7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 3 Equalizer 31
Use the Scales to the left and right of the EQ display, to change the vertical scale of the
EQ and analyzer curves.
To increase the resolution of the EQ Gain parameter (dB Warp) in the most interesting
area around the zero line, click-hold in the green dB Scale on the left side of the
graphic display, and move the mouse up. Moving the mouse down, will decrease the
parameter value. The overall range is always ±30, but small values will be easier to
recognize.
As soon as the Analyzer is activated, you can change the Analyzer Top parameter, which
alters the scaling of the FFT analyzer, on the right side of the graphic display. The visible
area represents a dynamic range of 60 dB, but by click-holding and vertically dragging,
you can adjust the maximum value between +20 dB and −40 dB. The Analyzer display
is always dB-linear.
Two additional Analyzer parameters are available via the 001/100 view. Analyzer Mode
allows you to switch between Peak and RMS. Analyzer Decay allows you to adjust the
decay rate (in dB per second) of the Analyzer curve (peak decay in Peak mode or an
averaged decay in RMS mode)
Note: The FFT analyzer needs additional CPU resources. In fact, resource consumption
increases significantly at higher resolutions! We recommend that you disable the
Analyzer or close the Channel EQ window after setting the desired EQ parameters. This
will free up CPU resources for other tasks.
Using the Channel EQ as the Default EQ
The Channel EQ replaces the Track EQ of older Logic versions. It is inserted into the first
available insert slot by double-clicking the EQ area on the upper portion of mixer
channel strips. This area will change to a thumbnail view of the Channel EQ display. The
thumbnails provide an overview of the EQ settings used in each individual channel.










