5.5

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1031

Table Of Contents

Contents
What’s new
- What’s new in Motion 5.5
- What’s new in Motion 5.4.6
- What’s new in Motion 5.4.4
Motion basics
- What is Motion?
- Motion workflow
- Motion interface
- Basic components of Motion
- Using input devices with Motion
Create and manage projects
- Intro to creating projects in Motion
- Create a new project in Motion
- Open an existing project in Motion
- Search for Motion projects from the Finder
- Bypass the Project Browser in Motion
- Create and modify project presets in Motion
- Save, autosave, and revert projects in Motion
- Use templates
- Modify project properties
Add and manage content
- Intro to adding and managing content in Motion
- Import media files
- Add Library content that comes with Motion
- Manage source media
Play back projects
- Intro to project playback in Motion
- View and play back a project
- View and adjust project timing
- Define the play range in Motion
- Project playback performance in Motion
Work in a basic project
- Intro to basic compositing in Motion
- Select and organize layers
- Transform layers
- Adjust opacity and blending
  - Modify layer opacity in Motion
  - Layer blending
- View and navigate in the canvas
Work in a 3D project
- Intro to 3D compositing in Motion
- 3D coordinates
  - Intro to 3D coordinates in Motion
  - Relative coordinates in Motion
- Transform layers in 3D space in Motion
- 3D intersection
  - Create 3D intersection in Motion
  - 2D and 3D group properties in Motion
    - 2D group properties
    - 3D group properties
- Add cameras to create 3D environments
- Lighting
- Shadows
- Reflections
Manage timing
- Intro to the Timeline in Motion
- Display or resize the Timing pane in Motion
- Add objects to the Timeline
- Manage Timeline layers and tracks
- Edit objects in the Timeline
- Navigate in the Timeline in Motion
- Show and modify keyframes in the Motion Timeline
- Work in the ruler
  - Intro to the Timeline ruler in Motion
  - Edit a range of frames in the Motion Timeline
- Work with markers
- Edit in the mini-Timeline in Motion
- Retime media
Animate with behaviors
- Intro to behaviors in Motion
- Behaviors versus keyframes in Motion
- Browse and apply behaviors
  - Browse for behaviors in Motion
  - Apply behaviors
- Manage behaviors and behavior timing
- Behaviors and keyframes
- Adjust behaviors
  - Intro to adjusting behaviors in Motion
  - Adjust behaviors in Motion
- Behavior types and parameters
- Save and share custom behaviors
Animate with keyframes
- Intro to keyframing in Motion
- Add keyframes in Motion
- Animate in the canvas with keyframes
  - Add an animation path in the canvas in Motion
  - Modify animation paths in Motion
- Animate in the Inspector
- Animate from the HUD in Motion
- Use keyframes to modify behaviors
  - Apply keyframes to behaviors in Motion
  - Combining keyframes and behaviors in Motion
- Work with keyframes in the Timeline
- Work in the Keyframe Editor
- Use the mini-curve editor in Motion
- Animate on the fly in Motion
- Simplify a keyframe curve in Motion
Create Final Cut Pro templates
- Intro to Final Cut Pro templates in Motion
- How do templates work?
  - Template workflow in Motion
  - Placeholders vs. drop zones in Motion
- Work with effect templates
- Work with transition templates
- Work with title templates
- Work with generator templates
  - Create a generator template in Motion
  - Modify a Final Cut Pro generator
- Convert project types
  - Convert a Motion project to Final Cut Pro
  - Convert a template to another type in Motion
- Use placeholder images in templates in Motion
- Add parameter controls to Final Cut Pro effects
- Control template timing and animation
- Set template resolution in Motion
- Add multiple aspect ratios to templates in Motion
- Instruct a template to override the Final Cut Pro color space
- Where are templates saved in Motion?
  - Contents of the template folder
  - Sharing templates
- Using masks in templates in Motion
- Guidelines for better templates in Motion
Build rigs
- Intro to rigging in Motion
- How does rigging work in Motion?
- Build a simple rig in Motion
- Work with widgets in Motion
- Widget types
- Manage parameter snapshots
- Control rigs from Animation menus in Motion
- How to use rigs
- Publish rigs from Motion to Final Cut Pro
Create particles
- Intro to particles in Motion
- Add a particle system to a project
  - Add a particle system in Motion
  - Anatomy of a particle emitter in Motion
- Adjust a particle system
- Animate emitters and cells
- Create 3D particles in Motion
- Particle system timing in Motion
- Using graphics in particle systems in Motion
  - Still images
  - QuickTime movies
- Using filters and masks with particles in Motion
  - Filters
  - Masks
- Save custom particle effects in Motion
Create replicators
- Intro to replicators in Motion
- Replicators vs. particle systems in Motion
- Add a replicator to a project
  - Add a replicator in Motion
  - Anatomy of a replicator in Motion
- Adjust a replicator
- Animate replicators
- Work with 3D replicators in Motion
- Replicator timing in Motion
- Using filters and masks with replicators in Motion
  - Filters
  - Masks
- Save custom replicators in Motion
Create and edit basic text
- Intro to basic text in Motion
- Add text to a project
- Select and modify text in the Motion canvas
- Preview and apply fonts in Motion
- Use preset text styles in Motion
- Edit text
  - Intro to editing text in Motion
  - Display the Text Inspector or HUD in Motion
- Edit text format
- Edit text appearance
- Edit text layout
- Work with text glyphs
- Convert standard text to 3D text in Motion
- Check spelling in Motion
- Find and replace text in Motion
- Using filters with text in Motion
Build 3D text
- Intro to 3D text in Motion
- 3D text workflow in Motion
- Add 3D text to a project
  - Add 3D text in Motion
  - Convert 2D text to 3D text in Motion
- Apply a preset 3D text style in Motion
- Move and rotate 3D text in Motion
- Modify basic 3D text attributes
- Modify surface appearance
- Modify lighting style
- Add a glow or drop shadow to 3D text in Motion
- 3D text intersection in Motion
Animate text
- Intro to animated text in Motion
- Apply a text behavior in Motion
- Use preset text behaviors
- Create custom text sequence behaviors
- Create scrolling text
  - Use the Scroll Text behavior in Motion
  - Scroll Text controls in Motion
- Create animated text tracking
  - Use the Text Tracking behavior in Motion
  - Text Tracking controls in Motion
- Create a “type-on” effect
  - Use the Type On behavior in Motion
  - Type On controls in Motion
- Animate individual text glyphs in Motion
- Animating 2D text in 3D space in Motion
- When to use keyframes to animate text in Motion
- Adding nontext behaviors to text in Motion
- Save a modified text behavior in Motion
Draw shapes, masks, and paint strokes
- Intro to shapes, masks, and paint strokes in Motion
- Add simple shapes and masks
- Add complex shapes and masks
  - Intro to complex shapes and masks in Motion
  - Draw complex shapes and masks in Motion
- Draw paint strokes
- Edit shape control points
- Edit fill, outline, and feathering in Motion
- Shape controls in the Inspector
- Shape behaviors
- Keyframe shape control points in Motion
- Work with masks and transparency
- Convert between shapes and masks in Motion
- Using filters and masks with shapes in Motion
  - Filters
  - Masks
- Copy shape styles in Motion
- Save custom shapes and shape styles in Motion
Create graphics with generators
- Intro to using generators in Motion
- Add a generator in Motion
- Customize a generator
  - Modify or animate a generator in Motion
  - Controls common to all generators in Motion
- Image generators
- Text generators
- Save a modified generator in Motion
Add effects with filters
- Intro to filters in Motion
- Browse and preview filters in Motion
- Apply or remove filters in Motion
- Adjust filters
- Filter types and parameters
- Animate filter controls
  - Animate filter parameters with keyframes in Motion
  - Animate filters using behaviors in Motion
- Publish Motion filter parameters to Final Cut Pro
- Using filters on alpha channels in Motion
- Filter performance in Motion
  - Filter performance considerations
  - Third-party party effects and obsolete filters
- Save custom filters in Motion
Composite with color and luma keys
- Intro to color keying in Motion
- Use the Keyer filter
- Use the Luma Keyer filter
  - Intro to the Luma Keyer filter in Motion
  - Luma Keyer filter controls in Motion
- Correct or refine an existing matte
Work with 3D objects
- Intro to 3D objects in Motion
- Add a 3D object in Motion
- Move and rotate a 3D object in Motion
- Reposition a 3D object’s anchor point in Motion
- Modify 3D object properties
- Exchange a 3D object file in Motion
- 3D object intersection and layer order in Motion
- Adjust 3D object timing in Motion
  - Intro to 3D object timing in Motion
  - Modify 3D object timing in Motion
- Using cameras and lights with 3D objects in Motion
- Save custom 3D objects in Motion
- Guidelines for working with 3D objects in Motion
- Working with imported 3D objects in Motion
Work with 360-degree video
- Intro to 360° video in Motion
- About 360° projects in Motion
- Create 360° projects in Motion
- Add 360° video to a project in Motion
- View and navigate 360-degree projects
  - View 360° projects in Motion
  - View 360° video in a VR headset in Motion
- Integrate graphics in 360-degree projects
  - Intro to graphics in 360° projects in Motion
  - Use graphics in 360° projects in Motion
- Create a tiny planet effect in Motion
- Reorient 360° media in Motion
- Creating 360° templates for Final Cut Pro in Motion
- 360°-aware filters and generators in Motion
  - 360°-aware filters
  - 360°-aware generators
- Export and share 360° projects in Motion
- Guidelines for better 360° projects in Motion
Track motion in clips
- Intro to tracking in Motion
- How does motion tracking work?
- Motion tracking behavior types
- Analyze motion in a clip
- Match move an object to a background clip
- Stabilize a shaky clip in Motion
- Unstabilize a clip in Motion
- Use a range of frames for analysis in Motion
- Load existing tracking data in Motion
- Track shapes, masks, and paint strokes in Motion
- Track a filter’s position parameter in Motion
- Adjust onscreen trackers in Motion
- Guidelines for better tracking
- Tracking behavior controls
- Save tracks to the Library in Motion
Work with audio
- Intro to audio in Motion
- View audio files in Motion
- Add audio files in Motion
- Play audio files in Motion
- Edit audio
- Automate effects with audio behaviors
Share Motion projects
- Intro to sharing Motion projects
- Export a QuickTime movie in Motion
- Export audio only in Motion
- Export a still image in Motion
- Export an image sequence in Motion
- Export to Apple devices in Motion
- Export to email in Motion
- Export from Motion using Compressor
- Create and modify share destinations in Motion
- Render settings in Motion
- View the status of shared items in Motion
- Share notifications in Motion
Video files and formats
- Media file formats
Work smarter
- Intro to preferences and shortcuts in Motion
- Motion Preferences
- Motion menus
- Keyboard shortcuts
- Touch Bar shortcuts in Motion
- Move Motion assets to another computer
- Use color and gradient controls
- Rasterization
- Wide color gamut and HDR
- Work with GPUs in Motion
  - GPU usage in Motion
Glossary

1036Motion User Guide

Broadcast Safe filter in Motion

Reduces the luminance and chrominance levels that exceed the broadcast-legal limits for

either standard gamut or wide color gamut spaces.

Adjust this filter using the parameter controls in the Filters Inspector:

• Amount: When you export a Motion project to a compressed video format, compression

artifacts may push bright pixels above—or dark pixels below—broadcast-legal limits.

Adjust this slider to override broadcast-legal limits by adding additional “headroom”

for light and dark pixels. At this parameter’s minimum value of 0.0%, luma and

chroma levels are limited to corresponding RGB white levels of 100% intensity (the

upper threshold for broadcast-safe video) and RGB black levels of 0% intensity (the

lower threshold for broadcast-safe video); in other words, no headroom is available

and compression artifacts may cause some pixels to exceed the 0–100% range. At

this parameter’s maximum value of 10.0%, luma and chroma levels are limited to

corresponding RGB white levels of 90% intensity and black levels of 10% intensity; in

other words, 10% headroom is available to accommodate for potential compression

artifacts.

• Color Space: Sets luminance and chrominance levels to the broadcast legal limit for

the selected color space. Color space can be Rec. 601 (NTSC or PAL), Rec. 709, or

Rec. 2020.

• Mix: Sets the percentage of the original image that’s blended with the filtered image.

Deinterlace filter in Motion

Converts interlaced clips into noninterlaced clips using one of several possible methods.

Tip: In order to create a progressive scan clip when using the Deinterlace filter, ensure

the Field Order pop-up menu in the Media Inspector is set to None.

Adjust this filter using the parameter controls in the Filters Inspector:

• Dominant Field: Sets the dominant field. There are two options: Upper or Lower.

• Method: Sets how the object is interlaced. This pop-up menu has three options:

• Duplicate: The nondominant field is eliminated, and the data from the dominant field

is duplicated to fill in the missing lines.

• Interpolate: The nondominant field is eliminated, and a new field is created by

averaging each pair of adjacent video lines to create new ones.

• Blend: The nondominant field is eliminated, and new lines are created by averaging

the eliminated line with each pair of adjacent video lines.

• Mix: Sets the percentage of the original image that’s blended with the filtered image.