7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
316 Chapter 23 Ultrabeat
In contrast to the other parameters of the Model oscillator, Resolution does not
reproduce a pre-defined real-world property of the physical model, but affects the
modelling process itself: higher values lead to an improved calculation resolution
which results in more overtones. Lower values reduce the precision of the calculations,
leading to fewer overtones and often to inharmonic spectra.
Filter Bypass Button
Between Oscillator 2 and the filter section you’ll find a signal flow switch that controls
the routing (Filter Bypass button). Repeated mouse clicks will send the signal to the
filter (Filter Bypass button turns red), or bypass the filter and send it directly to the EQ
section (Filter Bypass Switch remains gray). The direction of the arrow on the Filter
Bypass button illustrates the routing.
Note: The Filter Bypass button simply determines the signal flow. It doesn’t turn the
oscillator on or off. Use the oscillator On/Off button for this (see above).
The Ring Modulator
The ring modulator functions as its own sound source; its signal can bypass or be sent
into the filter, independent of Oscillators 1 and 2. Its volume can also be regulated.
Please note that both oscillators need to be switched on to use it.
The sound of the ring modulator is largely dependent on both of the oscillators, as it
modulates the output signals of both. Parameter changes, especially the tuning
relationships of each oscillator, have a direct effect on the sound of the ring modulator.
Note: The individual volumes of the oscillators have no effect on the process of ring
modulation.
The ring modulator doesn’t have an On/Off button like the oscillators. It is activated by
clicking directly on the Ring Mod label itself. When switched on, the label is red and
when off, it’s gray.
Note: As the ring modulator needs the signals of both oscillators to produce its output,
the ring modulator is muted when one of the oscillators is switched off. If you want to
hear the ring modulator’s signal in isolation (in order to better judge your settings),
temporarily set the volume of both oscillators to 0.
The slider adjusts the output volume of the ring modulator. Volume can be modulated
by the sources found in the Mod and Via menus. If sources are selected, small blue
(Mod) and green (Via) sliders appear beside the volume control. These allow control
over the effect of the Mod and Via modulation routing. The range affected by
parameter modulation is colored blue and green, and runs alongside the volume slider.










