3
Table Of Contents
- MainStage 3 Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 9 EXS24 mkII 186
Use EXS24 mkII’s LFO 1 envelope generator
LFO 1 provides a simple envelope generator (EG) that sets the time it takes for the LFO
modulation to fade in or fade out. At its center position (click the middle mark) the modulation
intensity is static—no fade-in or fade-out occurs.
Set the LFO 1 modulation fade time
m To fade in the modulation: Drag the LFO 1 EG knob to a positive value.
The higher the value, the longer the delay time.
m To fade out the modulation: Drag the LFO 1 EG knob to a negative value.
The lower the value, the shorter the fade-out time.
Set up a delayed vibrato
LFO envelopes are most often used for delayed vibrato; many instrumentalists and singers
intonate longer notes this way.
1 Drag the LFO 1 EG knob to a position toward the right (Delay), and modulate the Pitch
destination using the LFO1 source in the router.
2 Set a slight modulation intensity.
3 Select an LFO 1 Rate of about 5 Hz.
4 Click the triangular Wave button as the LFO 1 waveform.
Tip: Chaotic and fast modulations of frequencies (choose Pitch from the Destination pop-up
menu) by the LFO 1 source—with a delayed Sample & Hold waveform, a high Rate, and short
fade-out—are ideal for emulating the attack phase of brass instruments.
Set EXS24 mkII’s LFO rate
LFO 2 is ideally suited for creating rhythmic modulation eects—eects that retain perfect
synchronicity even during project tempo changes. LFO 3 is much the same but uses a xed
triangle waveform, making it most suitable for adding vibrato to a sound, or for use as a
modulation source for the other LFOs.
The Rate parameter of all three LFOs allows the respective LFO to run freely (in the right side of
the Rate knob range), or to be synchronized with the project tempo (in the left side of the Rate
knob range).
Set a free LFO rate
m To run the LFO freely, choose a value in the right side of the LFO Rate knob range.
The rate is displayed in hertz.
Synchronize the LFO rate to the host application tempo
m To synchronize the LFO with the host application tempo, choose a value in the left side of the
LFO Rate knob range.
The rate is displayed in rhythmic values (when project tempo synchronization is active).
Synchronized rates range from speeds of 1/64-notes to a periodic duration of 32 bars. Triplet and
punctuated values are also available.