3.5
Table Of Contents
- Contents
- Effects overview
- Amps and pedals
- MainStage Amps and Pedals overview
- Amp Designer
- MainStage Amp Designer overview
- MainStage Amp Designer models
- MainStage Amp Designer cabinets
- Build a custom MainStage Amp Designer combo
- MainStage Amp Designer amplifier controls
- MainStage Amp Designer EQ overview
- MainStage Amp Designer effects overview
- MainStage Amp Designer reverb effect
- MainStage Amp Designer tremolo and vibrato
- MainStage Amp Designer microphone parameters
- Bass Amp Designer
- MainStage Bass Amp Designer overview
- MainStage Bass Amp Designer amplifier models
- MainStage Bass Amp Designer cabinet models
- Build a MainStage Bass Amp Designer combo
- MainStage Bass Amp Designer signal flow
- MainStage Bass Amp Designer Pre-amp flow
- Use the MainStage Bass Amp Designer D.I. box
- MainStage Bass Amp Designer amplifier controls
- MainStage Bass Amp Designer effects overview
- MainStage Bass Amp Designer EQ
- MainStage Bass Amp Designer compressor
- MainStage Bass Amp Designer Graphic EQ
- MainStage Bass Amp Designer Parametric EQ
- MainStage Bass Amp Designer mic parameters
- Pedalboard
- MainStage Pedalboard overview
- Use the MainStage Pedalboard Browser
- Use MainStage Pedalboard import mode
- Use the MainStage Pedalboard Pedal area
- Use the MainStage Pedalboard Router
- Notes on Splitter utility and Mixer utility use
- Create a second bus routing
- Remove the second bus routing
- Remove an effect from the second bus
- Determine the split point between busses
- Switch between a Splitter utility and a bus split point
- Change a Mixer utility position in the Pedal area
- Change a Splitter utility position in the Pedal area
- Use MainStage Pedalboard Macro Controls
- MainStage Pedalboard distortion pedals
- MainStage Pedalboard pitch pedals
- MainStage Pedalboard modulation pedals
- MainStage Pedalboard delay pedals
- MainStage Pedalboard filter pedals
- MainStage Pedalboard dynamics pedals
- MainStage Pedalboard utility pedals
- Delay effects
- MainStage Delay effects overview
- Delay Designer
- MainStage Delay Designer overview
- MainStage Delay Designer main display
- Use the MainStage Delay Designer Tap display
- Create MainStage Delay Designer taps
- Edit MainStage Delay Designer taps
- Edit in the MainStage Delay Designer Tap display
- MainStage Delay Designer Tap parameter bar
- Use MainStage Delay Designer sync mode
- MainStage Delay Designer master parameters
- MainStage Echo
- Loopback
- MainStage Loopback overview
- Add a Loopback instance in MainStage
- MainStage Loopback interface
- MainStage Loopback waveform display
- MainStage Loopback transport and function controls
- MainStage Loopback information display
- MainStage Loopback Sync, Snap To, and Play From parameters
- Use the MainStage Loopback group functions
- MainStage Loopback Action menu
- MainStage Sample Delay
- MainStage Stereo Delay
- MainStage Tape Delay
- Distortion effects
- Dynamics processors
- MainStage Dynamics processors overview
- MainStage Adaptive Limiter
- Compressor
- MainStage DeEsser 2
- MainStage Enveloper
- MainStage Expander
- MainStage Limiter
- Multipressor
- Noise Gate
- Equalizers
- MainStage Equalizers overview
- Channel EQ
- Linear Phase EQ
- Match EQ
- MainStage Single-Band EQ
- Vintage EQ Collection
- Filter effects
- MainStage Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- MainStage EVOC 20 TrackOscillator overview
- Vocoder overview
- MainStage EVOC 20 TrackOscillator interface
- MainStage EVOC 20 TrackOscillator analysis in controls
- MainStage EVOC 20 TrackOscillator U/V detection controls
- MainStage EVOC 20 TrackOscillator Synthesis in controls
- MainStage EVOC 20 TrackOscillator oscillator controls
- MainStage EVOC 20 TrackOscillator oscillator pitch controls
- MainStage EVOC 20 TrackOscillator formant filter
- MainStage EVOC 20 TrackOscillator modulation
- MainStage EVOC 20 TrackOscillator output controls
- Fuzz-Wah
- Spectral Gate
- Imaging processors
- Metering tools
- MainStage Metering tools overview
- MainStage BPM Counter
- MainStage Correlation Meter
- MainStage Level Meter
- MainStage Loudness Meter
- MultiMeter
- MainStage Tuner utility and plug-in
- MIDI plug-ins
- Use MIDI plug-ins in MainStage
- Arpeggiator MIDI plug-in
- MainStage Arpeggiator MIDI plug-in overview
- MainStage Arpeggiator MIDI plug-in control parameters
- MainStage Arpeggiator MIDI plug-in note order parameters
- MainStage Arpeggiator MIDI plug-in note order variations
- MainStage Arpeggiator MIDI plug-in note order inversions
- MainStage Arpeggiator MIDI plug-in pattern parameters
- MainStage Arpeggiator MIDI plug-in Live mode
- MainStage Arpeggiator MIDI plug-in Grid mode
- MainStage Arpeggiator MIDI plug-in options parameters
- MainStage Arpeggiator MIDI plug-in keyboard parameters
- Use MainStage Arpeggiator MIDI plug-in keyboard parameters
- Resize the Arpeggiator MIDI plug-in keyboard display
- Set up a keyboard split in the Arpeggiator MIDI plug-in
- Resize the Arpeggio or Remote zone in the Arpeggiator MIDI plug-in
- Move the Arpeggio or Remote zone in the Arpeggiator MIDI plug-in
- Remote control the Arpeggiator MIDI plug-in with a MIDI keyboard
- Assign MainStage Arpeggiator controllers
- Chord Trigger MIDI plug-in
- MainStage Modifier MIDI plug-in
- Modulator MIDI plug-in
- MainStage Note Repeater MIDI plug-in
- MainStage Randomizer MIDI plug-in
- Scripter MIDI plug-in
- Use the MainStage Scripter MIDI plug-in
- Use the MainStage Scripter MIDI plug-in Script Editor
- MainStage Scripter MIDI plug-in API overview
- MainStage Scripter MIDI plug-in MIDI processing functions
- MainStage Scripter MIDI plug-in HandleMIDI function
- MainStage Scripter MIDI plug-in ProcessMIDI function
- MainStage Scripter MIDI plug-in GetParameter function
- MainStage Scripter MIDI plug-in SetParameter function
- MainStage Scripter MIDI plug-in ParameterChanged function
- MainStage Scripter MIDI plug-in Reset function
- JavaScript objects overview
- Use the JavaScript Event object
- Use the JavaScript TimingInfo object
- Use the Trace object
- Use the MIDI event beatPos property
- Use the JavaScript MIDI object
- Create MainStage Scripter MIDI plug-in controls
- MainStage Transposer MIDI plug-in
- Velocity Processor MIDI plug-in
- Modulation effects
- MainStage Modulation effects overview
- MainStage Chorus effect
- MainStage Ensemble effect
- MainStage Flanger effect
- MainStage Microphaser
- MainStage Modulation Delay
- MainStage Phaser effect
- Ringshifter
- Rotor Cabinet effect
- MainStage Scanner Vibrato effect
- MainStage Spreader
- MainStage Tremolo effect
- Multi Effects
- MainStage Multi Effects overview
- Phat FX
- Step FX
- Remix FX
- Pitch effects
- Reverb effects
- MainStage Reverb effects overview
- ChromaVerb
- MainStage EnVerb
- MainStage SilverVerb
- Space Designer convolution reverb
- MainStage Space Designer overview
- MainStage Space Designer interface
- Use impulse responses in MainStage
- Space Designer envelopes and EQ
- Space Designer global parameters
- Specialized effects
- Utilities and tools
- Legacy effects
- MainStage Legacy effects overview
- MainStage Legacy AVerb
- MainStage Legacy Bass Amp
- MainStage Legacy DeEsser
- Denoiser
- MainStage Legacy Ducker
- EQ
- GoldVerb
- MainStage Legacy Grooveshifter
- Guitar Amp Pro
- MainStage Legacy Guitar Amp Pro overview
- MainStage Legacy Guitar Amp Pro amplifier models
- MainStage Legacy Guitar Amp Pro cabinet models
- MainStage Legacy Guitar Amp Pro EQ
- MainStage Legacy Guitar Amp Pro amplifier controls
- MainStage Legacy Guitar Amp Pro effects
- MainStage Legacy Guitar Amp Pro mic parameters
- PlatinumVerb
- MainStage Legacy Silver Compressor
- MainStage Legacy Silver Gate
- MainStage Legacy Speech Enhancer
93MainStage Effects
• Detection meter slider: Drag to set the Threshold, or amplification level, above which
gain reduction of the selected frequency is applied.
• Reduction meter: Shows the amount of gain reduction applied.
• Reduction max field: The maximum level is shown (peak hold). Click to reset.
• Reduction meter slider: Drag to set the maximum amount of dynamic gain reduction
applied to the selected frequency.
• Threshold knob and field: Set the Threshold, or amplification level, above which gain
reduction of the selected frequency is applied.
• Max Reduction knob and field: Set the maximum amount of dynamic gain reduction
applied to the selected frequency.
• Frequency knob and field: Set the center or maximum frequency of the detection filter,
depending on the chosen filter.
• Mode pop-up menu: Choose Relative or Absolute mode. Relative is the default and
works with low and high level signals.
• Relative: In this mode the level of the filtered signal (determined by the Range,
Frequency and Filter settings) is compared with the full bandwidth level of the
incoming signal. The Threshold parameter value determines the amplification level of
the filtered signal (because the level of the filtered signal will always be lower than
the full bandwidth signal). When the amplified, filtered signal level is lower than the
full bandwidth signal, the Detection meter shows a blue meter below the Threshold
value and no processing occurs. When the amplified, filtered signal level is higher
than the full bandwidth level, the Detection meter shows a yellow meter above the
Threshold value and processing takes place.
• Absolute: The Detection level meter shows the level of the incoming filtered signal
(determined by the Range, Frequency and Filter settings). When the level surpasses
the Threshold parameter value the meter display switches from blue (not processed)
to yellow (processed). Low level signals can only be processed in Absolute mode if
the Threshold parameter is set to a very low value.
• Range buttons: Set the filter frequency range. Split affects only signals within the set
frequency band. Wide affects the entire frequency range.
• Filter buttons: Choose a lowpass shelving or peak filter shape. The filter is applied
before detection.
• Filter Solo button: Turn on to hear the filtered signal—the split frequency band—in
isolation, when Split is turned on.
Use DeEsser 2
Depending on the source material, the workflow for DeEsser 2 can vary slightly. In general
terms, the key steps to take are outlined:
• In MainStage, start playback of the incoming signal. Ideally, this should be soloed (and
cycled, if a shorter phrase).
• Choose a mode. The default Relative mode works for most signals.