3.5
Table Of Contents
- Contents
- Effects overview
- Amps and pedals
- MainStage Amps and Pedals overview
- Amp Designer
- MainStage Amp Designer overview
- MainStage Amp Designer models
- MainStage Amp Designer cabinets
- Build a custom MainStage Amp Designer combo
- MainStage Amp Designer amplifier controls
- MainStage Amp Designer EQ overview
- MainStage Amp Designer effects overview
- MainStage Amp Designer reverb effect
- MainStage Amp Designer tremolo and vibrato
- MainStage Amp Designer microphone parameters
- Bass Amp Designer
- MainStage Bass Amp Designer overview
- MainStage Bass Amp Designer amplifier models
- MainStage Bass Amp Designer cabinet models
- Build a MainStage Bass Amp Designer combo
- MainStage Bass Amp Designer signal flow
- MainStage Bass Amp Designer Pre-amp flow
- Use the MainStage Bass Amp Designer D.I. box
- MainStage Bass Amp Designer amplifier controls
- MainStage Bass Amp Designer effects overview
- MainStage Bass Amp Designer EQ
- MainStage Bass Amp Designer compressor
- MainStage Bass Amp Designer Graphic EQ
- MainStage Bass Amp Designer Parametric EQ
- MainStage Bass Amp Designer mic parameters
- Pedalboard
- MainStage Pedalboard overview
- Use the MainStage Pedalboard Browser
- Use MainStage Pedalboard import mode
- Use the MainStage Pedalboard Pedal area
- Use the MainStage Pedalboard Router
- Notes on Splitter utility and Mixer utility use
- Create a second bus routing
- Remove the second bus routing
- Remove an effect from the second bus
- Determine the split point between busses
- Switch between a Splitter utility and a bus split point
- Change a Mixer utility position in the Pedal area
- Change a Splitter utility position in the Pedal area
- Use MainStage Pedalboard Macro Controls
- MainStage Pedalboard distortion pedals
- MainStage Pedalboard pitch pedals
- MainStage Pedalboard modulation pedals
- MainStage Pedalboard delay pedals
- MainStage Pedalboard filter pedals
- MainStage Pedalboard dynamics pedals
- MainStage Pedalboard utility pedals
- Delay effects
- MainStage Delay effects overview
- Delay Designer
- MainStage Delay Designer overview
- MainStage Delay Designer main display
- Use the MainStage Delay Designer Tap display
- Create MainStage Delay Designer taps
- Edit MainStage Delay Designer taps
- Edit in the MainStage Delay Designer Tap display
- MainStage Delay Designer Tap parameter bar
- Use MainStage Delay Designer sync mode
- MainStage Delay Designer master parameters
- MainStage Echo
- Loopback
- MainStage Loopback overview
- Add a Loopback instance in MainStage
- MainStage Loopback interface
- MainStage Loopback waveform display
- MainStage Loopback transport and function controls
- MainStage Loopback information display
- MainStage Loopback Sync, Snap To, and Play From parameters
- Use the MainStage Loopback group functions
- MainStage Loopback Action menu
- MainStage Sample Delay
- MainStage Stereo Delay
- MainStage Tape Delay
- Distortion effects
- Dynamics processors
- MainStage Dynamics processors overview
- MainStage Adaptive Limiter
- Compressor
- MainStage DeEsser 2
- MainStage Enveloper
- MainStage Expander
- MainStage Limiter
- Multipressor
- Noise Gate
- Equalizers
- MainStage Equalizers overview
- Channel EQ
- Linear Phase EQ
- Match EQ
- MainStage Single-Band EQ
- Vintage EQ Collection
- Filter effects
- MainStage Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- MainStage EVOC 20 TrackOscillator overview
- Vocoder overview
- MainStage EVOC 20 TrackOscillator interface
- MainStage EVOC 20 TrackOscillator analysis in controls
- MainStage EVOC 20 TrackOscillator U/V detection controls
- MainStage EVOC 20 TrackOscillator Synthesis in controls
- MainStage EVOC 20 TrackOscillator oscillator controls
- MainStage EVOC 20 TrackOscillator oscillator pitch controls
- MainStage EVOC 20 TrackOscillator formant filter
- MainStage EVOC 20 TrackOscillator modulation
- MainStage EVOC 20 TrackOscillator output controls
- Fuzz-Wah
- Spectral Gate
- Imaging processors
- Metering tools
- MainStage Metering tools overview
- MainStage BPM Counter
- MainStage Correlation Meter
- MainStage Level Meter
- MainStage Loudness Meter
- MultiMeter
- MainStage Tuner utility and plug-in
- MIDI plug-ins
- Use MIDI plug-ins in MainStage
- Arpeggiator MIDI plug-in
- MainStage Arpeggiator MIDI plug-in overview
- MainStage Arpeggiator MIDI plug-in control parameters
- MainStage Arpeggiator MIDI plug-in note order parameters
- MainStage Arpeggiator MIDI plug-in note order variations
- MainStage Arpeggiator MIDI plug-in note order inversions
- MainStage Arpeggiator MIDI plug-in pattern parameters
- MainStage Arpeggiator MIDI plug-in Live mode
- MainStage Arpeggiator MIDI plug-in Grid mode
- MainStage Arpeggiator MIDI plug-in options parameters
- MainStage Arpeggiator MIDI plug-in keyboard parameters
- Use MainStage Arpeggiator MIDI plug-in keyboard parameters
- Resize the Arpeggiator MIDI plug-in keyboard display
- Set up a keyboard split in the Arpeggiator MIDI plug-in
- Resize the Arpeggio or Remote zone in the Arpeggiator MIDI plug-in
- Move the Arpeggio or Remote zone in the Arpeggiator MIDI plug-in
- Remote control the Arpeggiator MIDI plug-in with a MIDI keyboard
- Assign MainStage Arpeggiator controllers
- Chord Trigger MIDI plug-in
- MainStage Modifier MIDI plug-in
- Modulator MIDI plug-in
- MainStage Note Repeater MIDI plug-in
- MainStage Randomizer MIDI plug-in
- Scripter MIDI plug-in
- Use the MainStage Scripter MIDI plug-in
- Use the MainStage Scripter MIDI plug-in Script Editor
- MainStage Scripter MIDI plug-in API overview
- MainStage Scripter MIDI plug-in MIDI processing functions
- MainStage Scripter MIDI plug-in HandleMIDI function
- MainStage Scripter MIDI plug-in ProcessMIDI function
- MainStage Scripter MIDI plug-in GetParameter function
- MainStage Scripter MIDI plug-in SetParameter function
- MainStage Scripter MIDI plug-in ParameterChanged function
- MainStage Scripter MIDI plug-in Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create MainStage Scripter MIDI plug-in controls
- MainStage Transposer MIDI plug-in
- Velocity Processor MIDI plug-in
- Modulation effects
- MainStage Modulation effects overview
- MainStage Chorus effect
- MainStage Ensemble effect
- MainStage Flanger effect
- MainStage Microphaser
- MainStage Modulation Delay
- MainStage Phaser effect
- Ringshifter
- Rotor Cabinet effect
- MainStage Scanner Vibrato effect
- MainStage Spreader
- MainStage Tremolo effect
- Multi Effects
- MainStage Multi Effects overview
- Phat FX
- Step FX
- Remix FX
- Pitch effects
- Reverb effects
- MainStage Reverb effects overview
- ChromaVerb
- MainStage EnVerb
- MainStage SilverVerb
- Space Designer convolution reverb
- MainStage Space Designer overview
- MainStage Space Designer interface
- Use impulse responses in MainStage
- Space Designer envelopes and EQ
- Space Designer global parameters
- Specialized effects
- Utilities and tools
- Legacy effects
- MainStage Legacy effects overview
- MainStage Legacy AVerb
- MainStage Legacy Bass Amp
- MainStage Legacy DeEsser
- Denoiser
- MainStage Legacy Ducker
- EQ
- GoldVerb
- MainStage Legacy Grooveshifter
- Guitar Amp Pro
- MainStage Legacy Guitar Amp Pro overview
- MainStage Legacy Guitar Amp Pro amplifier models
- MainStage Legacy Guitar Amp Pro cabinet models
- MainStage Legacy Guitar Amp Pro EQ
- MainStage Legacy Guitar Amp Pro amplifier controls
- MainStage Legacy Guitar Amp Pro effects
- MainStage Legacy Guitar Amp Pro mic parameters
- PlatinumVerb
- MainStage Legacy Silver Compressor
- MainStage Legacy Silver Gate
- MainStage Legacy Speech Enhancer
14MainStage Effects
Model Description
Boutique Retro Combo A 2x12” combo inspired by expensive modern amps that combine the
sounds of several 1960s combos. It excels at clean and crunch tones,
making it a good choice when you want an old-fashioned flavor but with
the crisp highs and defined lows of a modern amplifier. This model has
very sensitive tone controls that can deliver countless guitar tones.
Pawnshop Combo A 1x8” combo based on the inexpensive amps sold in American
department stores in the 1960s. Despite their limited features and budget
workmanship, these amps are the secret behind the sound of many rock,
blues, and punk players. The clean sounds are warm, and distorted sounds
are thick, despite the small speaker.
Transparent Preamp A preamp stage with no coloration. Note that Transparent Preamp is
activated in the Amp pop-up menu, not in the Model pop-up menu.
Tip: Combine the Pawnshop Combo amp with the Pedalboard Hi Drive or Candy Fuzz
stompboxes to emulate hard rock tones of the late 1960s. See MainStage Pedalboard
distortion pedals.
MainStage Amp Designer cabinets
Learn about the properties and tone of each cabinet model available in AmpDesigner.
Cabinet Description
Tweed 1x12 A 12” open-back cabinet from the 1950s with a warm and smooth tone.
Tweed 4x10 A 4x10” open-back cabinet from the late 1950s that was originally
conceived for bassists but that guitarists use for its sparkling presence.
Tweed 1x10 A single 10” open-back combo amp cabinet from the 1950s with a smooth
sound.
Black Panel 4x10 Classic open-back cabinet with four 10” speakers. Its tone is deeper and
darker than the Tweed 4x10.
Silver Panel 2x12 An open-back model from the 1960s that provides low-end punch.
Black Panel 1x10 An open-back 1960s cabinet with glassy highs and low/mid body.
Brown Panel 1x12 A balanced 1960s open-back cabinet that is smooth, transparent, and
rich-sounding.
Brown Panel 1x15 This early 1960s open-back cabinet houses the largest speaker emulated
by AmpDesigner. Its highs are clear and glassy, and its lows are tight and
focused.
Vintage British 4x12 This late 1960s closed-back cabinet is synonymous with classic rock. The
tone is big and thick yet also bright and lively, due to the complex phase
cancelations between the four 30-watt speakers.
Modern British 4x12 A closed-back 4x12” cabinet that is brighter and has a better low end
than the Vintage British 4x12, with less midrange emphasis.
Brown 4x12 A closed-back 4x12” cabinet with a good low end and complex midrange.
British Blues 2x12 A bright-sounding open-back cabinet with solid lows and crisp highs, even
at high gain settings.