7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 10 Convolution Reverb: Space Designer 12 9
Adjusting this up or down can be done graphically in the Envelope window (the large
node on the left), or by click-holding and dragging the mouse cursor up/down on the
numerical entry.
Attack Time
This parameter alters the level of the Impulse Response attack phase over time. It is
expressed in second values, with the maximum possible Attack Time mirroring the
value set by the Length parameter (see “Length” on page 122).
The Attack Time parameter determines the length of time before the decay phase of
the Volume Envelope begins.
Adjusting this left or right can be done graphically in the Envelope window (the large
node at the bottom—on the center line), or by click-holding and dragging the mouse
cursor up/down on the numerical entry.
Note that the combined total of the Volume Attack and Decay Time parameters is equal
to the total length of the Impulse Response file (determined by the Length parameter,
see “Length” on page 122), unless the Decay is shortened.
Decay Time
This parameter alters the level of the Impulse Response decay phase over time. It is
expressed in second values, with the maximum possible Decay Time mirroring the value
set by the Length parameter (see “Length” on page 122).
Adjusting this left or right can be done graphically in the Envelope window (the large
node at the bottom right), or by click-holding and dragging the mouse cursor up/down
on the numerical entry.










