3
Table Of Contents
- MainStage 3 Instruments
- Contents
- Chapter 1: Drum Kit Designer
- Chapter 2: ES1
- Chapter 3: ES2
- ES2 overview
- ES2 interface
- ES2 sound sources
- ES2 oscillator parameters overview
- ES2 basic oscillator waveforms
- Use pulse width modulation in ES2
- Use frequency modulation in ES2
- Use ring modulation in ES2
- Use ES2 Digiwaves
- Use the ES2 noise generator
- ES2 emulation of detuned analog oscillators
- Stretch tuning in ES2
- Balance ES2 oscillator levels
- ES2 oscillator start points
- Synchronize ES2 oscillators
- ES2 global parameters
- ES2 filter parameters
- ES2 amplifier parameters
- ES2 modulation
- ES2 integrated effects processor
- ES2 macro controls and controller assignments
- ES2 extended parameters
- Create random ES2 sound variations
- ES2 tutorials
- Chapter 4: EFM1
- Chapter 5: ES E
- Chapter 6: ES M
- Chapter 7: ES P
- Chapter 8: EVOC 20 PolySynth
- EVOC 20 PolySynth and vocoding
- EVOC 20 PolySynth interface
- EVOC 20 PolySynth analysis parameters
- EVOC 20 PolySynth (U/V) detection parameters
- EVOC 20 PolySynth synthesis parameters
- EVOC 20 PolySynth formant filter
- EVOC 20 PolySynth modulation parameters
- EVOC 20 PolySynth output parameters
- EVOC 20 PolySynth performance tips
- Vocoder history
- EVOC 20 block diagram
- Chapter 9: EXS24 mkII
- EXS24 mkII overview
- Sampler instruments
- EXS24 mkII Parameter window
- EXS24 mkII Parameter window overview
- Sampler Instruments pop-up menu
- EXS24 mkII global parameters
- EXS24 mkII pitch parameters
- EXS24 mkII filter parameters
- EXS24 mkII output parameters
- EXS24 mkII extended parameters
- EXS24 mkII modulation overview
- EXS24 mkII modulation router
- EXS24 mkII LFOs
- EXS24 mkII envelope overview
- EXS24 mkII modulation reference
- EXS24 mkII Instrument Editor window
- EXS24 mkII preferences
- EXS24 mkII memory management
- Chapter 10: External Instrument
- Chapter 11: Klopfgeist
- Chapter 12: Retro Synth
- Retro Synth overview
- Retro Synth Analog oscillator controls
- Retro Synth Sync oscillator controls
- Retro Synth Table oscillator controls
- Retro Synth FM oscillator controls
- Retro Synth filter controls
- Retro Synth amp and effect controls
- Retro Synth modulation controls
- Retro Synth global and controller settings
- Retro Synth extended parameters
- Chapter 13: Sculpture
- Sculpture overview
- Sculpture interface
- Sculpture string parameters
- Sculpture objects parameters
- Sculpture pickups parameters
- Sculpture global parameters
- Sculpture amplitude envelope parameters
- Use Sculpture’s Waveshaper
- Sculpture filter parameters
- Sculpture delay effect parameters
- Sculpture Body EQ parameters
- Sculpture output parameters
- Sculpture modulation controls
- Sculpture morph parameters
- Define Sculpture MIDI controllers
- Sculpture tutorials
- Chapter 14: Ultrabeat
- Ultrabeat overview
- Ultrabeat interface
- Ultrabeat Assignment section
- Ultrabeat Synthesizer section overview
- Ultrabeat sound sources
- Ultrabeat oscillator overview
- Ultrabeat oscillator 1 phase oscillator mode
- Use Ultrabeat oscillator 1 FM mode
- Use Ultrabeat oscillator 1 side chain mode
- Use Ultrabeat oscillator 2 phase oscillator mode
- Basic waveform characteristics
- Use Ultrabeat oscillator 2 sample mode
- Use Ultrabeat oscillator 2 model mode
- Ultrabeat ring modulator
- Ultrabeat noise generator
- Use Ultrabeat’s filter section
- Ultrabeat distortion circuit
- Ultrabeat Output section
- Ultrabeat modulation
- Ultrabeat step sequencer
- Ultrabeat step sequencer overview
- Step sequencer basics
- Ultrabeat step sequencer interface
- Ultrabeat global sequencer controls
- Ultrabeat pattern controls
- Use Ultrabeat’s swing function
- Ultrabeat Step grid
- Automate parameters in Ultrabeat’s step sequencer
- Export Ultrabeat patterns as MIDI regions
- MIDI control of Ultrabeat’s step sequencer
- Ultrabeat tutorials
- Chapter 15: Vintage B3
- Chapter 16: Vintage Clav
- Chapter 17: Vintage Electric Piano
- Appendix A: Legacy instruments
- Appendix B: Synthesizer Basics
Chapter 15 Vintage B3 397
Vintage B3 Scanner Vibrato and Chorus
Vintage B3 emulates the Scanner Vibrato of the original B3. Few organ players use the Scanner
Vibrato, preferring to work with a Leslie in isolation. Others, like B3 virtuoso Brian Auger, prefer
the integrated organ vibrato over the Leslie. Compare the chorus and vibrato eects with the
sound of the rotor cabinet simulation to see which you prefer.
The Scanner Vibrato is based on an analog delay line, consisting of several lowpass lters. The
delay line is scanned by a multipole capacitor that has a rotating pickup. It is a unique eect that
cannot be simulated with low frequency oscillators (LFOs). The vibrato of the organ itself should
not be confused with the Leslie eect, which is based on rotating speaker horns. Vintage B3
simulates both.
The (Scanner Vibrato) Chorus eect is derived from mixing the vibrato signal with the original,
statically pitched signal. The organ’s chorus sounds dierent from modern chorus eects.
Important: Scanner Vibrato and Chorus controls are spread across two windows. Click Main in
the control bar, then click the Control button at the lower right to view the On and O switches
and to choose the vibrato or chorus type. Click the Options button in the control bar to use the
Rate and Depth controls in the Options window.
Scanner Vibrato and Chorus parameters
•
Upper and Lower switches (Main window): Switch the scanner vibrato on or o, independently,
for the upper and lower manuals. The treble portion of the organ is boosted slightly when
any vibrato setting is used. Because the B3 mixes the bass register (pedal) signal with the
lower manual signal, the pedal register is also aected by the lower manual’s scanner vibrato
settings.
•
Type knob (Main window): Choose from three Vibrato positions (V1, V2, and V3) or three Chorus
positions (C1, C2, and C3). In the Vibrato positions, only the delay line signal is heard, and
like the Hammond B3, Vintage B3 vibrato types have dierent intensities. The three Chorus
positions (C1, C2, and C3) mix the signal of the delay line with the original signal.
•
Rate knob (Options window): Rotate to set the vibrato or chorus speed.
•
Depth knob (Options window): Rotate to mix the dry signal with the vibrato signal. This
parameter is active only when one of the chorus settings is engaged (C1, C2, or C3).