2
Table Of Contents
- Motion User Manual
- Contents
- Motion 2 Documentation and Resources
- Getting To Know Motion
- Creating and Managing Projects
- Creating New Projects
- Managing Projects
- Editing Project Properties
- Browsing Media Files in Motion
- File Types Supported by Motion
- Adding Media to Your Project
- Managing Objects in Your Project
- Deleting Objects From a Project
- Exchanging Media in a Project
- Object Media Tab Parameters
- Using Media in the Library
- Organizing Layers and Objects in Motion
- The Background of Your Project
- Selecting Objects and Layers in the Layers Tab
- Reorganizing Objects in the Layers Tab
- Nesting Layers Inside Other Layers
- Grouping and Ungrouping Objects
- Showing and Hiding Layers and Objects
- Fixing the Size of a Layer
- Locking Layers and Objects
- Collapsing and Uncollapsing Layer Hierarchies
- Renaming Layers
- Searching for Layers and Objects
- Sorting Layers and Objects in the Media Tab
- Customizing and Creating New Templates
- Basic Compositing
- Using the Timeline
- Using Behaviors
- Keyframes and Curves
- Using Text
- Working With Particles
- The Anatomy of a Particle System
- Using Particle Systems
- Creating Graphics and Animations for Particle Systems
- Advanced Particle System Controls
- Animating Objects in Particle Systems
- Using Behaviors With Particle Systems
- Applying Filters to Particle Systems
- Particle System Examples
- Saving Custom Particle Effects to the Library
- Using the Replicator
- The Difference Between the Replicator and a Particle System
- The Anatomy of the Replicator
- Using the Replicator
- Advanced Replicator Controls
- Animating Replicator Parameters
- Using the Sequence Replicator Behavior
- Using Behaviors With Replicators
- Applying Filters to Replicators
- Saving Custom Replicators to the Library
- Using Filters
- About Filters
- Working With Filters
- An Introduction to Filters
- Working With Filters
- Enabling, Renaming, and Locking Filters
- Copying, Pasting, and Moving Filters
- Reordering Filters
- Changing Filter Timing
- Blur Filters
- A Fun Effect That Can Be Used With All the Blur Filters
- Border Filters
- Color Correction Filters
- Distortion Filters
- Glow Filters
- Keying Filters
- Matte Filters
- Sharpen Filters
- Stylize Filters
- Tiling Filters
- Working With Third-Party Filters
- Working With Generators
- Using Shapes and Masks
- Working With Audio
- Exporting Motion Projects
- Keyboard Shortcuts
- Video and File Formats
- Supported File Formats
- Standard Definition vs. High Definition Video Formats
- Popular Video Codecs for File Exchange
- What Is Field Order?
- Using Square or Nonsquare Pixels When Creating Graphics
- Differences in Color Between Computer and Video Graphics
- Using Fonts and Creating Line Art for Video
- Scaling Imported High-Resolution Graphics
- Creating Graphics for HD Projects
- Integration With Final Cut Pro
- Using Gestures
- Index
726 Chapter 10 Using Filters
Parameters in the Inspector
Red from: The numerical value of red is replaced by the numerical value of color of the
selected channel. Values can be selected from Red (unchanged), Green, Blue, Alpha,
Inverse Red, Inverse Green, Inverse Blue, and Inverse Alpha.
Green from: Sets the value of green to the value of the selected channel. Values can be
selected from Red, Green (unchanged), Blue, Alpha, Inverse Red, Inverse Green, Inverse
Blue, and Inverse Alpha.
Blue from: Sets the value of blue to the value of the selected channel. Values can be
selected from Red, Green, Blue (unchanged), Alpha, Inverse Red, Inverse Green, Inverse
Blue, and Inverse Alpha.
Alpha from: Sets the value of the alpha to the value of the selected channel. Values
can be selected from Red, Green, Blue, Alpha (unchanged), Inverse Red, Inverse Green,
Inverse Blue, and Inverse Alpha.
Dashboard controls
The Dashboard contains the same controls as the Inspector.
Color Balance
Color balance generally refers to the overall tint of an image reflecting the color
temperature of the primary source of light. For example, sunlight is generally bluer
than interior tungsten light, which tends to be more orange. Although most film and
video is shot to make sure that the whites in an image are a true neutral white,
different film stocks and video color balance settings result in slight tints in the image.
Use this filter to adjust the color balance of an object by boosting or lowering the
individual amount of reds, greens, and blues in the shadows, midtones, and highlights
of an image. You can use this filter to correct for improper color balance, or to change
the color balance in an image for a stylized effect.
Original image
Midtone Blue = 0.20, High Blue = -0.5
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