3
Table Of Contents
- MainStage 3 User Manual
- Contents
- Chapter 1: Introducing MainStage
- Chapter 2: Set up your system
- Chapter 3: The MainStage interface
- Chapter 4: Get started with MainStage
- Chapter 5: Work in Edit mode
- Edit mode overview
- Work with patches in Edit mode
- Select items in the Patch List
- Copy, paste, and delete patches
- Reorder and move patches in the Patch List
- Create a patch from several patches
- Set the time signature for patches
- Change the tempo when you select a patch
- Set program change and bank numbers
- Defer patch changes
- Instantly silence the previous patch
- Change patch icons
- Change the tuning for a patch
- Work with channel strips in Edit mode
- Channel strips overview
- Show signal flow channel strips
- Show the metronome channel strip
- Create an alias of a channel strip
- Add a patch bus
- Channel Strip Inspector
- Choose channel strip settings
- Rename channel strips
- Change channel strip colors
- Change channel strip icons
- Use feedback protection with channel strips
- Work with software instrument channel strips
- Use the EXS24 mkII Instrument Editor in MainStage
- Use multiple instrument outputs
- Use external MIDI instruments in MainStage
- Delete channel strips
- Create keyboard layers and splits
- Work with graphs
- Create controller transforms
- Work with plug-ins in Edit mode
- Map screen controls
- Screen controls overview
- Map screen controls to channel strip and plug-in parameters
- Map screen controls to actions
- Map a screen control to multiple parameters
- Edit the saved value for a mapped parameter
- Set drum pads or buttons to use note velocity
- Use parameter mapping graphs
- Map screen controls to all channel strips in a patch
- Undo screen control parameter mappings
- Remove screen control mappings
- Work in the Assignments and Mappings tab
- Edit screen control parameters in Edit mode
- Screen control parameters in Edit mode overview
- Replace parameter labels
- Choose custom colors for screen controls
- Change the appearance of a background or grouped screen control
- Set screen controls to show the hardware value
- Set parameter change behavior for screen controls
- Set hardware matching behavior for screen controls
- Reset and compare changes to a patch
- Override concert- and set-level mappings
- Work with sets in Edit mode
- Share patches and sets between concerts
- Record the audio output of a concert
- Chapter 6: Work with concerts
- Open and close concerts
- Save concerts
- How saving affects parameter values
- Set the time signature for a concert
- Use tempo in a MainStage concert
- Define the source for program change messages
- Set the pan law for a concert
- Change the tuning for a concert
- Silence MIDI notes
- Mute audio output
- Work at the concert level
- Control the metronome
- Chapter 7: Work in Layout mode
- Layout mode overview
- Work with screen controls in Layout mode
- Assign hardware controls to screen controls
- Edit screen control parameters
- Screen control parameter editing overview
- Lift and stamp screen control parameters
- Common screen control parameters
- Keyboard screen control parameters
- MIDI activity screen control parameters
- Drum pad screen control parameters
- Waveform screen control parameters
- Selector screen control parameters
- Text screen control parameters
- Background screen control parameters
- How MainStage passes through MIDI messages
- Export layouts
- Import a layout
- Change the aspect ratio of a layout
- Chapter 8: Perform live with MainStage
- Before the performance
- Use Perform mode
- Select patches in performance
- Screen controls in performance
- Tempo changes in performance
- Tips for performing with keyboard controllers
- Tips for performing with guitars and other instruments
- Tune guitars and other instruments with the Tuner
- The Playback plug-in in performance
- Record your performances
- After the performance
- Tips for complex hardware setups
- Appendix A: The Playback plug-in
- Playback plug-in overview
- The Playback interface
- Use the Playback waveform display
- Playback transport and function buttons
- Playback information display
- Playback Sync, Snap To, and Play From parameters
- Use the Playback group functions
- Use the Playback Action menu and File field
- Use markers with the Playback plug-in
- Use the Playback plug-in in a concert
- Appendix B: The Loopback plug-in
- Appendix C: MainStage preferences
- Appendix D: Key commands
- Appendix E: MainStage actions
Chapter 2 Set up your system 17
Multichannel MIDI devices
Multitimbral MIDI devices can simultaneously receive MIDI data on multiple MIDI channels. Each
MIDI channel can be assigned a tone or sound, such as piano, strings, bass, and so on.
To take full advantage of the capabilities of such multitimbral devices, you should use separate
MIDI Out ports (from the computer MIDI interface to the MIDI In ports) for each device.
MainStage is capable of channelizing MIDI data (routing it to MIDI channels 1 to 16) and sending
the channelized data to specic MIDI Out ports.
In eect, having a multi-output MIDI interface is something like having more MIDI channels. In
this scenario, it would be like having 64 independent MIDI channels—with 16 channels per port
(A, B, C, and D).
Not only does this allow you to play up to 64 dierent sounds simultaneously through
your tone generators, it also allows full MIDI control for each channel of each device. This
becomes increasingly important when arranging and orchestrating such a large number of
instrument parts.
If your computer oers several MIDI inputs, you can connect the MIDI outputs of other MIDI
expanders and controllers to it.
Turn o internally generated sounds
If your MIDI keyboard is also a sound generator, you will likely want to stop the device from
generating its own sounds while you are using it with MainStage, to avoid doubling notes
between the device and the MainStage patch you are playing.
Most MIDI synthesizers and other MIDI controllers with tone generation capabilities include a
function known as Local Control. By turning o this function, the device’s internal tone generation
is suppressed.
Suppress a device’s internally generated sounds
m On the device, turn on the Local O function.
If you can’t nd the Local O function in the MIDI menu of your keyboard, consult its manual
on sequencer use. Some keyboards allow you to select from Local, MIDI, or Both for each of
their Parts (individual MIDI channels/sounds in multitimbral MIDI devices). The MIDI setting, if
applicable to your keyboard, is the equivalent of Local O.