X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 14 Ultrabeat 366
Ultrabeat envelope parameters
To edit envelope parameters, you rst need to select one of the four envelopes with the 1-4
buttons. The parameters of the corresponding envelope can then be changed in the envelope
display window.
1–4 buttons
Zoom scroll
Zoom buttons
Decay time handle
Sustain button
Mod (via vel) slider
Env mod menu
Attack time handle
Envelope parameters
•
Buttons 1–4: Click to select one of the four envelopes. Only the selected envelope can be
edited. The button frame of the chosen envelope is highlighted, and the envelope display
immediately updates to reect your selection.
•
Attack time handle: Drag to set the time it takes for the envelope to reach its maximum value
after receiving a note-on message. This period is called the attack phase.
•
Decay time handle: Drag to set the time it takes for the envelope to fall to an amplitude of zero,
after it has reached its maximum value (dened in the attack phase).
•
Zoom scroll eld: Drag horizontally to resize the visible contents of the envelope display.
•
Env mod pop-up menu: Choose the modulation target (either the time or shape of the
envelope attack or decay phase) by velocity. Choices are A Time, A Shape, D Time, and D Shape.
•
Mod (via vel) slider: Drag to set the intensity of velocity modulation (of the target specied in
the Env mod pop-up menu).
•
When you modulate Shape, low velocity values make the envelope concave. Higher values
make the envelope convex.
•
When you modulate Time, high velocity values reduce the length of the envelope segment.
Lower velocity values increase the length of the envelope segment.
•
Sustain button: Click to turn on and display a red handle (and vertical line) on the x-axis. This
handle can be dragged horizontally, but only within the envelope decay phase. The amplitude
that the envelope reaches at the Sustain junction point is retained until the MIDI note
is released.
Note: If the Sustain button is not turned on, the envelope functions in one-shot mode, and
the note length (MIDI note-o command) is disregarded.
•
Zoom (to t) button: Click to enlarge the envelope to ll the entire width of the envelope
display. This makes it easier to adjust junction points and curves.
Note: When the Zoom function is turned on, the decay handle can be dragged beyond the
right edge of the envelope display area, enabling you to lengthen the decay time. After you
release the mouse button, the envelope graphic is automatically resized to t the display area.
•
Zoom A/D buttons: Click to show only the attack (A) or decay (D) phase across the entire width
of the envelope display. This enables you to perform more accurate edits to envelope shapes
(down to millisecond values).










