7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
210 Chapter 19 ES P
Vib/Wah
The ES P features an LFO which can either modulate the frequency of the oscillators
(resulting in a vibrato), or the cutoff frequency of the dynamic low pass filter (resulting
in a wah wah effect). Turn the control to the left in order to set a vibrato, or to the right
to cyclically modulate the filter.
Speed
Speed controls the rate of the oscillator frequency or cutoff frequency modulation.
Frequency
This parameter set the cutoff frequency of the resonance-capable dynamic low pass
filter.
Resonance
This parameter sets the resonance of the dynamic lowpass filter. Increasing the
Resonance value results in a rejection of bass (low frequency energy) when using low
pass filters. The ES M compensates for this side-effect internally, resulting in a more
bassy sound.
1/3, 2/3, 3/3
The cutoff frequency can be modulated by MIDI note number (keyboard position); you
may know this parameter as Keyboard Follow on other synthesizers. You have the
choice of: no modulation, one third, two thirds, or full keyboard follow (3/3). When set
to 3/3, the relative harmonic content of each note is the same, independent of its pitch.
ADSR Int
The ES P features one ADSR envelope generator per voice. ADSR Int sets the amount of
cutoff frequency modulation by the ADSR envelope generator.
Velo Filter
The cutoff frequency modulation by the ADSR envelope generator is velocity sensitive.
The amount of velocity sensitivity is set by this parameter.
Volume
This parameter sets the master volume of the ES P.
Velo Volume
This parameter determines the amount of velocity sensitivity, with each note being
louder if struck more firmly.
A
The A slider determines the attack time of the envelope generator.
D
The D slider determines the decay time of the envelope generator.