7
Table Of Contents
- Logic Pro 7
- Plug-In Reference
- Contents
- Introducing Logic’s Plug-ins
- Basics
- Instruments and Effects
- Equalizer
- Dynamic
- Distortion
- Filter
- Delay
- Modulation
- Reverb
- Convolution Reverb: SpaceDesigner
- Special
- Helper
- Vocoder—Basics
- The EVOC20PS
- Vocoder History
- Synthesizer Basics
- EFM 1
- ES M
- ES P
- ES E
- ES1
- ES2
- Concept and Function
- The ES2 Parameters
- Tutorials
- Sound Workshop: Logic ES2
- Tutorial Setting: Analog Saw Init
- Tutorial Setting: Analog Saw 3Osc
- Tutorial Setting: Analog Unison
- Tutorial Setting: Analog Bass clean
- Tutorial Setting: Analog Bass distorted
- Tutorial Setting: FM Start
- Tutorial Setting: FM Envelope
- Tutorial Setting: FM Drive
- Tutorial Setting: FM DigiWave
- Tutorial Setting: FM Wavetable
- Tutorial Setting: FM Megafat
- Tutorial Setting: FM Out of Tune and FM Tuned
- Tutorial Settings: PWM Start, PWM Slow, PWM Fast, and PWMScaled
- Tutorial Settings: PWM 2 Osc and PWM Soft Strings
- Tutorial Setting: Ringmod Start
- Tutorial Setting: Sync Start
- Tutorial Setting: Vector Start and Vector Envelope
- Tutorial Settings: Vector Envelope and Vector XY
- Tutorial Settings: Vector Loop
- Tutorial Setting: Vector Kick
- Tutorial Settings: Vector Perc Synth and Vector Punch Bass
- Templates for Logic’s ES2
- Sound Workshop: Logic ES2
- Ultrabeat
- Sculpture
- The Synthesis Core of Sculpture
- Sculpture’s Parameters
- Global Parameters
- String and Object Parameters
- Processing
- Post Processing
- Modulation Generators
- The Control Envelopes
- Morph
- MIDI Controller Assignments
- Programming: Quick Start Guide
- Programming: In Depth
- KlopfGeist
- EVB3
- EVD6
- The EVD6—Concept and Functions
- Parameters of the EVD6
- Controlling the EVD6 via MIDI
- A Brief History of the Clavinet
- EVP88
- EXS24 mkII
- Using Instruments
- File Organization
- Sample File Import
- EXS24 Key Commands
- A Brief History of Sampling
- MIDI Controller List
- GarageBand Instruments
- External Instrument
- Glossary
- Index
500 Chapter 27 EVD6
Wah
The typical Wah effect is generated by a dynamically moving filter. The EVD6 offers
simulations of several classic wah effects, as well as some basic filter types. Possible
values are: off, ResoLP, ResoHP, Peak, CryB, Morl1, Morl2. The abbreviations are for
Resonant Low and High Pass filters, Peaking filter, CryBaby, Morley 1, and Morley 2. The
latter three are famous effects pedal models that continue to be manufactured.
Note: The combination of wah, followed by distortion, delivers those sought-after
funky fuzz-wah results.
Wah Mode
Simply click-hold on the (Wah) Mode panel, and select the desired (pedal effect) model
from the pop-up menu.
Range
The Range setting determines the cutoff frequency of the filter (set with Wah Mode).
With Range set to the left, the cutoff will only move in a narrow range. To provide a
wider control range, turn the Range knob to the right.
Envelope (Depth)
An auto wah effect is produced by using an envelope follower to control the filter
cutoff automatically. The envelope shape follows the dynamics of your performance.
The sensitivity of the envelope in respect to your performance and thus the resulting
filter modulation depth is set with the Envelope parameter. Turn Envelope to the right to
increase the modulation depth.