X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 14 Ultrabeat 348
Ultrabeat noise generator
Ultrabeat’s exible noise generator enables you to create a wide range of percussive sounds and
sound elements. The noise generator has its own lter, which functions independently of the
main Ultrabeat lter, although the noise generator lter can also be used on the overall sound.
Technically, a noise signal contains all tonal frequencies, at a roughly equal volume level. As
all frequencies in the spectrum are audible, it makes it dicult for human beings to hear any
tonality (pitch) in a noise signal. Despite this, or as a direct result of it, noise is an indispensable
ingredient when creating drum sounds.
Filter Type buttons
On/off button
Cutoff knob and “mod”
and “via” menus
Volume knob
Dirt knob and “mod” and
“via” menus
Res(onance) knob
Mod and “via” menus
(for volume)
Noise generator parameters
•
On/O button: Turns the noise generator on or o. When programming a drum sound, you
can turn the individual sound sources on or o. You can also listen to, or remove, individual
components of the sound separately in this way.
•
Filter Type buttons: Switch the noise generator’s integrated lter between lowpass, highpass,
and bandpass lter types.
•
LP (lowpass): This lter type allows frequencies that fall below the cuto frequency to pass.
The lter slope is xed at 12 dB/octave.
•
HP (highpass): This lter type allows frequencies above the cuto frequency to pass. The lter
slope is xed at 12 dB/octave.
•
BP (bandpass): The frequency band directly surrounding the center frequency (determined
with the Cuto knob) is allowed to pass. All other frequencies are cut. The Resonance
parameter controls the width of the frequency band. The bandpass lter is a two-pole lter
with a slope of 6 dB/octave on each side of the center frequency of the band.
•
byp (bypass): Disables the integrated lter.
•
Cut(o) and Res(onance) knobs: Rotate to set the cuto/center frequency and resonance/
bandwidth behavior of the integrated lter.
•
The Cut knob denes the point in the frequency spectrum where the signal is boosted or
cut. Depending on the selected lter type, you can make a sound darker (LP), thinner (HP), or
more nasal (BP) by adjusting the Cut value. Cuto can be modulated by sources in the mod
and via pop-up menus.
•
Increasing resonance boosts frequencies that surround the cuto frequency. Values range
from 0 (no increase) to self-oscillation of the lter at high resonance values. Self-oscillation
is typical of analog lter circuits. It occurs when the lter feeds back into itself and begins to
oscillate at its natural frequency when high resonance values are used.










