2
Table Of Contents
- Motion User Manual
- Contents
- Motion 2 Documentation and Resources
- Getting To Know Motion
- Creating and Managing Projects
- Creating New Projects
- Managing Projects
- Editing Project Properties
- Browsing Media Files in Motion
- File Types Supported by Motion
- Adding Media to Your Project
- Managing Objects in Your Project
- Deleting Objects From a Project
- Exchanging Media in a Project
- Object Media Tab Parameters
- Using Media in the Library
- Organizing Layers and Objects in Motion
- The Background of Your Project
- Selecting Objects and Layers in the Layers Tab
- Reorganizing Objects in the Layers Tab
- Nesting Layers Inside Other Layers
- Grouping and Ungrouping Objects
- Showing and Hiding Layers and Objects
- Fixing the Size of a Layer
- Locking Layers and Objects
- Collapsing and Uncollapsing Layer Hierarchies
- Renaming Layers
- Searching for Layers and Objects
- Sorting Layers and Objects in the Media Tab
- Customizing and Creating New Templates
- Basic Compositing
- Using the Timeline
- Using Behaviors
- Keyframes and Curves
- Using Text
- Working With Particles
- The Anatomy of a Particle System
- Using Particle Systems
- Creating Graphics and Animations for Particle Systems
- Advanced Particle System Controls
- Animating Objects in Particle Systems
- Using Behaviors With Particle Systems
- Applying Filters to Particle Systems
- Particle System Examples
- Saving Custom Particle Effects to the Library
- Using the Replicator
- The Difference Between the Replicator and a Particle System
- The Anatomy of the Replicator
- Using the Replicator
- Advanced Replicator Controls
- Animating Replicator Parameters
- Using the Sequence Replicator Behavior
- Using Behaviors With Replicators
- Applying Filters to Replicators
- Saving Custom Replicators to the Library
- Using Filters
- About Filters
- Working With Filters
- An Introduction to Filters
- Working With Filters
- Enabling, Renaming, and Locking Filters
- Copying, Pasting, and Moving Filters
- Reordering Filters
- Changing Filter Timing
- Blur Filters
- A Fun Effect That Can Be Used With All the Blur Filters
- Border Filters
- Color Correction Filters
- Distortion Filters
- Glow Filters
- Keying Filters
- Matte Filters
- Sharpen Filters
- Stylize Filters
- Tiling Filters
- Working With Third-Party Filters
- Working With Generators
- Using Shapes and Masks
- Working With Audio
- Exporting Motion Projects
- Keyboard Shortcuts
- Video and File Formats
- Supported File Formats
- Standard Definition vs. High Definition Video Formats
- Popular Video Codecs for File Exchange
- What Is Field Order?
- Using Square or Nonsquare Pixels When Creating Graphics
- Differences in Color Between Computer and Video Graphics
- Using Fonts and Creating Line Art for Video
- Scaling Imported High-Resolution Graphics
- Creating Graphics for HD Projects
- Integration With Final Cut Pro
- Using Gestures
- Index
Chapter 12 Using Shapes and Masks 865
Every time you move the playhead to a new frame and make a change to the mask’s
shape, a keyframe is automatically created in that shape’s Shape Animation parameter.
If you move the playhead directly on top of a previously existing keyframe, you change
the mask’s shape at that point without creating a new keyframe.
Note: You can also transform and shear masks as you would any other object. If you
move, rotate, scale, shear, or change the anchor point for a mask while animation
recording is enabled, you add keyframes to additional channels in the Keyframe Editor.
6 When you’ve finished animating the mask, disable Record (press A).
You can also create, delete, and edit the timing of a mask’s Shape Animation keyframes
directly in the Keyframe Editor. For simplicity, each change you make to a mask is
recorded as a single keyframe, no matter how many control points you edited. The
Shape Animation parameter only allows keyframes set to Constant—you cannot use
any other form of keyframe interpolation.
The process used to animate both masks and shapes is identical. To see an example of
shape animation, see “
Animating Shapes” on page 847. For more information on
keyframing in general, see “
Keyframes and Curves” on page 401.
Applying Image Masks to an Object
Another way you can create transparency in an object is by using image masks. An
image mask creates transparency in another object by deriving an alpha channel from
another object, such as a shape, text object, movie, or still image.
Note: You can use masks and image masks together.
Text object Layers Layers masked by text object
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