MainStage 2 Exploring MainStage
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Contents 7 8 8 11 15 18 20 22 Chapter 1: A First Look at MainStage Getting Ready Opening MainStage Exploring Edit Mode Exploring Layout Mode Exploring Perform Mode Exploring Full Screen Mode Key Concepts 23 23 24 26 27 Chapter 2: Adding and Organizing Patches Getting Ready Adding a Patch Selecting Patches Organizing Patches in the Patch List 30 Playing Patches 31 Key Concepts 3
33 33 37 38 40 42 Chapter 3: Editing Patches Adding a Channel Strip Changing the Channel Strip Setting Adding a Plug-in Creating a Keyboard Split Key Concepts 43 Chapter 4: Learning Controller Assignments 44 Learning a Controller Assignment 46 Key Concepts 4 47 48 50 51 52 54 Chapter 5: Mapping Screen Controls Mapping a Screen Control to a Parameter Mapping a Screen Control to an Action Mapping a Screen Control to Multiple Parameters Editing a Parameter Graph Key Concepts 55 55 57 59 61 62 64 Chapter
65 66 67 72 74 75 Chapter 7: Editing Concert Layouts Adding Screen Controls Arranging Screen Controls Grouping Screen Controls Editing Layout Parameters Customizing the MainStage Window 76 Key Concepts 77 78 79 83 Chapter 8: Playing Back Audio Adding a Playback Plug-in Using Playback Plug-in Parameters Key Concepts 85 85 86 87 Chapter 9: Performing Live with MainStage Before the Performance Starts Using Perform or Full Screen Mode Selecting Patches in Performance 88 Using the Tuner 89 Silencing MIDI N
A First Look at MainStage 1 Welcome to MainStage. If you’re new to MainStage, this guide is for you. You’ll learn by doing as you work on a concert, customize your sounds, and get ready to perform. MainStage turns your computer into a powerful, customizable musical instrument and effects processor that you can use with your music gear in live performance. Whether you are a keyboard player, a guitarist, a vocalist, or play another instrument, you can use MainStage in your rig when you play live.
Getting Ready Before you begin, you should install MainStage on your computer. For instructions, see the Installing Your Software booklet that comes with Logic Studio. You should also connect the music equipment that you plan to use, such as a MIDI controller, audio interface, musical instruments, or microphone, to your computer. For more information about using music hardware with MainStage, see the “Setting Up Your System” chapter in the MainStage User Manual.
Choose a concert template: 1 Click an instrument from the list on the left to see the templates for that instrument type. If you play a keyboard controller, select Keyboards to view keyboard templates featuring software instrument patches. If you play an electric guitar, select Guitar Rigs to view guitar templates featuring audio patches with guitar amps and effects. 2 Scroll through the available templates to find the one you want. 3 Double-click the template you want to use.
The new concert will look similar to this: Workspace Patch List 10 Chapter 1 A First Look at MainStage Inspector Channel Strips area
Name and save the concert: 1 Choose File > Save. 2 Enter a name for the concert in the name field. 3 Click Save. Exploring Edit Mode A new concert opens in Edit mode. Edit mode is where you create, customize, and organize your sounds, called patches. Patches contain channel strips with Logic Pro instruments and effects. You can add and edit patches, add channel strips, and create keyboard layers and splits to customize your sounds.
Try This Play the selected patch: mm Using your instrument or microphone, play the patch. As you play, observe different parts of the MainStage window, including the screen controls in the workspace and the Activity Monitor in the center of the toolbar. Explore the Patch Library: mm Select a different patch setting in the Patch Library and play the patch to hear the new patch setting. Try out several different patch settings and see how the sound changes.
Explore the Patch List and the Inspector: mm In the Patch Inspector, click the Attributes tab. Click the Icon well, and choose a new icon for the patch. You’ll explore other parameters in the Inspector in later chapters. mm Select the concert (the Untitled Concert icon) in the Patch List. The Inspector changes to show concert parameters, including time signature, tempo, device information, and tuning. mm Select the set (the blue My Song folder) in the Patch List.
mm Click one of the knobs or faders in the workspace. It highlights in blue, and mappings and other parameters for it appear in the Inspector. Click the tabs in the Inspector and look at the parameters each one contains. Explore the Channel Strips area: mm To the right of the workspace, the Channel Strips area shows the channel strips for the selected patch as well as channel strips at the set or concert level that affect the sound of the patch.
Exploring Layout Mode Layout mode is where you customize the visual layout of the concert, adding and arranging screen controls to match your hardware devices. You also make connections (called controller assignments) between your MIDI hardware and the screen controls in your concert in Layout mode.
In Layout mode, the workspace fills more of the screen so you can focus on editing your layout. Because you are working on the overall concert layout rather than with individual patches, there is no audio output when you are using Layout mode. Try This Switch to Layout mode: mm Click Layout at the upper-left corner of the toolbar (or press Command-1). Explore the workspace: mm Click a screen control. It appears highlighted in a blue rectangle with square handles.
Explore the Screen Controls Palette: mm Click each of the tabs in the Palette and observe which screen controls are available. mm Drag a screen control from the Palette to the workspace and try moving it to a new position. Resize it by dragging its blue resize handles. To remove it, press the Delete key. Explore the Screen Control Inspector: mm Parameters for the currently selected screen control appear in the Screen Control Inspector to the left of the workspace.
Exploring Perform Mode In Perform mode, the workspace fills most of the screen. Above the workspace, the toolbar is available so you can switch modes, view the Activity Monitor, and access other toolbar buttons. Perform mode optimizes your computer for live performance, but you can still access the Finder and switch to other open applications. Try This Switch to Perform mode: mm Click Perform at the upper-left corner of the toolbar (or press Command-3).
Play a patch: mm Try playing the selected patch with your instrument. If you are playing a keyboard controller, play a few notes or chords and watch the keyboard in the workspace. You should hear sound, and the keys should respond as you play. If you are playing an electric guitar, you should hear your guitar through the amps and other effects in the patch and see the Output meter light as you play. Use hardware controls: mm Move the pitch bend wheel and mod wheel on your keyboard.
Exploring Full Screen Mode In Full Screen mode, the workspace fills your entire display, showing the workspace at its maximum size for optimal readability in performance environments. Full Screen mode optimizes your computer and display for live performance when you want to use MainStage exclusively while you play. Try This Switch to Full Screen mode: mm Click Full Screen at the upper-left corner of the toolbar (or press Command-4).
Play a patch: mm Try playing your instrument and watch the screen controls in the workspace respond. Use hardware controls: mm Try the knobs and other controls on your controller, as you did in Perform mode. See if you like playing better in Perform mode or Full Screen mode.
Key Concepts ÂÂ Concert: The MainStage document that holds all the sounds and settings you’ll use in performance, the visual layout of screen controls, and information about the connections between your MIDI hardware devices and the screen controls. ÂÂ Patch: An individual sound in a MainStage concert that contains one or more channel strips with instruments, effects, or both. ÂÂ Workspace: The central area of the MainStage window that shows the layout for the concert.
Adding and Organizing Patches 2 You add and organize the patches in a MainStage concert in the Patch List. A MainStage concert can hold all the patches you’ll use in one performance or a series of performances. The number of patches you can have in a concert is limited only by the amount of available memory in your system. MainStage includes a Patch Library with a large collection of patch settings for software instruments, guitar rigs, audio effects setups, and more.
Adding a Patch By default, most new MainStage concerts contain at least one patch. When you add a patch, it appears below the selected patch in the Patch List. Try This Add a patch: mm Click the Add Patch button (+), located in the upper‑right corner of the Patch List. A new patch appears in the Patch List. The Patch Library tab is selected in the Patch Inspector so you can quickly audition patch settings and select one for the new patch.
Select a patch setting: mm In the Patch Library, select a patch setting, then play the patch to audition the new setting. Try out different patch settings until you find one you like. When you select a patch setting, the patch name changes to match the patch setting. You can also give the selected patch a custom name to identify it. Name the patch: mm In the Patch List, double-click the patch name, then type a new name for the patch.
Selecting Patches After you have added a few patches to your concert, you can quickly select patches in the Patch List and start playing the selected patch. Try This Select a patch in the Patch List: mm Click a patch in the Patch List to select it, then start playing the selected patch. mm Try sustaining some notes while you select a new patch. Notice that the notes continue to sustain, but you can play notes using the new patch. Click the patch in the Patch List to select it.
Organizing Patches in the Patch List You can organize your patches for easy access when you play. How you organize your patches depends on how you want to use them while performing. You can reorder patches in the Patch List so that they appear in the order in which you plan to use them or in any order that suits your needs. You can also use sets to organize your patches. Sets are like folders that can hold groups of patches you want to keep together.
Create a set from a group of patches: 1 In the Patch List, select the patches you want to include in the new set. Select the patches you want to include in the new set.
2 Choose New Set From Selection from the Action menu at the upper‑right corner of the Patch List. The new set containing the selected patches appears in the Patch List. The patches appear in a new, untitled set. Add a new patch to a set: 1 Select either the set or a patch within the set. 2 Click the Add Patch (+) button. Move existing patches into a set: mm Drag the patches from another part of the Patch List to the set.
Playing Patches With the patch selected, try moving different controls on your MIDI controller. Some screen controls, including the keyboard, modulation and pitch bend wheel, and sustain pedal screen controls, respond to corresponding MIDI messages without requiring any configuration. Try This Play your keyboard controller: mm If you are playing a MIDI keyboard controller, try playing notes and chords on the keyboard. Move the mod wheel and pitch bend wheel.
Play or sing using your microphone: mm If you are using a microphone or another musical instrument with MainStage, you can also use MIDI devices to send patch changes and control patch parameters as you play. Move the controls on your device and see if the MIDI Activity meter above the workspace responds. Continue selecting and playing patches in the concert to find the sounds you want to use in performance or to use as a starting point for creating your own custom patches.
Editing Patches 3 You can edit patches to create your own custom sounds and effects setups. MainStage patches are based on the same channel strip format used by Logic Pro. You can add multiple channel strips, choose different channel strip settings, and make use of a wide variety of Logic Pro instrument and effects plug-ins, as well as third-party plug-ins, in your patches. You can create layered sounds and keyboard splits. Adding a Channel Strip Patches contain one or more channel strips.
Channel Strip Types You can use the following types of channel strips in a MainStage concert: ÂÂ Audio channel strip: Use with guitars, instruments, microphones, and other audio devices connected to your computer. ÂÂ Software instrument channel strip: Use with keyboard controllers and other MIDI devices that send MIDI note messages. ÂÂ External instrument channel strip: Use to control external hardware synthesizers and sound modules and ReWire applications.
If you are using a Keyboard concert, use software instrument channel strips for the following tasks. If you are using a Guitar Rig concert, use audio channel strips. Try This Add a channel strip to a patch: 1 Select the patch you want to work with in the Patch List. 2 Click the Add Channel Strip (+) button at the upper-right corner of the Channel Strips area.
5 Do one of the following: ÂÂ For software instrument channel strips, choose the MIDI input device from the MIDI Input pop-up menu. (The menu shows recognized input devices by name, while other devices appear as Keyboard 1, Keyboard 2, and so on.) ÂÂ For audio channel strips, choose mono from the Format pop‑up menu and choose the audio input source from the Input pop‑up menu. 6 Click Create. A new channel strip appears in the Channel Strips area and is highlighted.
Changing the Channel Strip Setting In MainStage, you can access the Logic Pro Channel Strip Library, which contains a large collection of predesigned channel strip settings. After you choose a new setting, you can quickly change the instrument, effects, and other parameters to customize the sound to your liking. Try This Choose a channel strip setting from the Channel Strip Library: 1 In the Channel Strips area, select the channel strip you want to change. The selected channel strip appears highlighted.
3 Click a category from the column on the left, then click subcategories from the columns on the right until you see the settings you want. 4 Click the new channel strip setting. 5 Play the patch. Try out different channel strip settings and see how the sound changes. Adding a Plug-in In addition to the plug-ins included in patch and channel strip settings, you can add individual plug-ins to a channel strip and adjust plug-in parameters to “dial in” your custom sound.
Adjust plug-in settings: mm Double-click the Insert or Instrument slot containing the plug-in, then try adjusting different controls in the plug-in window. Your changes are saved for as long as the concert is open. To save changes to channel strip and plug-in parameters permanently, save the concert before closing it.
Creating a Keyboard Split When you add a software instrument channel strip to a patch, it extends over the entire MIDI keyboard range (C–2 to G8). Two or more channel strips in the same range produce a layered sound. You can easily create keyboard splits in your patches so different channel strips cover different parts of the keyboard. You create keyboard splits by defining a key range for each channel strip.
3 In the Channel Strip Inspector, click the Layer Editor tab. The Layer Editor shows a horizontal, colored layer for each channel strip in the patch. The layer for the selected channel strip is highlighted. Create a keyboard split: mm Move the pointer to the left edge of a layer, then drag the layer right to set the Low Key for the layer. mm Move the pointer to the right edge of a layer, then drag the layer right to set the High Key for the layer.
mm Enter a value in the High Key Floating value slider, in the same way as you did for the Low Key Floating Split value slider. Now when you play notes leading down to the Low Key note, or play notes leading up to the High Key note, the key range extends to follow your playing by the number of semitones defined for the floating split point.
Learning Controller Assignments 4 You make connections between your hardware MIDI devices and a MainStage concert by learning controller assignments. A MainStage concert contains information about which knobs, sliders, and other controls on your MIDI hardware devices control the screen controls in the workspace.You make connections between your MIDI hardware and the concert by assigning hardware controls to the screen controls in the workspace.
Learning a Controller Assignment You can quickly assign hardware controls to screen controls using the Learn process, which is similar to learning controller assignments for a control surface in Logic Pro. Getting Ready mm Make sure your MIDI hardware device is connected to your computer and is working. mm Move the controls on the device and observe the Activity Monitor to make sure MainStage is receiving MIDI input from the device.
2 Press Command-L. The rectangle around the screen control turns red to indicate that the Learn process is active. The Learn button glows red when the Learn process is active. 3 On your MIDI device, move the control you want to assign. Move faders and knobs through their full range of motion, and press buttons exactly three times (not too quickly) to enable MainStage to correctly learn the MIDI message types sent by these controls.
Key Concepts ÂÂ Layout: The visual representation of your hardware controls in the MainStage workspace. ÂÂ Controller assignment: The process of making connections between your hardware MIDI devices and a MainStage concert, so the screen controls in the concert will receive and respond to MIDI messages sent from the devices. ÂÂ Learn process: The mode in which you learn controller assignments by selecting a screen control, then moving the hardware control you want to assign to it.
Mapping Screen Controls 5 After you make connections between your MIDI hardware and the screen controls in MainStage, you map the screen controls to channel strip and plug-in parameters in your patches so you can modify the patches in real time when you perform. By mapping screen controls to different parameters in the patches in your concert, you can control exactly the parameters you want for each patch.
Mapping a Screen Control to a Parameter After you have customized the sound of the patches in your concert, you can map MainStage screen controls to channel strip and plug-in parameters to control them in real time. Try This Map a screen control to a channel strip or plug-in parameter: 1 In the workspace, click the screen control you want to map. The screen control is highlighted in blue. The Screen Control Inspector appears below the workspace. 2 Press Command-L.
3 To map the screen control to a channel strip parameter, click the parameter you want to map on the channel strip. 4 To map the screen control to a plug-in parameter, double-click the Input or Insert slot for the plug-in to open the plug-in window, then click the parameter you want to map. The screen control is mapped to the selected parameter, and the Unmapped tab takes the name of the parameter.
Mapping a Screen Control to an Action In addition to channel strip and plug-in parameters, you can map screen controls to actions. Actions are functions specific to MainStage that let you select patches and sets, turn the Tuner or the metronome on or off, tap a new tempo, display patch parameters and other information, and perform other functions using screen controls. Try This Map a screen control to an action: 1 In the workspace, click the screen control you want to map.
Mapping a Screen Control to Multiple Parameters You can use a single screen control to modify multiple parameters. Mapping a screen control to multiple parameters is called multimapping. Try This Add a mapping to a screen control: mm Select a mapped screen control, click the Add Mapping (+) button at the upper-right corner of the Screen Control Inspector, then choose the parameter you want to map from the Parameter Mapping browser.
Editing a Parameter Graph Each mapped parameter has a Parameter graph. You can edit the graph to remap the output values to different input values along the parameter’s range. Open a Parameter graph for editing: 1 In the Screen Control Inspector, click the tab for the mapping you want to edit. 2 Click the Parameter graph button. The graph for the parameter appears in a new window.
Edit a Parameter graph: mm Click one of the square buttons at the top of the window to set the graph to one of the preset curves. mm Click a point on the curve, then drag the node vertically to change the output value. Drag the point horizontally to change the input value. mm Double-click a point, then enter the x and y coordinates in the Precision Editor. mm Click the Invert button to invert the graph along the x (input) axis. mm Click the Reset to Default button to return the graph to its original state.
Key Concepts ÂÂ Mapping: The connection between a screen control and a channel strip or plug-in parameter that allows you to change the parameter’s value using the screen control. ÂÂ Action: A MainStage function that can be controlled by a screen control to the action. MainStage actions are available in the Actions folder of the Parameter Mapping browser, and include functions for selecting patches and sets, tapping the tempo, showing the Tuner, displaying transport information, and more.
Working with Concerts and Sets 6 You can define the tempo for a concert, control the overall concert volume, and add channel strips at the concert level so they are available in every patch. You can also edit parameters for a set, use the set to change the tempo, and add channel strips at the set level so they are available in every patch in the set.
A new tab titled Unmapped appears in the Screen Control Inspector. The tab is selected, and the Parameter Mapping browser appears in the Inspector. 3 In the leftmost column of the Parameter Mapping browser, select Output 1-2. 4 From the column to the right, select Volume. 5 Drag the fader assigned to the fader screen control. Observe that the volume of the concert changes in step with the movements of the fader.
Defining the Tempo for a Concert Each concert has a tempo, which you can change in different ways while you are performing. The tempo controls time-based plug-in parameters, such as delay times, and affects sequencer-oriented plug-ins such as Playback as well as ReWire applications. When you open a concert, the Tempo setting in the Concert Inspector is used as the tempo. You can change the tempo by selecting a patch or set with its own Tempo setting or by tapping a tempo.
Tap the tempo using the Tap Tempo button: mm Click the Tap Tempo button in the toolbar several times at the desired tempo. Change the tempo by selecting a patch: 1 Select the patch you want to use to change the tempo. 2 In the Patch Inspector, select the General tab. 3 Select the Change Tempo To checkbox. 4 Set the patch tempo using the Change Tempo To value slider. Click the Change Tempo To checkbox and drag the slider.
Adding a Concert-Wide Effect You can add concert-wide effects such as reverb and delay using sends and auxiliary channels (auxes). When you choose a send from the Send slot on a channel strip in a patch, the corresponding auxiliary (aux) channel strip appears at the concert level. You can insert effects on the aux and have those effects apply to every channel strip sending its signal to the aux.
3 Drag the Send knob next to the slot to set the amount of the signal sent through the bus to the aux. A new auxiliary channel strip, Aux 3, appears in the Channel Strips area. Add a concert-wide effect to the aux: mm Click one of the Insert slots on the Aux 3 channel strip, then choose an effect from the Effects menu. Try out different effects and see how they change the sound of the patch.
Adding a Set-Level Channel Strip You can add channel strips at the set level and play the set‑level channel strips together with every patch in the set. This can be useful, for example, if you want to use the same bass instrument in a single song or group of songs. You can place the patches for all of the songs in a set, add a channel strip at the set level, and then add a bass instrument to the set‑level channel strip.
Overriding Concert- and Set‑Level Mappings By default, mappings you make at the concert level (to parameters and actions) take precedence over mappings for individual patches or sets in the concert. If you map a screen control to a parameter at the concert level (for example, to Master Volume), that screen control cannot be mapped to a parameter or action in a patch or set unless you override the concert-level mapping.
Try This Override concert-level mappings for a screen control: mm Select one of the Global EQ screen controls, then select the Override Concert Mapping checkbox in the Screen Control Inspector. Select the checkbox to override a concert-level mapping. The parameters in the Screen Control Inspector become active. Override set‑level mappings and other parameters for a patch: 1 Select the patch you want to override the set-level mapping.
Key Concepts ÂÂ Concert level: Where you edit parameters and add and edit channel strips for the overall concert. ÂÂ Set level: Where you edit parameters and add and edit channel strips for a set. ÂÂ Tempo: A concert has only one tempo, which you can change by selecting a patch or set with a Change Tempo setting, by tapping a new tempo, or by using a screen control mapped to the Tap Tempo action.
Editing Concert Layouts 7 You visually arrange screen controls in the workspace to create your concert layout. Each MainStage concert includes a layout. The layout is the visual arrangement of screen controls in the workspace and also contains information about which knobs, sliders, and other controls on your hardware devices control which screen controls. You modify the layout of a concert in Layout mode.
You can use three types of screen controls in a MainStage layout: panel controls, shelf controls, and grouped controls. In the Screen Controls Palette, each type has its own tab (the Panel Controls, Shelf Controls, and Grouped Controls tabs). Panel controls occupy a two-dimensional space, while shelf controls appear in three dimensions on an adjustable shelf.
Arranging Screen Controls You can move and resize the screen controls to more closely match your hardware controls. You can align, distribute, and group screen controls to preserve your layout and edit their appearance in different ways. Getting Ready mm Add some different screen controls to the workspace following the steps in the previous section, or open a concert with a variety of screen controls. Try This Move screen controls: mm Drag a screen control to a different location in the workspace.
2 Drag the blue resize guides to resize the screen control. Drag one of the outer handles to resize the screen control. Resize the text display area of a screen control: 1 Select the screen control in the workspace. 2 Drag the inner resize guide to increase the area of the text display. 3 Drag the outer resize guide to increase the overall size of the control. Drag the inner guide to resize the text area.
To mimic your hardware setup, you may want to arrange a series of screen controls so that they are aligned in the workspace. In Layout mode, the workspace features a palette of buttons to make it easy to align and distribute several selected screen controls. Note: If there are overlapping controls when you switch from Layout mode to another mode, an alert appears, asking if you want to see the overlapping controls highlighted so you can adjust them.
Align selected screen controls: mm Click the Align Top button to vertically align the top edges of the screen controls. mm Click the Align Centers Vertical button to vertically align the centers of the screen controls. mm Click the Align Bottom button to vertically align the bottom edges of the screen controls. mm Click the Align Left button to horizontally align the left edges of the screen controls. mm Click the Align Centers Horizontal button to horizontally align the centers of the screen controls.
Adjust the angle of the shelf for a shelf control: 1 In the workspace, select the shelf control. White alignment guides for the control’s shelf appear. 2 Drag the lower alignment guide (the one aligned with the front of the shelf control) down to make the angle steeper (as though you are looking down on the shelf control from above), or drag it up to make the angle less steep (as though you are looking at it from the front). Move a shelf vertically: 1 Select one of the screen controls on the shelf.
Grouping Screen Controls You can group screen controls. When you group screen controls, you can move and resize them together. Grouped screen controls have a background that surrounds them. You can change the appearance of the background by choosing a panel or an image. Note: You cannot group panel and shelf screen controls together or group screen controls on different shelves. Try This Group screen controls: 1 Arrange several screen controls that you want to group in the workspace.
Move or resize a member of a group independently: mm Holding down the Command key, move or resize the member of the grouped control. Press the Command key and drag to resize a member of a grouped control. When you are finished, release the Command key. Change the background panel: mm In the Screen Control Inspector, click the Panel well and choose a new panel from the menu that appears. Display an image in the background: 1 Select the Image button.
Editing Layout Parameters When you select a screen control in Layout mode, the parameters for the screen control appear in the Screen Control Inspector where you can edit them. Screen control parameters control the type of MIDI message received by the control, its appearance, and text display. Most screen controls share the same common parameters, while others have different parameters. Try This Edit screen control parameters: 1 Select a screen control in the workspace.
Customizing the MainStage Window There are several ways you can customize the MainStage window to suit your way of working. Try This Resize the workspace vertically: mm Move the pointer to the space between the workspace and the Inspector, then drag up or down to resize the workspace. Resize the workspace horizontally: mm Move the pointer to the space between the workspace and the Channel Strips area, then drag left or right to resize the workspace.
Key Concepts ÂÂ Panel controls: Panel controls appear on a two-dimensional plane (or “panel”) in the workspace. You can move a panel control to any position in the workspace, except onto the shelf of a shelf control. Panel controls include knobs, faders, buttons, and drum pads. ÂÂ Shelf controls: When you add a shelf control, it appears on a three-dimensional shelf. You can move the shelf, adjust the angle of the shelf, and place multiple shelf controls on the same shelf.
Playing Back Audio 8 You can play back audio files while you are performing in MainStage and control playback in a variety of ways. Playing back audio has several uses, including playing backing tracks to accompany your performance, playing song stems that you can mix live, and creating a virtual band that you can use to rehearse your performance. You play back audio files using the Playback plug-in, which is available only in MainStage.
Adding a Playback Plug-in The Playback plug-in is an instrument plug-in. You can use it in software instrument channel strips. You can add a Playback plug-in to a patch, a set, or at the concert level. Adding a Playback plug-in at the set level allows you to play the audio file while selecting and playing different patches in the set. Similarly, adding a Playback plug-in at the concert level allows you to play the audio file with every patch in the concert.
Using Playback Plug-in Parameters The Playback plug-in includes several additional parameters that you can use in performance, including Return to Start, Cycle, Fade Out, and others. The controls for these parameters are located below the waveform display in the plug-in window. Because the Count In and Metronome parameters rely on the concert tempo, they are useful only when the Sync parameter is set to On.
Getting Ready mm Be sure the Playback plug-in window is open. mm Add an audio file containing marker information to the Playback plug-in. Try This mm Click the Play button to start playback, then click the Return to Start button (with the triangle pointing left) to start over from the beginning of the audio file. mm Start playback, then click the Cycle button (with the curved arrows) to loop playback of the audio file.
Using the Sync Parameter The Playback plug-in also includes a Sync parameter. For audio files containing tempo information, you can use the Sync parameter to control whether the audio file plays at its recorded tempo or at the current tempo of the concert. If you choose Off from the Sync pop-up menu, the audio file plays at its original tempo. If you choose On from the Sync pop-up menu, the audio file plays at the current tempo of the concert.
Using the Group Parameter The Group parameter is very useful when you have multiple instances of the Playback plug-in in a concert, and you want to control their playback relative to each other. By assigning multiple instances of the plug-in to a group, you can control transport and other functions of all members of the group simultaneously. When you start playback for one group, all other groups stop playing.
Key Concepts ÂÂ Tempo information: Information stored in an audio file that indicates the tempo at which it was recorded. Apple Loops and files exported from Logic Pro 9 contain tempo information that the Playback plug-in can use. ÂÂ Sync: Short for synchronize. The Sync parameter lets you control whether an audio file containing tempo information plays at its recorded tempo or at the current tempo of the MainStage concert.
Performing Live with MainStage 9 Now your concert is ready to go—it’s time to play. This chapter includes some tips you can use when you play live with MainStage. Before the Performance Starts Here are a few things to check before you start performing: ÂÂ Make sure your MIDI controllers, instruments, microphones, and other music equipment are connected to your computer and are working. ÂÂ Select a patch with a software instrument channel strip and play your keyboard controller.
Using Perform or Full Screen Mode When you perform live, you can use either Perform mode or Full Screen mode, depending on which you prefer. Each mode offers some advantages for different performance situations. If you need to access other applications or access buttons in the toolbar, use Perform mode. If you want to view the workspace at maximum size on your display and do not need to access the Finder or the toolbar, use Full Screen mode.
Selecting Patches in Performance In Full Screen or Perform mode, you can view and select patches using the selector screen control in your layout. Patches and sets appear in the selector in the same order as in the Patch List in Edit mode. When you select a patch, you can start playing it instantly. If you are sustaining notes from the previous patch, they continue to be sustained until you release the notes or the sustain pedal.
Using the Tuner If you play guitar or another instrument using audio channel strips, you can use the built-in Tuner to tune your instrument while you are performing. Try This Tune an instrument using the Tuner: 1 Select the audio channel strip to which the instrument you want to tune is connected. Note: The Tuner only works on the first audio instrument in a patch. Channel strips that can use the Tuner are indicated by a tuning fork icon near the top of the channel strip.
Silencing MIDI Notes or Audio Output You can use the MIDI Panic function to quickly silence all MIDI notes and reset the audio engine or use Master Mute to silence all audio output. Try This Silence all MIDI notes: mm Press Control-P. You can also silence MIDI notes by clicking the Panic button in the toolbar or by using a hardware control assigned to a screen control that is mapped to the Panic action. Mute all audio output: mm Press Control-M.
Getting Answers 10 There are additional resources to get answers to your questions about using MainStage. Use MainStage Help and Logic Studio Help to find the answers you need. Exploring MainStage Help MainStage Help provides in-depth descriptions and instructions about the features and controls (the tasks you can perform) with MainStage. Try This Open the MainStage User Manual: mm In MainStage, choose Help > MainStage Help, then click MainStage 2 User Manual.
Search for a specific topic that interests you: mm Enter the topic you want to find in the Search field at the top of the Help Viewer window. Select topics from the search results that you want to learn about. When you search in the MainStage manual, the search results include relevant topics from the Logic Studio Effects and Logic Studio Instruments guides as well. Search for Apple Support information: mm Choose Help > MainStage Help, then click MainStage Support. Browse topics that interest you.