TM a r t p r o a u d i o .
TABLE OF CONTENTS ART is a company comprised of musicians, engineers and recording enthusiasts. Since its inception in 1984, we have been striving to redefine the performance versus price barrier with a series of innovative new audio products designed with the needs of the musician in mind.
MICROPHONES Created to complement ART's industry leading brand of tube preamps, tube compressors and recording accessories, the ART M-Series will set the performance standard for professional microphones in this class and price category. Designed specifically for professional, project and high-end home studio environments, M-Series microphones deliver superior sound, build quality, clarity and an unrivalled tone.
CARDIOID SIDE ADDRESS FET CONDENSER The M-One cardioid condenser microphone delivers solid quality and outstanding performance in a cost effective microphone solution. The low-mass diaphragm and upgraded high quality capsule delivers a clear tone with accurate sonic detail making it perfect for a wide range of recording and live sound applications. In live sound and remote recording applications, the ART M-One’s cardioid pattern offers excellent feedback rejection and isolation.
MULTI-PATTERN SIDE ADDRESS FET CONDENSER WITH ENHANCED PAD & ROLL-OFF The ART M-Three multi-pattern wide diaphragm condenser microphone is one of the most versatile microphones available for your studio toolkit. Three selectable polar patterns, two position low frequency roll-off and two position pad switch on the body of the microphone ensure the ART M-Three can easily be applied to virtually any recording or live application.
MICROPHONES CARDIOID SIDE ADDRESS FET CONDENSER WITH USB CONNECTIVITY The ART M-One/USB delivers studio quality performance in a convenient USB microphone design. Based on the popular ART M-One Studio Condenser, the M-One/USB uses the same low-mass diaphragm and upgraded high quality capsule as the studio version of the microphone, ensuring incredible tone and accurate sonic detail while adding the convenience of a Mac and PC compatible USB 2.0 24bit/ 48 kHz output.
RECORDING I/O EIGHT CHANNEL MICROPHONE PREAMP WITH ADAT LIGHTPIPE The ART TubeOpto8™ is the ideal Eight Channel input / output expander for any ADAT Lightpipe equipped audio interface, direct-to-disc recorder or DAW. Eight high quality second generation discrete Class–A vacuum tube microphone preamps are packaged in a single rack space unit with eight channel 24-bit digital I/O. Every input on the TubeOpto8™ offers full control of the signal path with pad, phase and low frequency roll-off switches.
PREAMPS & COMPRESSORS The ART VoiceChannel is the perfect complete channel input strip for recording, broadcast or high profile live applications where maximum performance and detail is required.
The ProChannel is the ideal signal processing solution for any studio or critical front of house application. Combining the best of all worlds in one unit, the ART ProChannel delivers a single Class-A tube microphone preamp, a 4-band semi-parametric tube EQ and an extremely versatile optical/tube compressor in one cost effective rackmount unit. used independently if required. Three hand-selected tubes are used in the ProChannel, one discreet tube per circuit.
The ART Digital MPA II delivers all of the same great features of the ProMPA II with the added versatility of digital output. Like the ProMPA II, each input of the DMPA II has 48v phantom power, variable input impedance, mid/side mic support, selectable plate voltage, and comprehensive metering. In addition to XLR and 1/4-inch analog outputs, the Digital MPA-II features a high quality A to D converter which offers digital connectivity on S/PDIF, ADAT, or AES/EBU outputs.
FEATURES ▲ Variable Input Impedance For Flexible Microphone Voicing (150 ohms To 3000 ohms) The ART ProMPA II is the next generation in affordable high performance microphone preamp technology. Each microphone input circuit, with selectable 48v phantom power, features variable input impedance which can radically vary the overall performance of any high quality dynamic or ribbon microphone.
The ProVLA II is a tube driven Vactrol® based Compressor / Leveling amplifier designed to excel in any professional audio environment. Superior performance and an incredible tone makes the ProVLA II an indispensable tool for tracking, mixing, mastering, dynamic control of live sound sources or for use in broadcast audio.
DPS II TWO-CHANNEL TUBE MICROPHONE PREAMPLIFIER with A / D CONVERSION TPS II TWO-CHANNEL TUBE PREAMPLIFIER SYSTEM HIGH PERFORMANCE MICROPHONE PREAMPS DIGITAL CONNECTIVITY (DPS II) Designed as the ideal preamp for any application, the tube driven TPS II and DPS II add warmth and texture to any audio source. These two-channel high performance preamps use a pair of hand selected 12AX7A tubes in the low noise input circuitry.
The ART USBDualPRE is a full featured high quality dual channel portable preamplifier and computer audio interface packed into a compact rugged aluminum case. Designed to work in any audio application including remote field recording or desktop/studio tracking, the USBDualPRE has two low noise input channels that deliver up to 48dB of clean gain. Inputs can be either XLR balanced or 1/4-inch TRS. Each of the 1/4-inch TRS outputs is buffered low impedance balanced.
SINGLE CHANNEL TUBE PREAMPLIFIER SYSTEM The Project Series TubeMP USB tube microphone preamp is the perfect audio input to any USB equipped Mac or PC based recording system. The ultra low noise discrete microphone preamp front end has an extremely flat and wide frequency response and can easily handle a wide range of input signal levels with a minimum of coloration.
The ART SyncGen is a simple to use and inexpensive way to improve the performance of your digital recording equipment while eliminating seemingly random pops and clicks that result from synchronization timing errors in recording systems. A wordclock generator will centralize all of the timing of various pieces of digital equipment, reducing accumulated timing errors between the individual units that make up a digital recording chain.
CLASSIC TUBE MP’S TubeMP StudioV3™ SINGLE CHANNEL TUBE PREAMPLIFIER FULL FEATURE SET The TubeMP StudioV3™ features all the tone and functionality of its predecessor, the world's number one Tube Mic Pre, the TubeMP. Phase Reverse, +48v phantom power, clip LED and a +20dB switch are all included, as well as an analog VU meter for visual tracking of the signal.
HEADPHONE AMPS The ART HeadAmp6PRO is a six-channel stereo headphone amplifier that includes a sixchannel auxiliary input section that can be used to provide the popular ‘more me’ function on each headphone mix. Each output channel also features a dual function BALANCE control which will pan between LEFT & RIGHT sides of the main signal bus, or vary the MIX between the main signal bus and the AUXILIARY input for that respective channel.
The HeadAmp6 is a fully featured six-channel stereo headphone amplifier that includes six auxiliary inputs to allow separate ‘more-me’ mixes on each channel. Master Volume control sets the main signal bus level. Eight-segment precision LED level metering on the main bus and four-segment indicators on each output channel provide visual feedback of the signal level at all key points.
GRAPHIC EQ’S XL231 DUAL 31-BAND 1/3 OCTAVE, EXTENDED LONGTHROW GRAPHIC EQ The ART XL231 Dual 31 Band, 1/3 Octave Extended Long Throw Professional Equalizer has been designed and engineered to exceed extremely high standards for audio performance and functionality. controls, these differ in their well controlled precision straight curves, and, have less selectivity so the Trim controls don’t have a ‘sound’ as a typical tone control will.
XL231 FEATURES ▲ Greater than 123dB Dynamic Range ▲ Ultra Low Noise and High Output ▲ 40 Volt Internal Circuitry for Added Headroom, and Line Driving Capability ▲ High and Low Frequency “Trim” Controls for Sweetening Overall Sound After EQ Has Been Set ▲ Enhanced Cut Mode: Up to –18dB Narrow Band Clips ▲ Normal and Enhanced Modes also have Half-Scale Modes for a Total of 4 Boost/Cut Modes ▲ 10 Segment LED Level Meters with ‘Peak-Hold’ and Clipping Indication ▲ Constant Q Design with Interleaved Filter Bank
GRAPHIC EQ’S ALL UNITS FEATURE ▲ ISO Spacing ▲ Filter type: Constant-Q ▲ High pass filter: 10 Hz to 250 Hz ▲ Low pass filter: 3 kHz to 40 kHz ▲ Slider travel: 20mm with Positive Center Detent ▲ Range: +/-6dB or +/-12dB Selectable ▲ Active Balanced XLR and 1/4-inch TRS and Unbalanced RCA Inputs and Outputs 341 DUAL 15-BAND ART’s 341 Dual Channel 15 band 2/3 octave graphic equalizer features: constant Q circuitry with a 3% center frequency accuracy, 20mm center detent sliders, selectable boost/cut range of
CROSSOVERS 310 2-WAY / 3-WAY CROSSOVER ART’s 310 Precision Stereo 2-Way/ Mono 3-Way Crossover is a perfect addition to any sound reinforcement system. Designed for PA and fixed-installation applications, the model 310 may be used as a stereo 2-Way crossover network or as a mono 3-Way crossover network. The model 310 employs 24dB/ octave state-variable, fourth-order, Linkwitz-Riley filters.
POWER AMPLIFIERS SLA-4 4 CHANNEL STUDIO LINEAR AMPLIFIER Offering superb sound quality, the ART SLA-4 studio linear power amplifier delivers the clean power you need for any professional audio application including project or professional studio environments or commercial sound installations. decouples RF from the output and helps keep the amplifier stable with reactive loads.
SLA-1 100 WATT STUDIO LINEAR AMPLIFIER The SLA-1 Studio Linear Amplifier is a robust yet compact power amplifier designed for studio or even select live applications. It has been designed and engineered to provide clean, quiet power and excellent sound with ultra-low noise and distortion. Rated at 100 watts rms/channel @ 8 ohms (130 watts rms/channel @ 4ohms), with a frequency response from 10 Hz to 40 kHz the SLA-1 is perfect for professional, project and home studios.
AUDIO UTILITIES The MX225 is designed for remote volume control of multiple amplifiers or powered speakers in a distributed audio system. Two stereo sources are available to each of five output zones. Each source input pair handles separate left and right balanced line level signals. Each output zone features independent level control from inputs 1 and 2, stereo/mono selector with mono indicator, LED level metering, and left and right balanced line level zone outputs.
The ART MX821 is a versatile rack mount mixer combining eight independent input channels into a single mono line level mixed output. Essential features include: XLR microphone and 1/4-inch line inputs, individual level and tone controls, switch-selectable +48 Volt phantom power on each channel. Main output is balanced low impedance. An additional pre-fade output and auxiliary buss input jacks allow patching multiple MX821’s together when more channels are needed.
AUDIO UTILITIES S8 EIGHT CHANNEL MICROPHONE SPLITTER The ART S8 can be used to split eight balanced low impedance microphone signals into sixteen balanced low impedance microphone signals (eight pairs). FEATURES ▲ High-quality, Passive Audio Interface ▲ 8 High Performance Transformers Each channel of the S8 provides one direct output and one transformer isolated output from a single microphone.
POWER REGULATOR The PR8 PRO regulates incoming AC line voltages to deliver clean and stable power to your system for optimum operation and longer life. fast acting breaker, protect your system while the front panel LCD display gives you a constant read of the input and output line voltages. Output voltage at any of the 8 rear AC outlets is maintained within 5 Volts of 117 Volts even as the incoming AC line varies from 97 to 137 Volts.
POWER CONDITIONERS PB4X4 / SP4X4 / PS4X4 POWER CONDITIONERS * SP4x4 adds pull out lamps and voltage monitor. PS4x4 adds load current monitor to the features of the SP4x4. ART 4x4 Series Power Distribution Systems feature a unique "4x4" AC jack layout on the back of the unit where four of the eight rear outputs are set 1.25 inches apart, allowing the user to plug in wide power cables and multiple wall wart devices.
PB4X4PRO / SP4X4PRO / PS4X4PRO ART 4x4 PRO SERIES power distribution systems are durably constructed, reliable rackmount power conditioners for use in any live PA, studio and installation applications. All PRO SERIES models have internal discrete APF™ (Advanced Power Filtering) modules that filter out digital and dimmer hash as well as any high frequency noise present in the AC source.
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TABLE OF CONTENTS TM ARTcessories are taking the audio world by storm and quickly becoming a popular brand with musicians, DJs and studio engineers everywhere around the World. Split, combine, mix, power... you name it. On stage, in the studio, in your living room, they’re easy to use and are built to last. For those times when you need a little box to fix a big need or to make more out of a smaller project, ARTcessories have you covered.
TURNTABLE PREAMPS Audiophile Computer Interface V.2 ARTcessories™ USB Phono Plus V2 a high quality USB audio interface with a standalone Phono preamplifier. The USB Phono Plus V2, acts as an interface between your computer and a wide variety of analog and digital sources. The analog inputs are switchable between Phono and Line level signals and a low cut filter removes rumble and wind noise while leaving the audio pristine.
DIRECT BOXES Professional Active Direct Box The Xdirect is a high quality active interface that allows you to connect your instrument, line, or even speaker level audio signals to any balanced input. The high impedance single-ended 1/4-inch or XLR inputs are buffered and converted by a very low noise active circuit before being sent to an isolated balanced low impedance output.
DIRECT BOXES Multi-Input Audio/Video Direct Box The AV Direct is the ideal input solution for any application where stereo MP3 players, Laptop computers, consumer DVD players, consumer HiFi equipment or video machines have to be connected to a single XLR microphone level input.
SPLITTER BOXES SPLITComPro Microphone Splitter / Combiner The ARTcessories SPLITComPro is an ideal audio utility to use in an application where you need to split a low impedance microphone signal to feed two separate mixers, or where it’s necessary to combine balanced low impedance microphone signals from two microphones into a single channel input. AS A SPLITTER: The SPLITComPro provides one direct-coupled output and one isolated output from a single microphone.
HEADPHONE AMPS The ARTcessories HeadAmp4 is a simple, cost effective solution for any studio requiring up to four additional channels of headphone amplification, each with individual volume control. Ideal for virtually any home or project studio, the HeadAmp4 easily adds additional headphone outputs to any mixer, computer audio interface, workstation, iPod, media player or laptop without creating any additional load on the existing headphone source.
HEADPHONE AMPS The HeadTAP is simply designed to connect headphones to a speaker line or signal source and uses the speaker line signal to supply power so no batteries are required. With the HeadTAP you also have the option of connecting many boxes in series via the 1/4-inch mono/stereo loop jacks. Connect up to two sets of headphones and adjust volume with a single control. Sometimes floor monitors are a problem.
MICRO MIXERS Passive Four Channel Stereo / Mono Mixer / Splitter The SPLITMix4 is a fully passive hybrid mixer that offers a wide variety of configurations. Mix 4 stereo input channels down to 1 stereo output, split a stereo input signal to distribute 4 stereo output channels, or combine the configurations for a wide range of applications. You can even configure the SPLITMix4 as 4 stereo input channels thru 4 independent level attenuators to 4 stereo output channels.
ProMIX Three Channel Microphone Mixer Problem: You need to add 3 mics to a mixer, which only has one available channel. Solution: Insert a ProMIX between the mics and the mixer. Each microphone channel on the ProMIX has both phantom power and low-frequency cut selectable via DIP switches plus a level control. The balanced XLR line output can be connected to a microphone input on the mixer and headphones or a powered monitor can be connected to the Phone/Aux output.
PHANTOM POWER Phantom I 48V Phantom Power Supply The Phantom I is an excellent phantom power source for any high quality condenser microphone. Designed to deliver clean power without coloring the signal path, the Phantom I is remarkably clean and quiet. Ideal for use with any microphone requiring 9 to 48 volts, the Phantom I comes with its own power supply and is suggested for use in any application where clean, regulated phantom power is required for optimum microphone response.
UTILITIES CleanBOX II Passive Hum Eliminator One of the most frustrating problems in a complex audio system is the dreaded ground or 60-cycle hum. Typically, these loops are created when one or more units are connected together, each with its own ground plane.
Type Capsule Polar Pattern Frequency Response MAX SPL Low Frequency Roll-Off Pre-attenuation Pad Switches S/N Ratio Sensitivity Impedance Recommended Load Impedance Power Requirement Dimensions (in) Dimensions (mm) Weight (oz/g) Type Capsule Polar Pattern Frequency Response Max SPL Sensitivity S/N Ratio Impedance Equivalent Noise Level Power Requirement Dimensions (in) Dimensions (mm) Weight M-One M-Two M-Three Cardioid Condenser 32mm Diaphragm Side Address Cardioid 20 Hz to 20 kHz 135dB Wide Diaphrag
TUBEPAC Pro Channel Maximum Gain Dynamic Range Frequency Response Low-Cut Filter Input/Output Connections Insert Connections Input Impedance Output Impedance Maximum Input Level Maximum Output Level Equivalent Input Noise Phantom Power THD Compression Ratio Attack Time Attack Time Release Time: Maximum Compression: Boost and Cut/Freq.
PRO VLA II Input Connections Output Connection Input Impedance Maximum Levels Range Switch Inputs Output Output Gain Frequency Response Dynamic Range THD @ 0dB out EIN Attack Time Release Time Slope Maximum Attenuation Power: Dimensions HxWxD (in) Dimensions HxWxD (mm) Weight: (lb/kg) TPSII XLR-F (balanced) (x2) 1/4-inch TRS unbalanced (x2) XLR-M balanced (x2) 1/4-inch TRS unbalanced (x2) Balanced/Unbalanced 10 kohms +4dBu/-10dBV selectable +20dBu (in +4dBu mode) / +10dBV (in –10dBV mode) +20dBu (R load >
TubeMP TubeMP USB PROJECT SERIES Input Connections Output Connection Frequency Response Dynamic Range Tube Type THD CMRR EIN Maximum Input Level Maximum Output Level USB Connection Maximum Gain Input Gain Pad XLR Input Impedance Low Cut Filter Output Phase Output Limiter Type Phantom Power Signal Metering Chassis Type Power Requirements Dimensions HxWxD (in) Dimensions HxWxD (mm) Weight (lb/kg) PROJECT SERIES XLR-F (balanced) 1/4-inch TRS unbalanced XLR-M balanced, (<300 Ohm) 1/4-inch TRS unbalanced (60
HQ-231 XL231 Input Connections Input Impedance Input Maximum Level Output Connection Bands Type/Accuracy Slide Potentiometers Range Overall Gain Range Impedance Maximum Level RFI Input Filters Bypass Switching Clip LED Threshold High Pass Filter High Trim Low Trim Frequency Response THD+Noise IM Distortion (SMPTE) Signal to Noise Ratio Headroom Dynamic Range Channel Separation Common Mode Rejection Line Voltage Input AC Power Construction Dimensions HxWxD (in) Dimensions HxWxD (mm) Weight (lb/kg) XLR-F ba
310 311 Input Connections Output Connections Frequency Response X-over Frequency Ranges X-over Frequency Ranges X-over Filters XLR, 1/4-inch TRS balanced (x2) XLR, 1/4-inch TRS balanced (x4) 10 Hz to 20 kHz, +0/-1.5dB x1 80 Hz to 920 Hz x10 800 Hz to 9.2 kHz Fourth-order Linkwitz-Riley XLR, 1/4-inch TRS balanced (x2) 1/4-inch unbalanced (x5) 10 Hz to 40 kHz, +/–.
MX622 MX225 Input Connectors Output Connectors Input Impedance Maximum Input level Output Level Output Impedance Maximum Gain Signal-to-Noise THD Dimensions HxWxD (in) Dimensions HxWxD (mm) Weight (lb/kg) XLR-F balanced (x4) XLR-M balanced (x10) 47 kohms +20dBu balanced +24dBu balanced 200 ohms +6dB >90dB typical .05% Typical 1.75 x 19.0 x 7.25 44.5 x 483 x 184 5.34 / 2.
PS8 Pro PR8 Pro Power Capacity Circuit Breaker Power Outlets Other Features Power Capacity Circuit Breaker Power Outlets Other Features 1800 Watts 15 Amps Rear (x 8) Front (x 1) 8 individually Sequenced Outputs w/ Adjustable Sequence Delay (.
USB Phono Plus DjPRE II Frequency Response THD Hum and Noise Input Impedance Maximum Input Level Maximum Gain Analog Output Connections Frequency Response THD Hum and Noise (S/N) Input Impedance Maximum Input Level Maximum Gain Input / Output Connections Maximum Output Level Filter Type/Response Power Requirements Dimensions HxWxD (in) Dimensions HxWxD (mm) Weight (lbs/kg) Maximum Output Level Filter Type/Response A/D & D/A Digital Audio Interface Computer Interface Power Requirements Dimensions HxWxD (
SPLITComPro Frequency Response Total Harmonic Distortion Phase Shift Typical Driving Source Impedance Typical Output Load Impedance Dimensions HxWxD (in) Dimensions HxWxD (mm) Weight (lbs/kg) PROSplit 20 Hz to 150 kHz, ±0.2dB @ 0dBu Less than 0.0007% from 20 Hz to 20 kHz at 0dBu input Less than 10° at 20 to 150 kHz (ref. 1 kHz) 150 ohms 1 kohms 1.85 x 4.6 x 3.5 47 x 117 x 89 .75 / .
PowerMIX III ProMIX Input Impedance Output Impedance Max. Gain Max. Input Level Max. Output Level THD Power Dimensions HxWxD (in) Dimensions HxWxD (mm) Weight (lbs/kg) Phantom Power Low Cut Input and Output Impedance THD Max Output Level Max Input Level Clip Headroom Max Gain Power 10 kohms 100 ohms +27dB +30dB +13dB <0.005% 12V DC (adapter included) 1.75 x 5.75 x 4.4 44 x 146 x 112 2 / 0.9 Dimensions HxWxD (in) Dimensions HxWxD (mm) Weight (lbs/kg) Phantom I MacroMIX Input Impedance Ch.
CoolSWITCH CleanBoxPro Frequency Response Total Harmonic Distortion Signal to Noise Ratio Common Mode Rejection Ratio Input Impedance Output Impedance Maximum Gain Maximum Input Level Maximum Output Level Power Dimensions HxWxD (in) Dimensions HxWxD (mm) Weight (lbs/kg) 20 Hz – 20 kHz, ± 1dB < .01% @ 1 kHz > 90dB > 40dB Balanced - 20 kohms Unbalanced - 100 kohms Balanced: 100 ohms Unbalanced: 300 ohms Balanced to Unbalanced: -6dB Unbalanced to Balanced: +21dB +21dBu Balanced: +21dBu Unbalanced: +15dBu 7.
ARTCAT10 ART is a company comprised of musicians, engineers and recording enthusiasts. Since its inception in 1984, we have been striving to redefine the performance versus price barrier with a series of innovative new audio products designed with the needs of the musician in mind.
