User's Manual

8.4.4.4. Flanger
Flanging works by mixing two nearly-identical signals together, with one signal delayed by
a small and gradually changing period. This produces a swept “comb filter” effect as the
delayed signal adds and subtracts from the original due to phase cancellation at multiple
frequencies simultaneously.
Control Description
Stereo Switches the flanger output between mono and stereo.
LP Freq
Low Pass Filter, range 1 kHz to 20 kHz. Use this to reduce the range of high-frequency content
that will enter the flanger effect. Double-click to set to the default of 13 kHz.
HP Freq
High Pass Filter, range 30 Hz to 800 Hz. This rolls off low-frequency content that the flanger
effect will receive. Double-click to set to the default of 100 Hz.
Shape Toggles the modulation LFO between sine and triangle waveforms.
Polarity Changes flanger feedback to subtractive (negative) rather than additive.
Feedback
Adds feedback for a harsher or "ringing" sound, similar to a resonant filter. Maximum is 99% to
avoid runaway feedback.
Min Delay
Sets the base delay frequency, which changes the spacing and frequency of the resulting comb
filter.
Depth
Sets the range of delay time that will be scanned around the base frequency. When Depth is 0,
the comb filter stays at a fixed position set by the Min Delay control.
Frequency
Controls the sweep speed of the flange effect from 0.010 to 10 Hz. Appears as a Mod
Destination in the Advanced Modulations window and Mod Sequencer.
Dry/Wet
Controls the balance between the input signal and the effected signal. Note: flanging
characteristics are strongest when there is a mix of dry and wet signals.
67 Arturia - User Manual Jup-8 V4 - Advanced Panel