3
Table Of Contents
- MainStage 3 Effects
- Contents
- Chapter 1: Amps and pedals
- Chapter 2: Delay effects
- Chapter 3: Distortion effects
- Chapter 4: Dynamics processors
- Chapter 5: Equalizers
- Chapter 6: Filter effects
- Filter effects overview
- AutoFilter
- EVOC 20 Filterbank
- EVOC 20 TrackOscillator
- EVOC 20 TrackOscillator overview
- Vocoder overview
- EVOC 20 TrackOscillator interface
- EVOC 20 TrackOscillator analysis in parameters
- Use EVOC 20 TrackOscillator analysis in
- EVOC 20 TrackOscillator U/V detection parameters
- EVOC 20 TrackOscillator synthesis in parameters
- EVOC 20 TrackOscillator oscillators
- EVOC 20 TrackOscillator formant filter
- EVOC 20 TrackOscillator modulation
- EVOC 20 TrackOscillator output parameters
- Fuzz-Wah
- Spectral Gate
- Chapter 7: Imaging processors
- Chapter 8: Metering tools
- Chapter 9: MIDI plug-ins
- Chapter 10: Modulation effects
- Chapter 11: Pitch effects
- Chapter 12: Reverb effects
- Chapter 13: Space Designer convolution reverb
- Chapter 14: Specialized effects and utilities
- Chapter 15: Utilities and tools
- Appendix: Legacy effects
Chapter 6 Filter eects 119
EVOC 20 Filterbank output parameters
The output parameters provide control over the level and stereo width. The output section also
incorporates an integrated overdrive (distortion) circuit.
Output parameters
•
Overdrive button: Click to turn the overdrive circuit on or o.
Note: To hear the overdrive eect, you might need to boost the level of one or both
lter banks.
•
Level slider: Drag to set the volume of the output signal.
•
Stereo Mode pop-up menu: Choose the input/output mode.
•
In s/s mode (stereo input/stereo output), the left and right channels are processed by
separate lter banks.
•
In m/s mode (mono input/stereo output), a stereo input signal is rst summed to mono
before being routed to the lter banks.
•
Stereo Width knob: Rotate to distribute the output signals of the lter bands in the stereo eld.
•
At the 0 position to the left, the outputs of all bands are centered.
•
At the centered position at the top, the outputs of all bands ascend from left to right.
•
At the full position to the right, the bands are output to the left and right
channels alternately.