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Chapter 13 Sculpture 294
Before you begin, it should be stressed that the examples discussed in the subtopics provide
one or two approaches to the task at hand. There are many ways to model each component of
the sound. With this in mind, consider the following:
•
Experiment with the suggested parameters to create your own versions of sounds. Use your
own parameter values if the supplied values don’t match your ideal bass sound, for example.
•
Subtle changes—particularly to Keyscale parameters—result in more controlled sounds.
Take your time, and try everything as you follow the examples.
•
Make use of other user settings, and the factory settings—either as a starting point for your
own sounds or as an object of study. Looking at existing settings provides an insight into
how the sound was created. Enable and disable dierent parameters to see what each does.
Have fun and take risks—you can’t break anything.
Acoustic instrument programming examples
The tasks below provide programming guidelines, tips, tricks, and information to assist you in
creating particular types of acoustic instrument sounds in Sculpture.
Create a bell sound
At a basic level, bell-like sounds are quite easy to produce with Sculpture. The creation of truly
interesting bells involves a little more eort, but the harmonic richness and detuning during the
decay/release phase makes all the dierence.
1 Load the #default (or your vanilla) setting le.
2 Choose Strike from Object 1’s Type pop-up menu.
3 Drag the Material Pad ball to the very bottom of the pad, and place it halfway between Steel and
Glass. Play a few notes, and notice that the sound is already more bell-like.
4 Drag the Media Loss slider nearly all the way down. Again play a few notes, and you’ll hear that
the release phase of the sound is considerably longer.
5 Drag the Resolution slider all the way to the right.
6 Drag the Pickup A slider to about halfway (0.48).
7 Drag Object 1’s pickup position to a value of 0.10. You should be starting to get pretty bells
now … play a few notes.
8 To activate the Delay unit, click the Delay button in the upper-right section.
9 Click the Sync button at the bottom of the Delay section, and drag the Delay Time slider to a
value of 20 ms.
10 Adjust the Wet Level knob to 66%.
11 Click the Body EQ button in the lower right to activate it. Make sure that Lo Mid Hi is chosen
from the Model pop-up menu.
12 Adjust the Low knob to 0.55, the Mid knob to 0.32, and the Hi knob to 0.20.
At this point, you have a working bell sound, but you’ll probably nd that there is a tuning issue
below C3 in particular. This programming approach was taken because the harmonics of the
sound are most noticeable after all other parameters have been set. The solution to the tuning
issue primarily lies in the Inner Loss and Stiness Keyscale parameters.
13 To adjust, rst select the Keyscale button, then drag the green horizontal line within the Material
Pad up or down for low notes, or drag the blue horizontal line up or down for high notes.
14 Choose Save Setting As from the Settings pop-up menu, save your settings with a new name,
and use it as the basis for new bell sounds, or for your next Christmas album.