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Table Of Contents
- Soundtrack Pro User Manual
- Contents
- An Introduction toSoundtrackPro
- Setting Up Your System
- System Considerations
- Connecting Equipment
- Example Hardware Setups
- Setting Up a System Using Powered Speakers
- Setting Up a System Using a USB Audio Interface
- Setting Up a System Using a FireWire Interface andaControlSurface
- Setting Up a System Using a Video Output Device
- Setting Up a System Using a PCI Video Interface Card withBreakoutBox
- Setting Up a System for Stereo Mixing
- Setting Up a System for Surround Mixing
- The SoundtrackPro Interface
- Setting UpSoundtrackPro
- Working with MultitrackProjects
- Creating and Opening Multitrack Projects
- Creating a Multitrack Project from FinalCutPro ClipsorSequences
- Closing Multitrack Projects
- Setting Project Properties
- Setting the Project Length
- Saving Multitrack Projects
- Setting Default Locations for Saving Media Files
- Adding Files to a Multitrack Project
- Viewing and Editing Clip and Track Properties
- Tracks, Busses, Submixes, and the Master Bus
- Working in the Timeline
- Working in the Timeline
- Moving Around in the Timeline
- Working with Tracks, Busses, and Submixes in the Timeline
- Adding Tracks, Busses, and Submixes
- Selecting Tracks, Busses, and Submixes
- Grouping Tracks, Busses, and Submixes
- Applying Changes to Groups of Selected Tracks, Busses, and Submixes
- Managing Track Selections with the Tracks Tab
- Moving and Copying Tracks, Busses, and Submixes
- Renaming Tracks, Busses, and Submixes
- Changing a Track, Bus, or Submix Icon
- Using the Track Controls
- Removing Tracks, Busses, and Submixes
- Selecting Audio Clips in the Timeline
- Selecting the Entire Contents of a Track
- Selecting Partial Contents of One or More Tracks
- Cutting, Copying, and Pasting Audio Clips
- Spotting Clips to the Timeline
- Moving Clips
- Snapping Clips to Clips on Adjacent Tracks
- Resizing Audio Clips
- Changing the Offset of an Audio Clip
- Creating Fades and Crossfades in the Timeline
- Truncating Overlapping Audio Clips
- Editing Audio Clips in the Multitrack Timeline
- Using the Timeline Editing Tools
- Timeline Editing Tools HUD
- Editing in Place
- How Clips Are Affected by Media File Editing
- How Source Audio File Editing Works in a SoundtrackPro Multitrack Project
- Modifying a Clip Without Affecting Its Source Media
- Using the Multitrack Timeline and the File Editor Together
- Spotting Sound Effects from the File Editor to the Timeline
- Splitting and Joining Audio Clips
- Editing with the Timeslice Tool
- Using the Lift and Stamp Tools
- Working with Markers
- Using Markers with Video
- Working with Tagged and Looping Clips
- Replacing the Source Audio in a Clip
- Working in the Timeline
- Editing Audio Files
- Audio File Projects
- Editing Audio Files Directly in a MultitrackProject
- Editing Audio Files in the File Editor
- Opening Audio Files in the File Editor Tab
- Playing Audio Files in the File Editor
- Soloing an Audio File in the File Editor
- Linking the File Editor Selection and the Cycle Region
- Scrubbing Audio Files
- Selecting Part of an Audio File
- Cutting, Copying, and Pasting in the File Editor
- Zooming In and Out in the File Editor
- Editing Audio Files Graphically with Waveform Editing Tools
- Choosing the Sample Units in the File Editor
- Editing Multichannel Files
- Using Frequency Spectrum View
- Processing Audio Files
- Working with Actions
- Applying Actions
- Editing Actions
- Adjusting and Applying Action Selections
- Turning Actions On and Off
- Reordering Actions
- Using the Action Insert Bar
- Reversing the Order of the Actions List
- Flattening Actions
- Comparing the Project With and Without Actions
- Comparing the Last Two Actions
- Deleting Actions
- Limitations of Actions That Change the File’s Length
- Analyzing an Audio File
- Using the File Editor Project View
- Opening the File Editor Project View
- Setting the Time Ruler Units in the File Editor Project View
- Closing Audio File Projects
- Applying Realtime Effects in the File Editor Project View
- Automating Realtime Effects in the File Editor Project View
- Rendering Realtime Effects to Actions
- Saving Audio File Projects from the File Editor Project View
- Saving Audio Files from the File Editor Project View
- Using the Timeline Controls in the File Editor Project View
- Scripting Actions in the File Editor Project View
- Using the Global Waveform View
- Using Markers in the File Editor Project View
- Using the Multitake Editor
- Basic Mixing in SoundtrackPro
- Steps in Mixing
- Structuring an Audio Post-Production Project
- Using the Mixer
- Working with Channel Strips in the Mixer
- Using Custom Layouts for Mixing
- Adding Channel Strips to the Mixer
- Selecting Channel Strips
- Reordering Channel Strips
- Copying Channel Strips
- Setting Channel Strip Volume Levels
- Setting Channel Strip Pan Position
- Setting Channel Strip Output
- Muting and Soloing Channel Strips
- Enabling Track Channel Strips for Recording
- Renaming Channel Strips
- Changing a Channel Strip Icon
- Showing and Hiding Sections of the Mixer
- Using the Channel Strip Level Meters
- Removing Channel Strips
- Working with Effects in the Mixer
- Working with Sends and Busses in the Mixer
- Setting the Overall Project Volume Level
- Using the Master Bus
- Listening to a Temporary Mono Mix
- Recording Audio in the Mixer
- Recording Automation in the Mixer
- Creating Multiple Mixes
- Things to Keep in Mind While Mixing
- Working with Channel Strips in the Mixer
- Mixing Surround Sound
- Working with Video inSoundtrackPro
- Working with Audio Effects
- Processing Effects and Realtime Effects
- Working with Effect Presets
- Audio Effects Included with SoundtrackPro
- Working with Realtime Effects
- Working in the Effects Tab
- Adding Realtime Effects
- Adjusting Realtime Effect Parameters
- Chaining and Reordering Realtime Effects
- Bypassing Realtime Effects
- Adding Sends to Tracks
- Choosing the Bus to Which a Send Is Routed
- Adjusting Send Volume
- Adjusting Send Pan Position
- Reordering Sends
- Bypassing Sends
- Automating Realtime Effect Parameters
- Resetting Realtime Effects to Their Default Settings
- Removing Realtime Effects
- Working with Processing Effects
- Working with Automation
- Working with Envelopes
- Track, Bus, and Submix Envelopes
- Adding Envelope Points
- Selecting Envelope Points
- Moving Envelope Points
- Selecting and Moving Envelope Points with Clips
- The Timeslice Tool and the Envelope Selection Mode
- Viewing and Editing Envelope Point Details
- Changing the Values of Envelope Points Numerically
- Changing the Position of Envelope Points Numerically
- Nudging Envelope Points
- Cutting, Copying, and Pasting Envelope Points
- Deleting Envelope Points
- Automating Effect and Send Parameters
- Master Bus
- Recording Automation Data
- Working with Envelopes
- Recording Audio inSoundtrackPro
- Creating Podcasts inSoundtrackPro
- Using Control Surfaces withSoundtrackPro
- Exporting Multitrack Projects
- About the Export Dialog
- Exporting and the Cycle Region
- Exporting a Master Mix
- Exporting Tracks, Busses, and Submixes Separately
- Exporting Multiple Mono Files
- Using Post-Export Actions
- Using Export Presets
- Exporting to AAF
- Saving Multitrack Projects
- Distributing a Multitrack Project and Its Media FilesTogether
- Using SoundtrackPro withOtherApplications
- Using SoundtrackPro with FinalCutPro
- Using SoundtrackPro with DVDStudioPro
- Using SoundtrackPro with Motion
- Using SoundtrackPro with Third-Party Applications
- Using Conform with FinalCutPro
- SoundtrackPro KeyboardShortcuts
- General and File
- Layouts, Tabs, and HUDs
- Navigating the Timeline
- Project Playback
- Cycle Region
- General Editing
- Editing Audio Clips in the Timeline
- Moving Audio Clips and Envelope Points
- Viewing the Timeline
- Timeline Tools
- File Editor Project View Tools and Commands
- Processing and Editing Audio Files
- Tracks, Busses, and Submixes
- Markers
- Selecting Audio Clips in the Timeline
- Video Out
- Recording
- Using Arrow Keys to Move the Playhead
- Working with Timeslices
- Audio Fundamentals
- Working with Professional Video and Audio Equipment
- About Video Interfaces, Signals, and Connectors
- About Audio Interfaces, Signals, and Connectors
- Tips for Choosing Speakers and an Amplifier
- Connecting Professional Video Devices
- Connecting Professional Audio Devices
- Working with Apogee Hardware in SoundtrackPro
- Solutions to Common Problems andCustomer Support
- Using AppleLoopsUtility
- Index
Appendix D Working with Apogee Hardware in Soundtrack Pro 511
Units Parameters
The Units parameters configure the individual hardware units in your system. They are
spread over three tabs: General, Inputs, and Outputs.
General Tab
The settings in this tab control a variety of features, such as the clock source, UV22HR
dithering algorithm, and level meter behavior.
 Clock Source pop-up menu: Sets the clock source for the chosen unit. Options are
Internal, Optical, Coax, and Word Clock.
 Format section: These settings determine the format of the optical input and output
channels. Options are ADAT/SMUX and S/PDIF.
 UV22HR pop-up menu: This specifies the target signal path for the UV22HR dithering
algorithm. Options are Off, Analog In 1–2, Analog In 3–4, Analog In 5–6, Analog In 7-8,
Optical In 1–2, Optical In 3–4, Optical In 5–6, Optical In 7–8, S/PDIF In, and S/PDIF Out.
 Sample Rate Conversion section: The Conversion pop-up menu allows you to enable
sample rate conversion for the S/PDIF Input or Output signal path. If you decide to
engage sample rate conversion on the S/PDIF Out channel, you can set the
destination sample rate in the Sample Rate pop-up menu (next to the Conversion
pop-up menu). Sample rate options are 44.1, 48, 88.2, and 96 kHz.