Data Sheet

DATA SHEET
Ident.-No.: 80.0000428 · Technical data subject to change without further notice. Date: April 16th, 2016 © ARRI/2016
Arnold & Richter Cine Technik GmbH & Co. Betriebs KG · Türkenstrasse 89 · 80799 Munich · Tel +49 89 3809 0 · Fax +49 89 3809 1245 · www.arri.com
Master Anamorphic 135/T1.9
A range of nine high-performance prime lenses, the ARRI/ZEISS Master
Anamorphic series represents a signicant step forward in the technology
and practicality of anamorphic cinematography for 35 format digital and
lm cameras.
For the rst time, a perfect combination of compact size, minimal weight,
very high speed and exceptional optical design with minimal distortion
has been achieved in a set of anamorphics. With beautiful out-of-focus
backgrounds and a smooth, cinematic look, the Master Anamorphic
lenses are as fast and easy to use on set as other modern cine lenses.
Technical Details
Lens Mount
(1):
PL-LDS
Aperture T1.9 - T22
Close Focus
(2)
1.20 m / 3‘11‘‘
Magnication Ratio
(3)
H: 1:15.6, V: 1:7.8
Length
(4)
226 mm / 9.1‘‘
Length including ange focal distance
(5)
278 mm / 10.7‘‘
Front Diameter
(6)
95 mm / 3.7“
Maximum Housing Diameter 114 mm / 4.5“
Weight (kg) 3.7
Weight (lbs) 8.2
Entrance Pupil
(7)
(mm) -129
Entrance Pupil
(7)
(inch) -5.09
Angle of View H - V
Super 35 Cinemascope
(8)
Image Diameter
19° - 8°
29.26 mm
(9)
(x)
For abbreviations please see legend at end of document
Main Features
Low distortion for uncompromised Cinemascope
straight lines stay straight
no distortion compensation in post necessary
low distortion even at close focus
Cinematic bokeh with high contrast and nice focus fall-off
very smooth out-of-focus image
immersive look
Beautiful skin tones and precise color rendition
smooth and pleasant skin tones
crisp, natural color rendition
Characteristic out-of-focus highlights
oval
and uniformly illuminated
out-of-focus highlights
smooth iris shape because of 15 aperture blades
Large image field for full freedom in composition
full 2.39:1 format is useable for image composition
no visible perfomance drop at the corners
Large aperture of T1.9 for shallow depth of focus
T1.9 useable with any focal length at any distance
overcomes the old rule: “anamorphics need to be stopped down to T4.5”
Virtually no image breathing
No anamorphic mumps (fat face effect)
Super color matched to other ARRI/ZEISS primes and ARRI/FUJINON zooms
ARRI Lens Data System (LDS) for lens metadata
Master Anamorphic
2x
135
ø114
ø95
91.2
ø109.5
ø100.5
271.7
139
52
132.7

Summary of content (2 pages)