2
Table Of Contents
- MainStage 2 User Manual
- Contents
- Welcome to MainStage
- Introducing MainStage
- Setting Up Your System
- The MainStage Interface
- Getting Started with MainStage
- Before You Begin
- Opening MainStage
- Choosing a Concert Template
- Selecting Patch Settings in the Patch Library
- Adding a Patch
- Naming a Patch
- Selecting and Playing Patches
- Adding a Channel Strip
- Changing a Channel Strip Setting
- Learning a Controller Assignment
- Mapping a Screen Control
- Trying Out Full Screen and Perform Modes
- Working in Edit Mode
- Working with Patches in Edit Mode
- Selecting Items in the Patch List
- Skipping Items in the Patch List
- Collapsing Sets in the Patch List
- Copying and Pasting Patches
- Reordering Patches in the Patch List
- Moving Patches in the Patch List Repeatedly
- Creating a Patch from Several Patches
- Setting the Time Signature for a Patch
- Changing the Tempo When You Select a Patch
- Setting Patch Program Change Numbers
- Deferring Patch Changes
- Instantly Silencing the Previous Patch
- Changing the Patch Icon
- Changing the Tuning for a Patch
- Deleting Patches
- Working with Channel Strips in Edit Mode
- Selecting Channel Strips
- Showing Signal Flow Channel Strips
- Creating an Alias of a Channel Strip
- Editing Channel Strips in MainStage
- Choosing Channel Strip Settings
- Renaming a Channel Strip
- Changing the Channel Strip Color
- Changing the Channel Strip Icon
- Using Feedback Protection with Channel Strips
- Setting Keyboard Input for a Software Instrument Channel Strip
- Transposing Software Instrument Channel Strips
- Filtering MIDI Messages
- Setting a Channel Strip to Ignore Hermode Tuning
- Working with Graphs
- Creating Controller Transforms
- Scaling Channel Strip Velocity
- Creating Keyboard Layers and Splits
- Overriding Concert- and Set-Level Key Ranges
- Using the EXS24 mkII Instrument Editor in MainStage
- Using Multiple Instrument Outputs in MainStage
- Using External MIDI Instruments in MainStage
- Using the Activity Monitor
- Deleting Channel Strips
- Mapping Screen Controls
- Editing Screen Control Parameters in Edit Mode
- Overriding Concert- and Set-Level Mappings
- Replacing the Parameter Label
- Choosing a Custom Color for a Screen Control
- Choosing Custom Text Color for a Screen Control
- Setting a Screen Control to Show the Hardware Value
- Setting Parameter Change Behavior for Screen Controls
- Setting Hardware Matching Behavior for Screen Controls
- Resetting and Comparing Changes to a Patch
- Working with Sets in Edit Mode
- Working at the Set Level
- Sharing Patches and Sets Between Concerts
- Recording the Audio Output of a Concert
- Working with Patches in Edit Mode
- Working with Concerts
- Opening and Closing Concerts
- Saving Concerts
- How Saving Affects Parameter Values
- Setting the Time Signature for a Concert
- Using Tempo in a MainStage Concert
- Defining the Source for Program Change Messages for a Concert
- Setting the Pan Law for a Concert
- Changing the Tuning for a Concert
- Silencing MIDI Notes
- Muting Audio Output
- Working at the Concert Level
- Controlling the Metronome
- Working in Layout Mode
- Modifying the Layout of a Concert
- Working with Screen Controls
- Assigning Hardware Controls to Screen Controls
- Editing Screen Control Parameters
- Lifting and Stamping Screen Control Parameters
- Common Screen Control Parameters
- Keyboard Screen Control Parameters
- MIDI Activity Screen Control Parameters
- Drum Pad Screen Control Parameters
- Waveform Screen Control Parameters
- Selector Parameters
- Text Screen Control Parameters
- Background Screen Control Parameters
- How MainStage Passes Through MIDI Messages
- Exporting a Layout
- Importing a Layout
- Changing the Aspect Ratio of a Layout
- Playing Back Audio in MainStage
- Performing Live with MainStage
- Before the Performance Starts
- Using Full Screen Mode and Perform Mode
- Selecting Patches in Performance
- Using Screen Controls in Performance
- Handling Tempo Changes in Performance
- Tips for Performing with Keyboard Controllers
- Tips for Performing with Guitars and Other Instruments
- Using the Tuner
- Using the Playback Plug-in in Performance
- Recording Your Performances
- After the Performance
- Tips for Complex Hardware Setups
- Key Commands
- Appendix A: The Playback Plug-in
- Getting to Know the Playback Interface
- Using the Playback Waveform Display
- Using the Playback Transport and Function Buttons
- Using the Playback Information Display
- Using the Playback Sync, Snap To, and Play From Parameters
- Using the Playback Group Functions
- Using the Playback Action Menu and File Field
- Using the Playback Shortcut Menu
- Appendix B: The Loopback Plug-in
- Getting to Know the Loopback Interface
- Using the Loopback Waveform Display
- Using the Loopback Transport and Function Controls
- Using the Loopback Information Display
- Using the Loopback Sync, Snap To, and Play From Parameters
- Using the Loopback Group Functions
- Using the Loopback Action Menu
- Adding Loopback to a Channel Strip
- Appendix C: Setting MainStage Preferences
- Appendix D: Using MainStage Actions
3 Play a single note on your instrument, and watch the Tuner display.
As you play, the Tuner shows the note name of the closest note. If the note is not in tune,
red vertical bars appear, showing whether the note is sharp or flat. The bars appear to
the right of the note name if the note is sharp, and to the left if the note is flat.
4 Adjust the tuning peg for the string you are tuning.
When the note is in tune, a blue vertical bar appears in the center, above the note name.
Be sure to play only a single note at a time while tuning. The Tuner can’t tune to a chord
or interval or if you play different notes rapidly.
When using the Tuner with a patch containing multiple channel strips, only audio from
the first audio channel strip is sent to the Tuner, even if other channel strips in the patch
have the same input source. Before using the Tuner, make sure that the first audio channel
strip is active and not muted.
In the Channel Strips area, the channel strip that will send audio to the Tuner is indicated
by a tuning fork icon at the top of the channel strip.
If other channel strips in the patch have the same audio input source as the first channel
strip, the sound from those channel strips is still audible (unlike the output from the
Tuner). For example, if you are using a twin-amp patch from the Rock guitar concert
template, the output for the second amp is audible while you tune the guitar, unless you
mute its output (by setting the Expression pedal screen control to zero).
Using the Playback Plug-in in Performance
You can use the Playback plug-in to play backing tracks or other audio files while you are
performing, and trigger playback either when you select a patch or set, or using a button
or other screen control. You can control other Playback parameters to which you have
mapped screen controls, including fading out the sound and looping playback. For files
containing marker information, you can also use markers to switch playback to different
sections of the audio file. You can start and stop playback of multiple Playback plug-in
instances using the Group menu.
Where you add an instance of the Playback plug-in depends on how you want to use it.
If you want to play back an audio file while you play a single patch, you can add it to the
patch. If you add a Playback plug-in at the set level, you can select different patches in
the set and have the audio file continue playing. This can be useful, for example, if the
set includes all the patches you’ll use in a song, and the Playback plug-in plays an audio
file with a backing track for the song. If you add a Playback plug-in at the concert level,
you can select different patches in the concert and have the audio file continue playing.
The ability to use the plug-in at any level gives you a great deal of creative freedom in
how you use it.
139Chapter 9 Performing Live with MainStage