channel. Â AUX 1–4 mode: The controls apply to Sends 1–4. Â AUX 5–8 mode: The controls apply to Sends 5–8. Mode Assignment REC While held down, the SEL buttons activate/deactivate Record Enable for the channel strip. EQ GAIN–AUX 1/5 • EQ/PAN mode: edits the Gain of the currently selected EQ band.
Mode Assignment REC Switches bypass state of EQ band 4. EQ LOW–AUX 4/8 • EQ/PAN mode: selects EQ band 3. • AUX 1–4 mode: switches Send 4 Mute on/off. • AUX 5–8 mode: switches Send 8 Mute on/off SHIFT • EQ/PAN mode: selects EQ band 1. • AUX 1–4 mode: switches Send 4 Position (pre/post). • AUX 5–8 mode: switches Send 8 Position (pre/post). REC Switches bypass state of EQ band 3. EQ/PAN Chooses EQ/PAN mode. SHIFT Enables/Disables Flip mode. With Flip mode enabled, the faders control Pan.
Automation/Clock Rate Section (FW-1884 Only) Control Assignment READ While held down, SEL buttons are lit if a channel is in Read automation mode. Pressing the SEL button sets Read mode. Turning the encoder also edits the automation mode. WRITE While held down, SEL buttons are lit if a channel is in Write automation mode. Pressing the SEL button sets Write mode. Turning the encoder also edits the automation mode. TCH While held down, SEL buttons are lit if a channel is in Touch automation mode.
Master Section Control Assignment Cursor buttons Identical to (but independent from) the computer keyboard arrow keys— except when encoders are in EQ, Plug-in or Instrument Edit modes (see above). SHIFT Horizontally or vertically Zoom in and out (of the window with key focus). SHTL Enables Shuttle mode for wheel. Wheel Shuttle mode off: moves playhead by one bar. Shuttle mode on: shuttles playhead. Bank LEDs Show currently selected fader bank.
17 Tascam US-2400 17 Setting Up Your Tascam US-2400 Please follow the steps outlined below to use your Tascam US-2400 with Logic Pro. To set up the Tascam US-2400 for use with Logic Pro: 1 Make sure that your US-2400 units are connected to the computer via USB. 2 Ensure that the US-2400 is in native mode. Please consult your US-2400 manual for more information on this. 3 Open Logic Pro. Your control surfaces will be scanned for, and installed, automatically.
Assignment Overview A modifier button (such as SHIFT) below a button description indicates that the button has an alternate function/use, while holding down this modifier. Channel Strips Control Assignment Encoders CHAN button on: see “Encoder Details” on page 205. CHAN button flashing: Encoders control Instrument parameters, also see “Instrument Edit View” on page 208. PAN button flashing: Encoders control plug-in parameters, also see “Plug-in Edit View” on page 208.
Encoder Details In CHAN mode (CHAN button on), the encoders control these parameters on the selected channel: Control Assignment Encoder 1 (AUX 1) Controls Send 1 level. Encoder 2 (AUX 2) Controls Send 2 level. Encoder 3 (AUX 3) Controls Send 3 level. Encoder 4 (AUX 4) Controls Send 4 level. Encoder 5 (AUX 5) Controls Send 5 level. Encoder 6 (AUX 6) Controls Send 6 level. Encoder 7 Controls Send 7 level. Encoder 8 Controls Send 8 level.
In CHAN mode—with the SHIFT button held—the encoders control the following parameters on the selected channel: 206 Control Assignment Encoder 1 (AUX 1) Controls Pan/Surround Angle. Encoder 2 (AUX 2) Controls Surround Radius. Encoder 3 (AUX 3) Controls Surround LFE (level). Encoder 4 (AUX 4) Controls Surround mode. Encoder 5 (AUX 5) Controls Surround X. Encoder 6 (AUX 6) Controls Surround Y.
Master Channel Control Assignment SEL Selects Master Output channel strip (if it exists—if not, Output channel 1-2 is selected). CLR SOLO Disables Solo for all tracks/channels. SHIFT Disables Mute for all tracks/channels. F-KEY Disables the Record Enable buttons of all tracks/channels. FLIP Switches Flip mode between Off (LED off ) and Duplicate (LED on). In this mode, the fader of each channel strip mirrors the encoder function. SHIFT Sets Flip mode to Swap (LED flashing).
Control Assignment F-KEY Switches display of Hyper Editor: Â If Hyper Editor is open, it will be closed. Â If Hyper Editor is closed, it will be opened. AUX 6 Switches encoders to Mixer view of Send 6 level. F-KEY Switches display of Piano Roll Editor: Â If Piano Roll Editor is open, it will be closed. Â If Piano Roll Editor is closed, it will be opened.
Control Assignment F-KEY Resets overload display for level meters. Jog Wheel SCRUB off: Moves playhead by bars. SCRUB on: Scrubbing (of audio and MIDI). SCRUB flashing: Shuttle mode. Joystick Edits Surround x/y or Panning of selected channel. SCRUB Switches Jog Wheel between “Move Playhead by Bars” (LED off ) and Scrubbing (LED on) modes. SHIFT Sets Jog Wheel to Shuttle mode (LED flashes). BANK – Shifts fader bank to the left, by one bank—LED is lit if the left-most fader bank has not been reached.
18 Tascam US-428 and US-224 18 Setting Up Your Tascam US-428 and US-224 The following section outlines the steps required to use your Tascam US-428 or US-224 control surfaces with Logic Pro. To set up your Tascam US-428 or US-224 devices in Logic Pro: 1 Install the latest version of the driver software needed for the US-428 and US-224. 2 Ensure that your US-428 or US-224 units are connected to the computer via USB. 3 Open Logic Pro. The units will be scanned for, and installed, automatically.
Channel Strips Control Assignment MUTE 1 to 8 SOLO LED off: Switches Mute on/off; LED displays Mute status. SOLO LED on: Switches Solo on/off; LED displays Solo status. REC 1 to 8 LEDs Displays Record Enable status. NULL On if fader is higher than actual channel volume (in Logic Pro). SELECT 1 to 8 LEDs Displays select status (of channel). NULL On if fader is lower than actual channel volume (in Logic Pro). SELECT 1 to 8 buttons Selects channel. REC Activates/deactivates Record Enable status.
Master Section Controls Control Assignment AUX 1 Switches data wheel between Transport/Scrub mode and Send 1 Level. ASGN Switches Send 1 Mute state. AUX 2 Switches data wheel between Transport/Scrub mode and Send 2 Level. ASGN Switches Send 2 Mute state. AUX 3 Switches data wheel between Transport/Scrub mode and Send 3 Level. ASGN Switches Send 3 Mute state. AUX 4 Switches data wheel between Transport/Scrub mode and Send 4 Level. ASGN Switches Send 4 Mute state.
BANK Section Control Assignment < BANK Shifts fader bank left by one bank (a bank is a group of channels). The LED is lit if the left-most fader bank has not been reached. BANK > Shifts fader bank right by one bank. The LED is lit if the right-most fader bank has not been reached. Transport Section 214 Control Assignment REW Moves the playhead backward by one bar. F FWD Moves the playhead forward by one bar. STOP Stops playback. PLAY Starts playback. RECORD Begins recording.
19 Yamaha 01V96 19 Setting Up Your Yamaha 01V96 Please follow these steps before using your control surface with Logic Pro 8. Â Make sure that your 01V96 units are connected to the computer via USB. Â Make sure that the MIDI driver shipped with the unit is installed. On the 01V96 front panel: 1 Press the DISPLAY ACCESS [DIO/SETUP] button repeatedly, until the DIO/Setup/MIDI/ Host page is visible.
Assignment Overview A modifier button (such as SHIFT) below a button description indicates that the button has an alternate function/use, while holding down this modifier. DISPLAY ACCESS Section Control Assignment AUTOMIX While held, the channel strip displays show the current automation mode. PAIR/GROUP Enters Group Edit mode: Â The upper line in the DSP Edit Section (shown in the control surface’s display) shows the number and name of the group being edited.
LCD Function Control Assignment Left/Right buttons Effect Edit mode: Shifts parameter display by the number of parameters shown in the control surface group (usually four). DAW ALT/FINE Effect Edit mode: Shifts parameter display by one. F1 Clears Overload LEDs. DAW SHIFT/ADD Switches to Mixer, and displays MIDI channels. DAW ALT/FINE Opens or closes Arrange window.
Display Assignment Pressing Rotary controls 1 to 4 Pan Assign mode: Â Rotary control 1 centers pan or surround Angle. Â Rotary control 2 centers surround diversity. Â Rotary control 3 centers surround LFE (level). Â Rotary control 4 sets spread to its default value. Send Assign mode: Â Enables/disables Sends 1 to 4 or Mutes 5 to 8. Effect Assign mode: Â Confirms the effect selection for Insert slots 1 to 4 or 5 to 8, and enters Effect Edit mode for the selected Insert slot.
Data Entry Section Control Assignment Parameter wheel Default: Move playhead by one bar. Scrub: Scrubbing (of audio or MIDI) Shuttle: Shuttle mode [DEC] button Default: Exits folder. In Go to Marker dialog: Cancels dialog. DAW ALT/FINE Opens or closes Audio Bin window. [INC] button Enters selected folder. Channel Strips Control Assignment Level Meters Display momentary and peak level. SEL If AUTO off: Â FADER MODE [AUX 8] off: Selects channel.
Control Assignment DAW WIN TRANSPORT Opens or closes the Transport bar window. DAW BANK– Shifts channel strips by one bank (a bank is group of channels or parameters) to the left. DAW BANK+ Shifts channel strips by one bank to the right. DAW SHIFT/ADD Shifts to second use of some buttons. See descriptions of other buttons. DAW OPTION/ALL While held down, value change mode is set to full: Turning the encoder to the right sets the maximum value. Turning it to the left sets the minimum value.
Control Assignment DAW SCRUB Enables or disables Scrub mode. DAW SHUTTLE Enables or disables Shuttle mode. DAW REW Shuttles backward. DAW FF Shuttles forward. DAW STOP Stop DAW PLAY Play DAW SHIFT/ADD Pause DAW REC Record DAW PRE Sets the left locator at the current playhead position. DAW IN Sets the punch in locator at the current playhead position. DAW OUT Sets the punch out locator at the current playhead position. DAW POST Sets the right locator at the current playhead position.
20 Yamaha 02R96 20 Setting Up Your Yamaha 02R96 Please follow these steps before using your control surface with Logic Pro. Â Make sure that your 02R96 units are connected to the computer via USB. Â Make sure that the MIDI driver shipped with the unit is installed. On the 02R96 Front Panel: 1 Press the DISPLAY ACCESS [DIO/SETUP] button repeatedly, until the DIO/Setup/MIDI/ Host page is visible.
Assignment Overview A modifier button (such as SHIFT) below a button description indicates that the button has an alternate function, while holding down this modifier. DISPLAY ACCESS Section Control Assignment METER Clears Overload LEDs. AUX SELECT Section Control Assignment AUX 1 Assigns Send 1 level to encoders, and Send 1 to 4 levels to rotary knobs shown in display. While held, the channel strip displays show the current Send 1 destination assignment.
EFFECTS/PLUG-INS Section Control Assignment display Opens or closes the Sample Editor window. PLUG-INS Switches encoder buttons between normal behavior and setting default value. CHANNEL INSERTS Determines mode of channel strip SEL buttons: Â Indicator off: Channel selection. Â Indicator on: Insert selection. 1 — 2 Switches display between “track name/parameter name” and “parameter name/ parameter value” modes. 3 Switches bypass state of Insert slot that is currently being edited.
LCD The LCD displays different data, depending on the page selected with the F2, F3, and F4 buttons: Â INSERT ASSIGN/EDIT Display mode: Parameter details, plug-in selection, or plug-in parameters. Press [F2] to select this mode (for details on the assignments, see table below). Â Channel view mode: Encoder values and channel strip display. Press [F3] to select this mode. Â Level meters view mode: Press [F4] to select this mode.
Channel Strips Control Assignment Encoder Adjusts parameter selected in the AUX SELECT section. Encoder Select Pan selected: Sets pan to center position. button If EFFECTS/PLUG-INS [PLUG-INS] on Sends 1 to 8 is selected: edits Send Pre/Post, switches Send Mute status, or sets Send Level to default value. Send Assign, Input, or Output: confirms selection. AUTO Cycles through automation modes. When an automation mode button is held down, the respective automation mode is set.
Data Entry Section 228 Control Assignment SCRUB Enables/disables Scrub mode. SHUTTLE Enables/disables Shuttle mode. Parameter Wheel Default: Move playhead by one bar. Scrub: Scrubbing. Shuttle: Shuttle mode. ENTER Enters selected folder. DEC Exits folder. INC Switches between Cursor and Zoom modes. Cursor Up Cursor mode: Equivalent to computer keyboard Up Arrow key. Zoom mode: Zooms out vertically. Cursor Down Cursor mode: Equivalent to computer keyboard Down Arrow key.
21 Yamaha DM1000 21 Setting Up Your Yamaha DM1000 Please follow these steps before using your control surface with Logic Pro. Â Make sure that your DM1000 units are connected to the computer via USB. Â Make sure that the MIDI driver shipped with the unit is installed. On the DM1000 Front Panel: 1 Press the DISPLAY ACCESS [SETUP] button repeatedly, until the Setup/MIDI/Host page is visible.
Assignment Overview A modifier button (such as SHIFT) shown below a button description indicates that the button has an alternate function, while holding down this modifier. DISPLAY ACCESS Section Control Assignment DISPLAY Opens or closes the Sample Editor. AUTOMIX While held, the channel strip displays show the automation mode of the selected channel. PAIR/GROUP Enters Group Edit mode: Â The upper line in the display shows the name and number of the group being edited.
ENCODER MODE Section Control Assignment PAN Assigns pan to encoders; assigns selected channel’s pan/surround parameters to display encoders. AUX Assigns Send 1 level to encoders, and Send 1 to 4 levels to display encoders. While held, the channel strip displays show the current Send 1 destination assignment. FADER MODE Section Control Assignment FADER MODE Enables or disables Flip mode.
LCD Insert Page Control Assignment COMPARE Switches display between “track name/parameter name” and “parameter name/parameter value” modes. BYPASS Activates or deactivates bypass of plug-in insert currently being edited. INSERT/PARAM Switches between Plug-in Assign and Plug-in Edit modes. Parameter control 1–4 buttons Pan Assignment mode: Â Parameter control 1 button centers pan or surround angle. Â Parameter control 2 button centers surround diversity.
Channel Strips Control Assignment Level Meters Display momentary and peak level. Encoder Adjusts parameter selected in the AUX SELECT section. Encoder Select button Pan selected: Sets pan to center position, if MATRIX 1 on. Send 1 to 8 selected: Edits send pre/post position, activates/deactivates send mute, or sets send level to default value. Send Assign, Input, or Output selected: Confirms selection. SEL If AUTO off: Â AUX [AUX 8] off: Selects channel.
Control Assignment DAW GROUP STATUS Enters Group Edit mode: Â The upper line in the display shows the name and number of the group being edited. Â Parameter control buttons 1 to 4 switch between the properties of the group currently being edited (names shown in lower line of display). Â When INSERT/PARAM is set to INSERT, the left and right Tab Scroll buttons move through the group properties. At other times, they select the currently edited group.
Control Assignment DAW REC Record DAW PRE Sets left locator at current playhead position. DAW IN Sets punch in locator at current playhead position. DAW OUT Sets punch out locator at current playhead position. DAW POST Sets right locator at current playhead position. DAW RTZ Moves playhead to the left locator position. DAW END Moves playhead to the right locator position. DAW ONLINE Activates or deactivates internal/external synchronization.
22 Yamaha DM2000 22 Setting Up Your Yamaha DM2000 Please follow these steps before using your DM2000 control surface with Logic Pro. Â Make sure that your DM2000 units are connected to the computer via USB. Â Make sure that the MIDI driver shipped with the unit is installed. On the DM2000 Front Panel: 1 Press the DISPLAY ACCESS [SETUP] button repeatedly, until the Setup/MIDI/Host page is visible.
Assignment Overview A modifier button (such as SHIFT) shown below a button description indicates that the button has an alternate function, while holding down this modifier. MATRIX SELECT Section Control Assignment MATRIX 1 Switches encoder buttons between normal behavior and setting default value. MATRIX 2 Switches the encoder buttons between Send Position and Send Mute mode.
ENCODER MODE Section Control Assignment PAN Assigns pan to encoders; assigns selected channel’s pan/surround parameters to display encoders. AUX/MTRX Assigns Send 1 level to encoders, and Send 1 to 4 Levels to display encoders. While held, the channel strip displays show the current Send 1 destination assignment. ASSIGN 1 Assigns channel strip input assignment to encoders. While held down, the channel strip displays show the current channel strip input assignment.
EFFECTS/PLUG-INS Section Control Assignment Display Opens or closes the Sample Editor. 6 Switches display between “track name/parameter name” and “parameter name/ parameter value” modes. 7 Activates or deactivates bypass of Insert slot that is currently being edited. 8 Switches between Plug-in Assignment and Plug-in Edit modes. Parameter Up & Parameter Down Plug-in Edit mode: Shifts parameter display by the number of parameter controls in the control surface group.
TRACK ARMING Section Control Assignment 1 to 24 Enables/disables Record Enable button of selected channel. USER 5 Disables Record Enable buttons of all channels. MASTER Disables Record Enable buttons of all channels. AUTOMIX Section Control Assignment DISPLAY While held, the channel strip displays show the automation mode of the selected track/channel. REC Sets selected track/channel to Write automation mode. While held down, channel strip AUTO buttons set automation mode to Write.
USER DEFINED KEYS Section Control Assignment DISPLAY Opens or closes the Audio Bin window. 1 Opens or closes the Transport bar window. 2 Shifts channel strips by one bank to the left. 3 Shifts channel strips by one bank to the right. 4 Shifts to second function/use of some buttons (see descriptions of other buttons). 5 While held down, value change mode is set to full: Turning the encoder to the right sets the maximum value. Turning it to the left sets the minimum value.
LOCATOR Section Control Assignment DISPLAY Opens or closes the Marker List. 1 to 8 Recalls markers 1 to 8. USER 4 Switches to Mixer view, and displays: 1: MIDI channels 2: Input channels 3: Audio channels. 4: Instrument channels 5: Aux channels 6: Bus channels 7: Output channels and the master channel DISPLAY Selects tool: HISTORY 1: Arrow [FORWARD] 2: Pencil 3: Eraser 4: Text tool 5: Scissors 6: Glue tool 7: Solo tool 8: Mute tool PRE Sets left locator at current playhead position.
Channel Strips Control Assignment Level Meters Displays momentary and peak levels. Encoder Adjusts parameter selected in the AUX SELECT section. Encoder Select Pan selected: Sets pan to center position. button If MATRIX 1 on Send 1 to 8 is selected: Edits send pre/post position, activates/ deactivates send mute, or sets send level to default value. Send Assign, Input, or Output selected: Confirms selection. AUTO Cycles through automation modes.
Control Assignment Parameter Wheel Default: Move playhead by one bar Scrub: Scrubbing Shuttle: Shuttle mode DEC Default: Exits folder. In Go to Marker dialog: Cancels dialog. USER 13 Opens or closes Audio Bin. INC Switches between Cursor and Zoom mode. Cursor Up Cursor mode: Equivalent to computer keyboard Up Arrow key. Zoom mode: Zooms out vertically. USER 4 Zoom mode: Individual track zoom out.
