X
Table Of Contents
- Logic Pro X Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 Surround mode
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture surround range and diversity
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 3 ES2 83
ES2 modulation source reference
The following modulation sources are available:
Source Comment
LFO1
LFO 1 is used as a source.
LFO2 LFO 2 is used as a source.
ENV1 Envelope Generator 1 is used as a source.
ENV2 Envelope Generator 2 is used as a source.
ENV3 Envelope Generator 3 is used as a source. Envelope
Generator 3 always controls the level of the overall
sound.
Pad-X, Pad-Y Dene the axes of the Planar Pad as modulation
sources for the selected modulation target. See
Use the Planar Pad
on page 76 and Use the Vector
Envelope
on page 69.
Max Max sets the value of this source to +1. This oers
interesting options for controlling the modulation
intensity with all possible via values.
Kybd Kybd (Keyboard) outputs the keyboard position (the
MIDI note number). The center point is C3 (an output
value of 0). Five octaves below and above, an output
value of −1 or +1, respectively, is sent. Modulate the
Cut 1+2 target with the Kybd source to control the
cuto frequencies of the lters with the keyboard
position—as you play up and down the keyboard,
the cuto frequencies change. A modulation intensity
of 0.5 proportionately scales cuto frequencies with
keyboard note pitches.
Velo Velocity sensitivity serves as a modulation source.
Bender The pitch bend wheel serves as a bipolar modulation
source. This is also true when the Bend Range
parameter of the oscillators is set to 0.
ModWhl The modulation wheel serves as a modulation source.
For most standard applications, you’ll probably use
the wheel as the via controller. Traditionally, it is used
to control the intensity of periodic LFO modulations.
Used here, it can be employed for direct, static
modulations, such as controlling both lter cuto
frequencies (Target = Cut 1+2).
Touch Aftertouch serves as a modulation source. ES2 reacts
to poly pressure (polyphonic aftertouch). If you set
the Target to Cut 1+2, the cuto frequencies rise and
fall, depending on how rmly you press a key on
your touch-sensitive MIDI keyboard—after the initial
keystrike.
Whl+To Both the modulation wheel and aftertouch serve as
modulation sources.
MIDI Controllers A-F MIDI controllers available in the router are named
Ctrl A–F and can be assigned to arbitrary controller
numbers. See ES2 macro and controller assignment
overview
on page 89.










