3.5
Table Of Contents
- Contents
- Instruments overview
- Alchemy
- MainStage Alchemy overview
- Alchemy user interface
- MainStage Alchemy name bar
- Alchemy Preset browser
- Alchemy sound sources
- MainStage Alchemy source overview
- MainStage Alchemy source master controls
- MainStage Alchemy Import browser
- MainStage Alchemy source subpage controls
- MainStage Alchemy source filters
- MainStage Alchemy source filter use tips
- MainStage Alchemy source elements overview
- MainStage Alchemy additive element controls
- MainStage Alchemy additive element effects
- MainStage Alchemy spectral element controls
- MainStage Alchemy spectral element effects
- MainStage Alchemy pitch correction controls
- MainStage Alchemy formant filter controls
- MainStage Alchemy granular element controls
- MainStage Alchemy sampler element controls
- MainStage Alchemy VA element controls
- MainStage Alchemy source modulations
- MainStage Alchemy morph controls
- Alchemy source editors
- MainStage Alchemy source edit window overview
- MainStage Alchemy inspector global controls
- MainStage Alchemy inspector group controls
- MainStage Alchemy inspector zone controls
- MainStage Alchemy keymap editor
- MainStage Alchemy zone waveform editor
- MainStage Alchemy additive edit window overview
- MainStage Alchemy partial bar display
- MainStage Alchemy partial envelope
- MainStage Alchemy spectral edit window
- Alchemy main filters
- MainStage Alchemy master voice section
- Alchemy modulation section
- MainStage Alchemy modulation overview
- MainStage Alchemy modulation rack controls
- MainStage Alchemy LFO controls
- MainStage Alchemy AHDSR envelopes
- MainStage Alchemy multiple segment envelopes
- MainStage Alchemy sequencer
- MainStage Alchemy envelope follower
- MainStage Alchemy ModMap
- MainStage Alchemy MIDI control modulators
- MainStage Alchemy note property modulators
- MainStage Alchemy perform control modulators
- Alchemy perform section
- Alchemy arpeggiator
- MainStage Alchemy arpeggiator overview
- MainStage Alchemy basic arpeggiator controls
- MainStage Alchemy arpeggiator sequencer
- MainStage Alchemy arpeggiator menu commands
- Use the MainStage Alchemy arpeggiator
- Turn the selected arpeggiator on or off in Alchemy
- Create classic arpeggiator patterns in Alchemy
- Create an octave bouncing bassline in Alchemy
- Arpeggiate multiple sources with different settings for each in Alchemy
- Create a more complex arpeggiator pattern using the sequencer section in Alchemy
- Create a step sequencer style pattern with pitch glides in Alchemy
- Create synchronized rhythmic pulsing chord patterns in Alchemy
- Alchemy effects section
- MainStage Alchemy extended parameters
- Alchemy tutorials
- MainStage Alchemy tutorial introduction
- MainStage Alchemy basic synthesis tweaks
- Use performance and effect controls to tweak a sound in Alchemy
- Swap the source to tweak a sound in Alchemy
- Mute a source to use a partial preset in Alchemy
- Adjust the tuning and envelope of a source in Alchemy
- Adjust filters to tweak a sound in Alchemy
- Recycle sources and sound settings from other presets in Alchemy
- Create MainStage Alchemy sounds from scratch
- MainStage Alchemy elemental morphs overview
- MainStage Alchemy morph use and tips
- Manually time-aligning morphed sounds in Alchemy
- Explore source morphing options and controls in Alchemy
- Crossfade all four sources using an X/Y pad performance control in Alchemy
- Morph four spectral sources using an X/Y pad performance control in Alchemy
- Create a linear morph between two speech samples in Alchemy
- Morph four additive sources using a pair of MSEG envelopes in Alchemy
- Morph drum beats in MainStage Alchemy
- Morph melodic sounds in MainStage Alchemy
- Manipulate loops in MainStage Alchemy
- Drum Kit Designer
- Drum Synth
- ES1
- MainStage ES1 overview
- ES1 oscillator parameters
- MainStage ES1 global parameters
- ES1 filter parameters
- MainStage ES1 amplifier parameters
- ES1 envelope parameters
- ES1 modulation
- MainStage ES1 MIDI controllers
- ES2
- MainStage ES2 overview
- MainStage ES2 interface overview
- ES2 sound sources
- MainStage ES2 oscillator parameters overview
- MainStage ES2 basic oscillator waveforms
- Use pulse width modulation in MainStage ES2
- Use frequency modulation in MainStage ES2
- Use ring modulation in MainStage ES2
- Use MainStage ES2 Digiwaves
- Use the MainStage ES2 noise generator
- Detune analog oscillators in MainStage ES2
- Stretch tuning in MainStage ES2
- Balance MainStage ES2 oscillator levels
- Set MainStage ES2 oscillator start points
- SynchronizeMainStage ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- MainStage ES2 filter overview
- Change the MainStage ES2 filter configuration
- Crossfade between MainStage ES2 filters
- MainStage ES2 Filter 1 modes
- MainStage ES2 Filter 2 slopes
- ES2 filter cutoff and resonance
- Overdrive MainStage ES2 filters
- Modulate MainStage ES2 Filter 2 frequency
- ES2 amplifier parameters
- ES2 modulation
- MainStage ES2 modulation overview
- ES2 modulation router
- ES2 LFOs
- Use MainStage ES2 LFOs
- ES2 envelopes
- Use the MainStage ES2 Vector Envelope
- Vector Envelope points, times, and loops
- Use the MainStage ES2 Planar Pad
- ES2 modulation target reference
- MainStage ES2 modulation source reference
- MainStage ES2 via modulation source reference
- MainStage ES2 integrated effects processor
- ES2 macro controls and controller assignments
- MainStage ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Create ES2 sounds from scratch
- MainStage ES2 sound design from scratch
- Create fat MainStage ES2 sounds
- Create MainStage ES2 bass sounds
- Create MainStage ES2 FM sounds
- Use FM Intensity and Frequency to create new sounds in ES2
- Control ES2 FM intensity with an envelope and FM scaling
- Use FM Drive and Filter FM to change the tonal color in ES2
- Create FM sounds with Digiwaves in ES2
- Create FM sounds with wavetables in ES2
- Create distorted FM sounds with monophonic unison in ES2
- Create FM sounds with unusual spectra in ES2
- Create MainStage ES2 PWM sounds
- Create MainStage ES2 ring modulated sounds
- Create MainStage ES2 oscillator sync sounds
- Vector synthesis in MainStage ES2
- Create ES2 sounds with templates
- Create ES2 sounds from scratch
- EFM1
- ES E
- ES M
- ES P
- EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- MainStage EVOC 20 PolySynth interface
- MainStage EVOC 20 PolySynth analysis controls
- MainStage EVOC 20 PolySynth (U/V) detection
- EVOC 20 PolySynth synthesis parameters
- MainStage EVOC 20 PolySynth formant filter
- MainStage EVOC 20 PolySynth modulation
- MainStage EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- MainStage EVOC 20 block diagram
- Playback
- MainStage Playback plug-in overview
- Add a MainStage Playback plug-in
- MainStage Playback interface
- Use the MainStage Playback waveform display
- MainStage Playback transport and function buttons
- MainStage Playback information display
- MainStage Playback Sync, Snap To, and Play From parameters
- Use the MainStage Playback group functions
- Use the MainStage Playback Action menu and File field
- Use markers with the MainStage Playback plug-in
- Use the Playback plug-in in a concert
- Add an audio file to the MainStage Playback plug-in
- Set the Sync mode for the MainStage Playback plug-in
- Choose the flex mode for the MainStage Playback plug-in
- Add screen controls for the MainStage Playback plug-in
- Tips for using the MainStage Playback plug-in
- Assign MainStage Playback plug-ins to groups
- Quick Sampler
- MainStage Quick Sampler overview
- Add content to MainStage Quick Sampler
- Quick Sampler modes
- MainStage Quick Sampler waveform display
- Use Flex in MainStage Quick Sampler
- Quick Sampler modulators
- MainStage Quick Sampler Pitch controls
- MainStage Quick Sampler Filter controls
- MainStage Quick Sampler filter types
- MainStage Quick Sampler Amp controls
- MainStage Quick Sampler extended parameters
- Retro Synth
- MainStage Retro Synth overview
- MainStage Retro Synth Analog oscillator
- MainStage Retro Synth Sync oscillator
- Retro Synth Table oscillator controls
- MainStage Retro Synth FM oscillator
- MainStage Retro Synth filter controls
- MainStage Retro Synth filter types
- MainStage Retro Synth amp and effect controls
- Retro Synth modulation controls
- MainStage Retro Synth global settings
- MainStage Retro Synth extended parameters
- Sampler
- Sampler overview
- Load and save instruments in Sampler
- Sampler Synthesizer Parameters
- Sampler Modulation
- Sampler Edit panes
- Sampler Mapping and Zone pane overview
- Use the Sampler Key Mapping Editor
- Use Sampler Group view
- Make advanced group selections in Sampler
- Fade between sample groups in Sampler
- Use Sampler Zone view
- Use the Sampler Mapping pane menu bar
- Mapping pane menu parameters
- Use Mapping pane Edit menu commands
- Use Mapping pane Group menu commands
- Use Mapping pane Zone menu commands
- Use Mapping pane Zone menu Split commands
- Use Mapping pane Zone menu Automap commands
- Use Mapping pane Zone menu Remap commands
- Use Mapping pane Zone menu Loop commands
- Use Mapping pane Zone menu Audio Files commands
- Use Mapping pane View menu commands
- Use the Sampler Zone pane
- Synchronize Sampler audio with Flex
- Create instruments, zones, and groups
- Sampler instruments overview
- Create instruments with Sampler
- Quickly create an instrument
- Create zones with drag and drop
- Create a zone by dragging content into the zone pane
- Create a zone by dragging content to one or more keys
- Add multiple files to the Key Mapping Editor
- Add multiple files to the Zone view and create a new group
- Create a new, empty instrument
- Create an empty zone with a menu command, and assign a sample to it
- Create instruments with menu commands
- Create groups in Sampler
- Edit Sampler zones and groups
- Edit zones and groups in Sampler
- Select a zone or group in Sampler
- Graphically edit zones and groups in Sampler
- Move one or more zones by dragging
- Move one or more selected zones to the left or right with a key command
- Restrict zone dragging to one direction
- Change the root key when moving a zone
- Change the start or end note of a zone
- Change the velocity range of a zone
- Divide a zone vertically
- Divide a zone horizontally
- Use zone and group output labels in Sampler
- Use key labels in Sampler
- Sampler articulation handling
- Manage sampler instruments
- Sampler memory management
- Sampler extended parameters
- Sculpture
- MainStage Sculpture overview
- MainStage Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- MainStage Sculpture global parameters
- MainStage Sculpture amplitude envelope
- Use the MainStage Sculpture Waveshaper
- MainStage Sculpture filter parameters
- Sculpture Body EQ parameters
- Sculpture delay effect parameters
- MainStage Sculpture output parameters
- Sculpture modulation controls
- MainStage Sculpture modulation overview
- Sculpture LFOs
- MainStage Sculpture Vibrato parameters
- MainStage Sculpture Jitter generators
- MainStage Sculpture note-on random modulators
- MainStage Sculpture velocity modulators
- Use Controller A and B in MainStage Sculpture
- Sculpture envelope parameters
- Sculpture morph parameters
- Assign MainStage Sculpture MIDI controllers
- MainStage Sculpture extended parameters
- Sculpture tutorials
- Explore Sculpture
- Create basic sounds in Sculpture
- Advanced Sculpture tutorial: electric bass
- Electric bass programming in MainStage Sculpture
- Program a basic bass sound in MainStage Sculpture
- Create the proper working environment for design of your own bass sound in Sculpture
- Recreate the sound characteristics of a typical bass instrument in Sculpture
- Recreate the material properties of a set of round wound strings in Sculpture
- Splay overtones in Sculpture
- Emulate string and fret vibrations with Object 2 in Sculpture
- Use Object 3 to dampen overtones in Sculpture
- Set the range for the basic bass sound in Sculpture
- Refine the basic MainStage Sculpture bass sound
- Use the Resolution parameter to control the timbre, independent of pitch in Sculpture
- Use the Inner Loss parameter to scale the overtone content, dependent on pitch in Sculpture
- Set sustain levels for the basic bass sound, dependent on pitch in Sculpture
- Alter the frequency spectrum of your basic bass with the Body EQ in Sculpture
- Program a picked bass sound in MainStage Sculpture
- Simulate playing with a pick in Sculpture
- Compensate for thinning side effects with the Body EQ in Sculpture
- Emulate bass guitar damping in Sculpture
- Simulate harmonics created by fingers lightly touching the strings in Sculpture
- Emulate a vintage flat wound pick bass in Sculpture
- Emulate a Bert Kaempfert-style percussive bass in Sculpture
- Program a slap bass sound in MainStage Sculpture
- Program a fretless bass sound in MainStage Sculpture
- Add effects to your MainStage Sculpture bass sound
- Advanced Sculpture tutorial: synthesizer sounds
- Studio Instruments
- Ultrabeat
- MainStage Ultrabeat overview
- MainStage Ultrabeat interface
- Ultrabeat Assignment section
- MainStage Ultrabeat Synthesizer section
- Ultrabeat sound sources
- MainStage Ultrabeat oscillator overview
- Use MainStage Ultrabeat oscillator 1 phase osc mode
- Use MainStage Ultrabeat oscillator 1 FM mode
- Use the MainStage Ultrabeat oscillator 1 side chain
- Use MainStage Ultrabeat oscillator 2 phase osc mode
- MainStage Ultrabeat waveform characteristics
- Use MainStage Ultrabeat oscillator 2 sample mode
- Use MainStage Ultrabeat oscillator 2 model mode
- MainStage Ultrabeat ring modulator
- MainStage Ultrabeat noise generator
- MainStage Ultrabeat filter section
- MainStage Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- MainStage Ultrabeat modulation overview
- Mod and via modulations in MainStage Ultrabeat
- Create a modulation routing in MainStage Ultrabeat
- Assign MainStage Ultrabeat MIDI controllers
- Use MainStage Ultrabeat LFOs
- MainStage Ultrabeat envelope overview
- MainStage Ultrabeat envelope parameters
- Use the MainStage Ultrabeat modulation target display
- Ultrabeat step sequencer
- MainStage Ultrabeat step sequencer overview
- MainStage Ultrabeat step sequencer basics
- MainStage Ultrabeat step sequencer interface
- MainStage Ultrabeat global sequencer controls
- Use MainStage Ultrabeat pattern controls
- Use the MainStage Ultrabeat swing function
- Ultrabeat Step grid
- Automate Ultrabeat step sequencer parameters
- MainStage Ultrabeat sequencer MIDI control
- Ultrabeat tutorials
- Sound programming in MainStage Ultrabeat
- Create kick drums in MainStage Ultrabeat
- Create snare drums in MainStage Ultrabeat
- Create tonal percussion in MainStage Ultrabeat
- Create hi-hats or cymbals in MainStage Ultrabeat
- Create metallic sounds in MainStage Ultrabeat
- Tips for extreme MainStage Ultrabeat sounds
- Utilities
- Vintage B3 Organ
- MainStage Vintage B3 Organ overview
- Vintage B3 Main window
- MainStage Vintage B3 Main window overview
- MainStage Vintage B3 draw bar controls
- MainStage Vintage B3 Scanner Vibrato and Chorus
- MainStage Vintage B3 Percussion effect
- Use MainStage Vintage B3 preset keys
- Set up Vintage B3 for your MIDI equipment
- Vintage B3 Rotor Cabinet window
- Vintage B3 Options window
- Vintage B3 Effects window
- Vintage B3 Expert window
- Use a MIDI controller with Vintage B3
- B3 and Leslie information
- Vintage Clav
- MainStage Vintage Clav overview
- MainStage Vintage Clav interface
- Vintage Clav Main window
- Vintage Clav Effects window
- Vintage Clav Details window
- MainStage Vintage Clav extended parameters
- D6 Clavinet information
- Vintage Electric Piano
- MainStage Vintage Electric Piano overview
- MainStage Vintage Electric Piano interface
- Vintage Electric Piano Effects window
- Vintage Electric Piano Details window
- MainStage Vintage Electric Piano extended parameters
- Vintage Electric Piano emulations
- MainStage Vintage Electric Piano MIDI controllers
- Vintage Mellotron
- Legacy instruments
- MainStage legacy instruments overview
- Emulated instruments
- MainStage Legacy Bass
- MainStage Legacy Church Organ
- MainStage Legacy Drum Kits
- MainStage Legacy Electric Clav(inet)
- MainStage Legacy Electric Piano
- MainStage Legacy Guitar
- MainStage Legacy Horns
- MainStage Legacy Piano
- MainStage Legacy Sound Effects
- MainStage Legacy Strings
- MainStage Legacy Tuned Percussion
- MainStage Legacy Voice
- MainStage Legacy Woodwind
- MainStage Legacy Tonewheel Organ
- Synthesizers
- MainStage Legacy Analog Basic
- MainStage Legacy Analog Mono
- MainStage Legacy Analog Pad
- MainStage Legacy Analog Swirl
- MainStage Legacy Analog Sync
- MainStage Legacy Digital Basic
- MainStage Legacy Digital Mono
- MainStage Legacy Digital Stepper
- MainStage Legacy External Instrument
- MainStage Legacy Hybrid Basic
- MainStage Legacy Hybrid Morph
- Synthesizer basics
555MainStage Instruments
MainStage Ultrabeat interface
The Ultrabeat user interface is divided into three main sections.
• Assignment section: Displays all drum sounds in a drum kit. You can select, name, and
organize drum sounds here. This section also includes a small mixer, used to adjust the
level and pan position of each sound. See MainStage Ultrabeat Assignment section.
• Synthesizer section: Used to create and shape individual drum sounds. The parameters
of the drum sound selected in the Assignment section are displayed in the Synthesizer
section. See MainStage Ultrabeat Synthesizer section.
• Step sequencer: Used to create and control sequences and patterns. A sequence
triggers a single drum sound, and can consist of up to 32 steps. A pattern contains
the sequences for all 25 sounds. You can trigger and control sounds with the step
sequencer in place of—or in addition to—MIDI notes entering Ultrabeat from MainStage
or a keyboard. See MainStage Ultrabeat step sequencer overview.
Ultrabeat Assignment section
MainStage Ultrabeat Assignment section
The Assignment section displays all sounds in a drum kit. You can:
• Select, organize, and name sounds
• Import sounds from other Ultrabeat settings or sampler instruments