2
Table Of Contents
- MainStage 2 User Manual
- Contents
- Welcome to MainStage
- Introducing MainStage
- Setting Up Your System
- The MainStage Interface
- Getting Started with MainStage
- Before You Begin
- Opening MainStage
- Choosing a Concert Template
- Selecting Patch Settings in the Patch Library
- Adding a Patch
- Naming a Patch
- Selecting and Playing Patches
- Adding a Channel Strip
- Changing a Channel Strip Setting
- Learning a Controller Assignment
- Mapping a Screen Control
- Trying Out Full Screen and Perform Modes
- Working in Edit Mode
- Working with Patches in Edit Mode
- Selecting Items in the Patch List
- Skipping Items in the Patch List
- Collapsing Sets in the Patch List
- Copying and Pasting Patches
- Reordering Patches in the Patch List
- Moving Patches in the Patch List Repeatedly
- Creating a Patch from Several Patches
- Setting the Time Signature for a Patch
- Changing the Tempo When You Select a Patch
- Setting Patch Program Change Numbers
- Deferring Patch Changes
- Instantly Silencing the Previous Patch
- Changing the Patch Icon
- Changing the Tuning for a Patch
- Deleting Patches
- Working with Channel Strips in Edit Mode
- Selecting Channel Strips
- Showing Signal Flow Channel Strips
- Creating an Alias of a Channel Strip
- Editing Channel Strips in MainStage
- Choosing Channel Strip Settings
- Renaming a Channel Strip
- Changing the Channel Strip Color
- Changing the Channel Strip Icon
- Using Feedback Protection with Channel Strips
- Setting Keyboard Input for a Software Instrument Channel Strip
- Transposing Software Instrument Channel Strips
- Filtering MIDI Messages
- Setting a Channel Strip to Ignore Hermode Tuning
- Working with Graphs
- Creating Controller Transforms
- Scaling Channel Strip Velocity
- Creating Keyboard Layers and Splits
- Overriding Concert- and Set-Level Key Ranges
- Using the EXS24 mkII Instrument Editor in MainStage
- Using Multiple Instrument Outputs in MainStage
- Using External MIDI Instruments in MainStage
- Using the Activity Monitor
- Deleting Channel Strips
- Mapping Screen Controls
- Editing Screen Control Parameters in Edit Mode
- Overriding Concert- and Set-Level Mappings
- Replacing the Parameter Label
- Choosing a Custom Color for a Screen Control
- Choosing Custom Text Color for a Screen Control
- Setting a Screen Control to Show the Hardware Value
- Setting Parameter Change Behavior for Screen Controls
- Setting Hardware Matching Behavior for Screen Controls
- Resetting and Comparing Changes to a Patch
- Working with Sets in Edit Mode
- Working at the Set Level
- Sharing Patches and Sets Between Concerts
- Recording the Audio Output of a Concert
- Working with Patches in Edit Mode
- Working with Concerts
- Opening and Closing Concerts
- Saving Concerts
- How Saving Affects Parameter Values
- Setting the Time Signature for a Concert
- Using Tempo in a MainStage Concert
- Defining the Source for Program Change Messages for a Concert
- Setting the Pan Law for a Concert
- Changing the Tuning for a Concert
- Silencing MIDI Notes
- Muting Audio Output
- Working at the Concert Level
- Controlling the Metronome
- Working in Layout Mode
- Modifying the Layout of a Concert
- Working with Screen Controls
- Assigning Hardware Controls to Screen Controls
- Editing Screen Control Parameters
- Lifting and Stamping Screen Control Parameters
- Common Screen Control Parameters
- Keyboard Screen Control Parameters
- MIDI Activity Screen Control Parameters
- Drum Pad Screen Control Parameters
- Waveform Screen Control Parameters
- Selector Parameters
- Text Screen Control Parameters
- Background Screen Control Parameters
- How MainStage Passes Through MIDI Messages
- Exporting a Layout
- Importing a Layout
- Changing the Aspect Ratio of a Layout
- Playing Back Audio in MainStage
- Performing Live with MainStage
- Before the Performance Starts
- Using Full Screen Mode and Perform Mode
- Selecting Patches in Performance
- Using Screen Controls in Performance
- Handling Tempo Changes in Performance
- Tips for Performing with Keyboard Controllers
- Tips for Performing with Guitars and Other Instruments
- Using the Tuner
- Using the Playback Plug-in in Performance
- Recording Your Performances
- After the Performance
- Tips for Complex Hardware Setups
- Key Commands
- Appendix A: The Playback Plug-in
- Getting to Know the Playback Interface
- Using the Playback Waveform Display
- Using the Playback Transport and Function Buttons
- Using the Playback Information Display
- Using the Playback Sync, Snap To, and Play From Parameters
- Using the Playback Group Functions
- Using the Playback Action Menu and File Field
- Using the Playback Shortcut Menu
- Appendix B: The Loopback Plug-in
- Getting to Know the Loopback Interface
- Using the Loopback Waveform Display
- Using the Loopback Transport and Function Controls
- Using the Loopback Information Display
- Using the Loopback Sync, Snap To, and Play From Parameters
- Using the Loopback Group Functions
- Using the Loopback Action Menu
- Adding Loopback to a Channel Strip
- Appendix C: Setting MainStage Preferences
- Appendix D: Using MainStage Actions
Different plug-ins can make use of the MainStage clock in different ways, depending on
what information they require and what mode they are set to. Some plug-ins may only
make use of the beat information, while others may only make use of tempo information.
For example:
• The Playback plug-in can start immediately (if Snap To is set to Off), at the beginning
of the next bar (if Snap To is set to Bar), or at the next beat (if Snap To is set to Beat).
It can also start when you start the MainStage clock (if “Start with Play Action” is selected
in the Action menu).
• UltraBeat starts when you start the MainStage clock if its sequencer is turned on, except
in Pattern mode.
• Reason and other ReWire applications start when you start the MainStage clock, and
stop when you stop the MainStage clock.
• For plug-ins with synchronizable LFOs, the LFO can oscillate at the tempo set by the
MainStage clock.
You can view the beat information of the MainStage clock using a Parameter Text screen
control mapped to the Beat Count action. When the MainStage clock is running, the
current bar and beat are displayed in the screen control.
Important: When you start the MainStage clock, the audio engine is reset, causing a brief
interruption in the audio output from MainStage. In some cases, you may want to start
the MainStage clock at the beginning of a song or performance and use screen controls
mapped to individual plug-in parameters to start and stop those plug-ins to avoid an
interruption in the audio output while you are performing.
Controlling the Metronome
MainStage features a metronome that you can use to play in time with the concert tempo.
The metronome always plays at the current tempo of the concert.
You can start the metronome in one of several ways.
To start the metronome
Do one of the following:
µ
Click the Metronome button in the toolbar, if it is visible.
101Chapter 6 Working with Concerts