7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
Chapter 27 EVD6 493
When using a setting with both pickups quite close to the upper end of the strings and
Brilliant + Treble filter switches active, the fundamental tone is quite weak in the output
signal. As such, you will mostly hear the overtones that are not exactly in tune for
inharmonic models (Wood, for example). Try moving the pickups to the center, and
deactivate all filter switches to circumvent this detuned effect.
Level
Sets the (post -Effects) level, in dB (decibels). Click-hold, and drag, to adjust. If the MIDI
controller used for Expression is not assigned to Wah or Damper, it is used to scale the
output level.
o
Damper Wheel and Damper Ctrl
The original D6 features a damper slider on the right-hand side of the keyboard that
allows the player to create muted string sounds. Click-hold, and drag, or make use of a
MIDI controller, such as your keyboard’s mod wheel, to adjust the Damper Wheel. The
Damper Wheel position is saved with the sound.
The Damper Ctrl (number) parameter allows you to select the MIDI controller that
moves the Damper Wheel. Click-hold, and make a controller number/name selection
from the pull-down menu. Release the mouse button, once your selection is made.
Note: You can use MIDI Velocity to control the Damper Wheel. Just select the Velocity
parameter from the pull-down menu.
The software-wheel is moved on-screen, when controlled via MIDI. MIDI control can be
disabled by selecting the off option, found in the pull-down menu.
Note: The Wah Ctrl parameter is discussed on page 501.










