10.6
Table Of Contents
- Contents
- Logic Pro Effects
- Amps and pedals
- Logic Pro Amps and Pedals overview
- Amp Designer
- Logic Pro Amp Designer overview
- Logic Pro Amp Designer models
- Logic Pro Amp Designer cabinets
- Build a custom Logic Pro Amp Designer combo
- Logic Pro Amp Designer amplifier controls
- Logic Pro Amp Designer EQ overview
- Logic Pro Amp Designer effects overview
- Logic Pro Amp Designer reverb effect
- Logic Pro Amp Designer tremolo and vibrato
- Logic Pro Amp Designer microphone parameters
- Bass Amp Designer
- Logic Pro Bass Amp Designer overview
- Logic Pro Bass Amp Designer amplifier models
- Logic Pro Bass Amp Designer cabinet models
- Build a Logic Pro Bass Amp Designer combo
- Logic Pro Bass Amp Designer signal flow
- Logic Pro Bass Amp Designer Pre-amp flow
- Use the Logic Pro Bass Amp Designer D.I. box
- Logic Pro Bass Amp Designer amplifier controls
- Logic Pro Bass Amp Designer effects overview
- Logic Pro Bass Amp Designer EQ
- Logic Pro Bass Amp Designer compressor
- Logic Pro Bass Amp Designer Graphic EQ
- Logic Pro Bass Amp Designer Parametric EQ
- Logic Pro Bass Amp Designer mic parameters
- Pedalboard
- Logic Pro Pedalboard overview
- Use the Logic Pro Pedalboard Browser
- Use Logic Pro Pedalboard import mode
- Use the Logic Pro Pedalboard Pedal area
- Use the Logic Pro Pedalboard Router
- Use Logic Pro Pedalboard Macro Controls
- Logic Pro Pedalboard distortion pedals
- Logic Pro Pedalboard pitch pedals
- Logic Pro Pedalboard modulation pedals
- Logic Pro Pedalboard delay pedals
- Logic Pro Pedalboard filter pedals
- Logic Pro Pedalboard dynamics pedals
- Logic Pro Pedalboard utility pedals
- Delay effects
- Logic Pro Delay effects overview
- Delay Designer
- Logic Pro Delay Designer overview
- Logic Pro Delay Designer main display
- Use the Logic Pro Delay Designer Tap display
- Create Logic Pro Delay Designer taps
- Edit Logic Pro Delay Designer taps
- Edit in the Logic Pro Delay Designer Tap display
- Logic Pro Delay Designer Tap parameter bar
- Use Logic Pro Delay Designer sync mode
- Logic Pro Delay Designer master parameters
- Use Logic Pro Delay Designer in surround
- Logic Pro Echo
- Logic Pro Sample Delay
- Logic Pro Stereo Delay
- Logic Pro Tape Delay
- Distortion effects
- Dynamics processors
- Logic Pro Dynamics processors overview
- Logic Pro Adaptive Limiter
- Compressor
- Logic Pro DeEsser 2
- Logic Pro Enveloper
- Logic Pro Expander
- Logic Pro Limiter
- Multipressor
- Noise Gate
- Surround Compressor
- Equalizers
- Filter effects
- Logic Pro Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- Logic Pro EVOC 20 TrackOscillator overview
- Vocoder overview
- Logic Pro EVOC 20 TrackOscillator interface
- Logic Pro EVOC 20 TrackOscillator analysis in controls
- Logic Pro EVOC 20 TrackOscillator U/V detection controls
- Logic Pro EVOC 20 TrackOscillator Synthesis in controls
- Logic Pro EVOC 20 TrackOscillator oscillator controls
- Logic Pro EVOC 20 TrackOscillator oscillator pitch controls
- Logic Pro EVOC 20 TrackOscillator formant filter
- Logic Pro EVOC 20 TrackOscillator modulation
- Logic Pro EVOC 20 TrackOscillator output controls
- Fuzz-Wah
- Spectral Gate
- Imaging processors
- Metering tools
- Logic Pro Metering tools overview
- Logic Pro BPM Counter
- Logic Pro Correlation Meter
- Logic Pro Level Meter
- Logic Pro Loudness Meter
- MultiMeter
- Surround MultiMeter
- Logic Pro Tuner utility and plug-in
- MIDI plug-ins
- Use MIDI plug-ins in Logic Pro
- Arpeggiator MIDI plug-in
- Logic Pro Arpeggiator MIDI plug-in overview
- Logic Pro Arpeggiator MIDI plug-in control parameters
- Logic Pro Arpeggiator MIDI plug-in note order parameters
- Logic Pro Arpeggiator MIDI plug-in note order variations
- Logic Pro Arpeggiator MIDI plug-in note order inversions
- Logic Pro Arpeggiator MIDI plug-in pattern parameters
- Logic Pro Arpeggiator MIDI plug-in Live mode
- Logic Pro Arpeggiator MIDI plug-in Grid mode
- Logic Pro Arpeggiator MIDI plug-in options parameters
- Logic Pro Arpeggiator MIDI plug-in keyboard parameters
- Use Logic Pro Arpeggiator MIDI plug-in keyboard parameters
- Assign Logic Pro Arpeggiator controllers
- Chord Trigger MIDI plug-in
- Logic Pro Modifier MIDI plug-in
- Modulator MIDI plug-in
- Logic Pro Note Repeater MIDI plug-in
- Logic Pro Randomizer MIDI plug-in
- Scripter MIDI plug-in
- Use the Logic Pro Scripter MIDI plug-in
- Use the Logic Pro Scripter MIDI plug-in Script Editor
- Logic Pro Scripter MIDI plug-in API overview
- Logic Pro Scripter MIDI plug-in MIDI processing functions
- Logic Pro Scripter MIDI plug-in HandleMIDI function
- Logic Pro Scripter MIDI plug-in ProcessMIDI function
- Logic Pro Scripter MIDI plug-in GetParameter function
- Logic Pro Scripter MIDI plug-in SetParameter function
- Logic Pro Scripter MIDI plug-in ParameterChanged function
- Logic Pro Scripter MIDI plug-in Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create Logic Pro Scripter MIDI plug-in controls
- Logic Pro Transposer MIDI plug-in
- Velocity Processor MIDI plug-in
- Modulation effects
- Logic Pro Modulation effects overview
- Logic Pro Chorus effect
- Logic Pro Ensemble effect
- Logic Pro Flanger effect
- Logic Pro Microphaser
- Logic Pro Modulation Delay
- Logic Pro Phaser effect
- Ringshifter
- Rotor Cabinet effect
- Logic Pro Scanner Vibrato effect
- Logic Pro Spreader
- Logic Pro Tremolo effect
- Multi Effects
- Logic Pro Multi Effects overview
- Phat FX
- Step FX
- Logic Pro Remix FX
- Pitch effects
- Reverb effects
- Logic Pro Reverb effects overview
- ChromaVerb
- Logic Pro EnVerb
- Logic Pro SilverVerb
- Space Designer convolution reverb
- Logic Pro Space Designer overview
- Logic Pro Space Designer interface
- Use impulse responses in Logic Pro
- Space Designer envelopes and EQ
- Space Designer global parameters
- Specialized effects
- Utilities and tools
- Legacy effects
- Logic Pro Legacy effects overview
- Logic Pro Legacy AVerb
- Logic Pro Legacy Bass Amp
- Logic Pro Legacy DeEsser
- Denoiser
- Logic Pro Legacy Ducker
- EQ
- GoldVerb
- Logic Pro Legacy Grooveshifter
- Guitar Amp Pro
- Logic Pro Legacy Guitar Amp Pro overview
- Logic Pro Legacy Guitar Amp Pro amplifier models
- Logic Pro Legacy Guitar Amp Pro cabinet models
- Logic Pro Legacy Guitar Amp Pro EQ
- Logic Pro Legacy Guitar Amp Pro amplifier controls
- Logic Pro Legacy Guitar Amp Pro effects
- Logic Pro Legacy Guitar Amp Pro mic parameters
- PlatinumVerb
- Logic Pro Legacy Silver Compressor
- Logic Pro Legacy Silver Gate
- Logic Pro Legacy Speech Enhancer
288Logic Pro Effects
When you select a half sample rate, the impulse response becomes twice as long.
The highest frequency that can be reverberated is halved. This results in a behavior
that is much like doubling every dimension of a virtual room—multiplying the volume
of a room by eight. The Low (and Lo-Fi) setting can also be used for interesting
tempo, pitch, and retro digital effects. Another benefit of reducing the sample
rate is that processing requirements drop significantly, making the lower quality
settings useful for large, open spaces.
This behavior also applies when you choose Lo-Fi, but the sample rate is divided by
four and the impulse response is multiplied in length four times.
• Medium: Space Designer uses the current project sample rate. The sample rate of
a loaded impulse response is automatically converted to match the current project
sample rate, if necessary. For example, this allows you to load a 44.1 kHz impulse
response into a project running at 96 kHz, and vice versa.
• High: Space Designer uses the highest possible sample rate.
• To retain the original length of the impulse response when the sample rate is changed:
Adjust the Size knob value. Using this parameter with your Quality pop-up menu choice
can lead to interesting results.
If you’re running Space Designer in a project that uses a higher sample rate than the
impulse response, you may also want to reduce the impulse response sample rate.
Adjust the Size knob value to reduce CPU processing time without compromising
reverb quality.
Tip: You can make similar adjustments while running in Synthesized IR mode.
Most typical reverb sounds don’t contain an excessive amount of high frequency
content. If your project is running at 96 kHz, for example, you would need to use
lowpass filtering to obtain the mellow frequency response characteristics of many
reverb sounds. A better approach would be to first reduce the high frequencies by
choosing a lower rate from the Quality pop-up menu, followed by using the lowpass
filter, thus conserving significant CPU resources. It is also worth noting that longer
impulse responses (sampled or synthesized) place a higher strain on the CPU.
Set impulse response lengths
• In Logic Pro, rotate the Length knob to set the length of the impulse response—sampled
or synthesized.
The Length knob setting changes the decay value, depending on the current Size knob
value. To clarify, a Length value of 100% and a Size value of 100% result in a decay that
is the full length of the loaded impulse response.
All envelopes are automatically calculated as a percentage of the overall length.
Changes to the Length or Size parameter values result in envelope curves stretching
or shrinking to fit the new impulse response length.










