3.5

346MainStage Instruments
There are multiple two-pole, four-pole, multi-pole state-variable and analog-modeled LP,
BP, and HP filter designs in Sampler, each with distinctive characteristics that you may
prefer for a given purpose. The available LP, BP, and HP filter designs include Creamy,
Edgy, Gritty, Lush, Lush (Fat), and Sharp variants.
• Creamy: Multi-pole state-variable filter.
• Edgy: Two- or four-pole analog-modeled filters. Four-pole variants provide a steeper
roll-off of frequencies beyond the cutoff.
• Gritty: Two-pole filters designed to saturate heavily at higher Resonance and Drive
settings.
• Lush: Four-pole lowpass analog-modeled filters.
• Lush (Fat): Four-pole analog-modeled filters.
• Sharp: Two-pole analog-modeled filters.
The three principal filter controls have standard functions for all filter types.
• Cutoff: Controls the filter cutoff frequency.
• Resonance: Controls the filter resonance or emphasis. Higher settings boost
frequencies in the immediate vicinity of the cutoff frequency.
• Drive: Allows the filter to be overdriven; the precise effect varies with each filter design.
MainStage Quick Sampler Amp controls
Quick Sampler Amp controls set the level, pan position, and polyphony.
You can control the level over time with a dedicated multimode envelope. Parameters that
are modulation targets are indicated by a white dot when a note is played. The modulation
range is shown as an orange ring around target parameters.
If you’re new to synthesizers and the concepts behind envelopes, see Synthesizer basics
overview.