USER’S MANUAL
PROGRAMMING : Robert Bocquier (version 2.
Thank you for purchasing Arturia’s Analog Factory 2.5 / Analog Experience “The Factory”! This manual concerns two distinctive products: Analog Factory 2.5, a software allowing to play and modify 3500 synthesizer sounds. Analog Experience “The Factory”, a bundle of Analog Factory 2.5 along with a dedicated control keyboard, the Analog Factory Keyboard. In this package you will find: A CD-ROM containing the Analog Factory 2.
Special Message Section The MIDI keyboard uses USB or an external power adapter. Do not connect this product with any power supply or adapter than the one described on this manual specifically recommended by Arturia. (See Power supply for more details) WARNING: Do not place this product in a place or position where one might walk on, trip over or roll anything over power or connecting cords.
4. Do not use the instrument near water or moisture, such as a bathtub, sink, swimming pool or similar place. 5. Do not place the instrument in an unstable position where it might accidentally fall over. 6. Do not place heavy objects on the instrument. Do not block openings or vents of the instrument; these locations are used for air circulation to prevent the instrument from overheating. Do not place the instrument near heat vent or any place of poor air circulation. 7.
Table of Contents 1 INTRODUCTION ...............................................................................................................................................8 1.1 HISTORY .........................................................................................................................................................8 1.2 HERE AND NOW ..............................................................................................................................................9 1.
6.1 FRONT PANEL OVERVIEW .............................................................................................................................42 6.1.1 The keyboard .......................................................................................................................................43 6.1.2 Shift button...........................................................................................................................................43 6.1.3 Level/search rotary encoder ........
1 INTRODUCTION 1.1 History In early 2001, Arturia began working on advanced algorithms for the digital emulation of analog circuit audio characteristics. They are known as TAE®, standing for True Analog Emulation. In non-technical language, this is an unprecedented way of creating the very unique sound one finds in a synthesizer such as the Moog Modular. Nearly a year after they began work on the algorithms, Arturia was ready for feedback.
Other artists that have used The Jupiter-8 include: Howard Jones, Tangerine Dream, Underworld, Jean Michel Jarre, Depeche Mode, Prince, Gary Wright, Adrian Lee, Heaven 17, Kitaro, Elvis Costello, Tears for Fears, Huey Lewis and the News, Journey, Moog Cookbook, Yes, Devo, Freddy Fresh, Simple Minds, Jan Hammer and BT. 1.2 Here and Now Analog Factory 2.5 brings you the full spectrum of sounds from all of the above instruments in an easy to use, no-hassle interface.
Linear frequency spectrum of the Analog Factory 2.5 oscillator made with TAE® 1.3.2 A better reproduction of analog oscillator waveforms The waveforms produced by the oscillators in analog synthesizers are marked by the presence of a capacitor in the circuits. The discharge of the capacitor results in a light bend in the original waveform (notably for saw tooth, triangular and square waveforms). TAE® reproduces the result of this capacitor discharge in software.
Temporal representation of a “saw tooth” waveform reproduced by TAE® What’s more, the hardware analog oscillators were unstable. In fact, their waveform varies slightly from one period to another. If we add to this the fact that the starting point for each period (in Trigger mode) can vary with the temperature and other environmental conditions, we see why vintage synthesizers have such a typical sound. TAE® reproduces the instability of oscillators, bringing a fatter and “bigger” sound. 1.3.
Comparison of harmonics generated by the filter circuits in self oscillation of Analog Factory 2.5 and a hardware synthesizer 12 ARTURIA – Analog Factory EXPERIENCE 2.
2 2.1 INSTALLATION Windows installation (XP/VISTA/7) Insert the CD-ROM into the drive. Explore the contents of the CD-ROM, double click on the icon named Analog Factory 2.5 Setup.exe. At the first step of the installation, choose the destination folder for the Analog Factory 2.5 installation. By default, it will be installed in this location: C:\Program Files\Arturia\Analog Factory 2.5 You can change the destination with the Browse button. If you own a previous version, this version will be overwritten.
Choice of protocols For the VST protocol, you must choose an installation folder in order for the host application to use Analog Factory 2.5 as a plug-in. If you do not know how to make this choice, go to Chapter 8. 14 ARTURIA – Analog Factory EXPERIENCE 2.
Choice of VST plug-in installation folder The installation program now has enough information to complete the installation. When the installation process is completed, please proceed to authorization step (Chapter 3). 2.2 MAC OS X installation Insert the CD-ROM into the drive. Explore the content of the CD-ROM, then double-click on the icon named Analog Factory 2.5 Setup Mac. Follow these steps: • read and accept the End User License Agreement, • select a destination.
Authentication window Analog Factory 2.5 will next be installed as a standalone application, but also as VST, AU and RTAS plug-ins. The installation program now has enough information to complete the installation. When the installation process is completed, please proceed to authorization step (Chapter 3). 16 ARTURIA – Analog Factory EXPERIENCE 2.
3 AUTHORIZATION Now that your Analog Factory 2.5 has been installed, you have to authorize the synthesizer. This doesn’t apply to owners of the previous 1.x version, who may use the software right away using their USBeLicenser hardware dongle. Contrary to 1.x versions that used the USB-eLicenser protection scheme, Analog Factory 2.x uses the “Soft-eLicenser” virtual dongle solution by default.
This will take you to this form: If you already have an account made, simply log in: Once you are logged into your account, you can register your Analog Factory 2.5 and request your activation code. Go to the “My Registered Products” section of your account and click on the “Add” button: 18 ARTURIA – Analog Factory EXPERIENCE 2.
In the form that appears, select “Analog Factory” from the drop down menu, and key in your synthesizer serial number and unlock code (as written on the registration card): You should then see the confirmation screen: ARTURIA – Analog Factory EXPERIENCE 2.
And finally there is a screen from which you can copy the eLicenser activation code. The very same information is sent to you by email as a backup. Now that you have retrieved the activation code, launch the eLicenser Control Center. This application has been automatically installed on your computer along the Analog Factory 2.
The eLicenser Control Center main window, showing an empty Soft-eLicenser In the eLicenser Control Center menu, click on the “Enter Activation Code” button, and enter the code when prompted. Simply paste in the 32-digit code you’ve just copied from your account on the ARTURIA website: Analog Factory 2.0 Enter the activation code ARTURIA – Analog Factory EXPERIENCE 2.
The eLicenser Control Center is now ready to download the software license that will allow you to use Analog Factory 2.5. Click on Start, the progress bar should advance until downloading is complete. A popup window will confirm completion, just click “Close”. Now the main eLicenser Control Center window should show your Analog Factory 2.5 license installed and activated. Analog Factory 2.0 License is installed and activated It’s now time to launch Analog Factory 2.5.
4 USING ANALOG FACTORY 2.5 4.1 Preferences The “Preferences” window Preferences are set by clicking on the Analog Factory 2.5 logo on the virtual keyboard. The following options are available: LCD COLOR This function offers a choice between several available colors/combinations on the Preset Manager screen. SHOW ANIMATION Choose to activate or deactivate the animation (keyboard and Preset Manager folding).
4.2 Tool Bar Tool Bar The tool bar consists of a set of essential icons, organized from left to right, allowing the user to see or have access to: PRESET NAME INSTRUMENT TYPE Name of the current preset, name of the Instrument, and the Type of instrument. SAVE AS Saving Presets (sound programming). This function allows the user to save a preset which has been modified, including giving it a new name. This new preset will be a USER Preset and not a FACTORY Preset (which cannot be modified).
MIDI CH. This drop-down menu offers the channel choice from which Analog Factory receives MIDI information. Default is OMNI (responds to data on all MIDI channels). TUNE General settings for the tuning of Analog Factory. This allows the user to finely tune the global tuning of the instrument. VIEW Choose the view of the interface. The selection buttons offer the choice to View all of Analog Factory, only the Preset manager, or only the Keyboard. 4.
• Prophet VS • Jupiter-8V If, for example, one clicks on CS-80 V, the Preset Manager will provide a list of presets uniquely from the CS-80 V. But one can also chose to browse for more than one Instrument; that means the user can look for sounds from CS-80 V and ARP 2600 V at the same time by selecting both instruments in the “Instrument” frame. When no Instruments are selected for preset filtering, then the Manager will either automatically list all presets or list presets based on other filters.
4.3.3 Characteristics To further filter choices, there is a third filter offered. “Characteristics” allows the user to choose presets according to a mood or ambiance.
4.3.5 Filter Options Above the filters are three buttons: Reset, Favorites, and User. These buttons function as follows: RESET Removes any filters that the user may have applied to the presets so that a new search may be started. FAVORITES Presents only the favorites that the user has checked in the favorites list (see 3.2.7). When the favorites Filter Option is selected, then the filters (Instrument, Type, and Characteristics) will be applied only to the list of favorites.
EDIT If the selected preset is a USER Preset, it is possible to edit its information. By clicking on this option, a window similar to that of the Save As function appears. It is possible to change the Preset Name, Type (Bass, Brass, Pad, Lead, etc …) and the Characteristics (one must simply click in the boxes corresponding to the 18 possible options: Bright, Dark, Aggressive, Quiet, Hard, Soft, etc.). EDIT Preset window 4.3.
FAVORITES (FAV) Allows the user to classify presets according to usage or general preference as one does in popular media players. Simply check one’s Favorite presets and access them by clicking the title bar at the top of the column. One may also easily access the Favorites with the Favorites Filter Option. 4.4 Keyboard View The Keyboard view of Analog Factory 2.
Wheels PITCH WHEEL MOD Wheel controlling the pitch of the sound. When pushed in the up direction, the sound “bends” and becomes higher in tune. When pushed in the Down direction, the sound “bends” and becomes lower in tune. Wheel controlling modulation (MIDI controller #1) The modulation wheel is not necessarily connected on every preset! It will depend on the preset being used. 4.4.
RATE AMOUNT Sets the LFO rate/speed Sets the amount of LFO modulation 4.4.5 Key parameters The key parameters section will prove to be particularly useful. This section is found in the middle of the Keyboard View and labeled with the aforementioned name (Key Parameters). Key parameters Each preset offers the four most pertinent parameters unique to that preset. Our sound designers have taken the greatest care to assign parameters that will enrich and give depth to the sound of each preset.
4.4.7 ADSR faders The “ADSR” envelope is composed of four successive sequential periods in the life of a note: Attack time, Decay time, Sustain time, and the Release time. ATTACK Begins when a note is activated. The Attack time may be short and dry (as in percussion) or long and ascending (as with a pad sound) DECAY Follows the Attack. The Decay is a period in which the amplitude of the sound is reduced to the sustain level.
need at the touch of a button on a MIDI interface during a live session without referencing the computer screen. It can also be useful for comparing modifications to sound in order to choose which fits best into a musical production. For example one could store 8 different states of the same preset: first state or original, second with the Cutoff applied, third state using the delay, etc. To take a snapshot: Simply [Shift]+click ( currently being used.
5 MODES OF OPERATION 5.1 Standalone and MIDI configuration The stand-alone application allows the use of Analog Factory 2.5 outside of any host application. You can open the instrument from its location in the start menu or on your desktop, and play directly with the help of a master MIDI keyboard or external sequencer on a separate computer. 5.1.1 Launching the standalone application To launch the Stand-alone application on your PC, go into the Start menu > Programs > Arturia > Analog Factory 2.
audio device Select the driver corresponding to the sound menu that you wish to use. sample rate Choose the sampling frequency among those proposed by your sound menu. Note that higher sampling frequency rate settings will demand increased processor performance from your computer. audio buffer size Configure the optimal audio latency as it relates to performance of your sound card.
Using Analog Factory in Cubase SX3 5.2.2.1 Connection to a MIDI track In order for Analog Factory 2.5 to play information coming from a MIDI track, you have to choose a MIDI track and select Analog Factory as MIDI output of this track. See the picture below for more detail on how this is accomplished.
5.2.2.3 Automation The automation works the same with Analog Factory as with any VST plug-in (for more detail about automation, refer to the VST sequencer documentation). 5.3 Audio Unit (Mac OS X only) 5.3.1 Installation The Audio Unit plug-in is automatically installed in the folder reserved for this purpose, in /Library/Audio/Plug-Ins/Components/. 5.3.2 Use in Logic Pro Select an instrument track.
This Manager allows us to see the list of the available plug-ins, to test their compatibility with Logic, and to activate or de-activate them. If it happens that one of the Arturia plug-ins poses a problem in Logic, start by checking that this plug-in has passed the compatibility test, and that it is actually selected for use. 5.3.3 Use in Digital Performer To add an instrument, choose the menu Project > Add Track > Instrument Track > Analog Factory.
Opening Analog Factory 2.5 in Pro Tools Analog Factory must be loaded on an audio stereo track. We can now make Analog Factory 2.5 sounds by playing with the mouse on the virtual keyboard. 5.4.2.2 Connection to a MIDI channel So that Analog Factory 2.5 can play the information coming from a MIDI track, you have to associate it to a MIDI channel via the appropriate menu. (See the Pro Tools menu for more information on plug-in connection). Connecting a MIDI track to Analog Factory 5.4.2.
5.4.2.4 Automation under Pro Tools The automation functions with Analog Factory like with all RTAS/HTDM plug-ins (make reference to the Pro Tools documentation for more details on the plug-in automations). ARTURIA – Analog Factory EXPERIENCE 2.
6 ANALOG FACTORY KEYBOARD (ANALOG EXPERIENCE “THE FACTORY” ONLY) 6.1 Front panel overview The Analog Factory Keyboard is a 32 key velocity sensitive keyboard including a control surface that is identical to the Analog Factory 2.5 software interface.
6.1.1 The keyboard The Analog Factory Keyboard is a 32-key velocity sensitive keyboard controller, with channel aftertouch. 6.1.2 Shift button The Shift button can set the Analog Factory Keyboard in ‘Shift’ mode. When the button is pushed it will call a secondary function you can’t get in the initial mode. This button lights up when the ‘Shift’ mode is activated.
Octave +1 : led+ blinks at speed 1, led- does not blink Octave +2 : led+ blinks at speed 2, led- does not blink Octave +3 : led+ blinks at speed 3, led- does not blink When the ‘Shift’ mode is enabled, these two buttons function as “Preset up/down” buttons for convenient browsing through the huge library of presets Analog Factory has to offer. 6.1.5 Snapshot/save buttons The snapshot/save button enables one to recall or save a snapshot. It works in combination with the Shift button.
6.3 Aftertouch This keyboard can transmit channel aftertouch (that is a pressure value common to all pressed keys). Aftertouch (AT) can be calibrated to your liking this way: 1. Turn power off, press both “Shift” button and the push button on the left most knob, then turn power on 2. The keyboard enters the after touch calibration mode. LEDs will light up, showing the current configuration. The 11 leds from all buttons are used in this mode.
6.4.2 LFO setting rotary encoders There are two rotary encoders available to alter the LFO settings of the selected preset. These two encoders are “Rate” and “Amount”. 6.4.3 Key Parameter rotary encoders There are four ‘Key Parameter’ rotary encoders available on the Analog Factory keyboard. Tweaking these parameters can alter the sound of the preset in various ways. Which parameters are affected depends on the selected preset. 6.4.
The DC adapter is not included on the Analog Experience pack. Before connecting an external DC adapter, make sure you are connecting a compatible adapter. See the technical specifications for compatibility details! It is not necessary to install the driver for the Analog Factory Keyboard in order to get it to function with your computer. Analog Experience “The Factory” is “plug and play” compatible. The driver is automatically installed when you install Analog Experience “The Factory”. 6.5.
7 MIDI IMPLEMENTATION (ANALOG EXPERIENCE “THE FACTORY” ONLY) 7.1 Using the keyboard Your Analog Factory Keyboard can be used independently of Analog Factory 2.5. It can be used as a standard MIDI controller. The following information allows you to benefit from your MIDI keyboard, and to help you use it with other software or instruments. 7.
7.3 MIDI implementation chart Arturia Analog Experience “The Factory” USB MIDI Master Keyboard. Model : AFE32 Version : 1.
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8 MIDI CONTROL CENTER (ANALOG EXPERIENCE “THE FACTORY” ONLY) The MIDI Control Center is a separate utility that can be used to configure the MIDI settings of your Analog Experience keyboard. This utility can be found in the same folder as Analog Experience 2.5. 8.1 Launching the MIDI Control Center Before launching the MIDI Control Center, ensure that your Arturia Analog Experience keyboard is connected to your computer.
8.2 Changing MIDI settings 8.2.1 Global settings The settings that can be set globally (i.e. for the entire keyboard) are: MIDI CHANNEL KNOB MODE MIDI channel that the keyboard will use to send all MIDI events. Absolute: default mode for Analog Factory. Knobs send absolute values. Relative: knobs send 63 and below for negative values, 65 and above for positive values.
8.2.3 Saving settings to the keyboard Changes done in the utility are not saved to the keyboard until you press the “Send to Keyboard” button. When you are ready to save the entire configuration, press “Send to Keyboard”. 54 ARTURIA – Analog Factory EXPERIENCE 2.
9 9.1 ARTURIA ANALOG FACTORY 2.5 – LEGAL INFORMATION Software License Agreement In consideration of payment of the Licensee fee, which is a portion of the price you paid, Arturia, as Licensor, grants to you (hereinafter termed “Licensee”) a nonexclusive right to use this copy of the Analog Factory program (hereinafter the “SOFTWARE”). All intellectual property rights in the software belong to Arturia SA (hereinafter: “Arturia”).
• You are entitled to prepare a backup copy of the software which will not be used for purposes other than storage purposes. • You shall have no further right or interest to use the software other than the limited rights as specified in this Agreement. Arturia reserves all rights not expressly granted. 3. Activation of the Software • Arturia may use a compulsory activation of the software and a compulsory registration of the OEM software for license control to protect the software against unlawful copying.
• The reinstallation of the software - on the same or another computer - is permitted only in case the already installed software cannot be used any more (e.g. following deinstallation). If the software does not use an eLicenser dongle, the new activation codes may be obtained from the user’s online account for support created during the personal product registration.
• A return of the product due to a failure to accept the terms and conditions of this Agreement, e.g. the product activation, shall not be possible following the assignment of rights. 9. Upgrades and Updates • You must have a valid license for the previous or more inferior version of the software in order to be allowed to use an upgrade or update for the software.
even if Arturia was previously advised of the possibility of such damages. Some states do not allow limitations on the length of an implied warranty or the exclusion or limitation of incidental or consequential damages, so the above limitation or exclusions may not apply to you. This warranty gives you specific legal rights, and you may also have other rights which vary from state to state. 9.
9.4 EUROPE This product complies with the requirements of European Directive 89/336/EEC 60 ARTURIA – Analog Factory EXPERIENCE 2.
