2
Table Of Contents
- Soundtrack Pro 2 Getting Started
- Contents
- Welcome to SoundtrackPro
- Starting Your Project andAssembling Media
- Assembling Your MultitrackProject
- Working with Multitrack Projects
- Playing and Saving a Multitrack Project
- Creating a SoundtrackPro Multitrack Project fromaFinalCutPro Sequence
- Adding Clips to the Timeline
- Editing Clips in the Timeline
- Adding Markers to the Timeline
- Creating a Fade in an Audio Clip
- Adding a Crossfade Between Two Clips
- Adding Tracks, Busses, and Submixes to a Multitrack Project
- Working with Stereo and Surround Track Panners
- Routing Your Multitrack Project
- Adding Effects to Your Multitrack Project
- Automating Track, Bus, Submix, and Master Bus Parameters with Envelope Points
- Working with Individual AudioFiles
- Solving Audio Problems
- Mixing Stereo andSurroundProjects
- Exporting Your Multitrack Project
- What’s Next?
- An Introduction to the SoundtrackPro Interface
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2 Assembling Your Multitrack Project
You start building a multitrack project by arranging the project’s audio files on tracks in
the Timeline. As you arrange the clips, you can cut, crossfade, and otherwise edit them
in the Timeline.
In this chapter, you’ll learn about:
 Working with Multitrack Projects (p. 18)
 Playing and Saving a Multitrack Project (p. 19)
 Creating a Soundtrack Pro Multitrack Project from a Final Cut Pro Sequence (p. 22)
 Adding Clips to the Timeline (p. 23)
 Editing Clips in the Timeline (p. 24)
 Adding Markers to the Timeline (p. 26)
 Creating a Fade in an Audio Clip (p. 28)
 Adding a Crossfade Between Two Clips (p. 29)
 Adding Tracks, Busses, and Submixes to a Multitrack Project (p. 30)
 Working with Stereo and Surround Track Panners (p. 32)
 Routing Your Multitrack Project (p. 35)
 Adding Effects to Your Multitrack Project (p. 36)
 Automating Track, Bus, Submix, and Master Bus Parameters with Envelope
Points (p. 39)