User Manual

19
VOICE button
This Access button takes you into a set of
patch-level features like Pitch bend range,
Vibrato settings, Mono/Poly/Unison voice
modes, and the Glide settings. This is also
where the Scale is dened for the keyboard
and pads.
Perhaps more subtle but equally important,
the Voice module is also home to the Analog
Feel and Random Phase settings. These can
really bring a patch to life.
See the Modules chapter for specics about
the Voice module (p. 31).
PAGE Up / Down buttons
These two buttons are lit if the selected
module has more than one page. If one of
those buttons is lit that means there are
pages available in that direction. If both are lit
then pages are available in both directions. If
neither is lit, there are no additional pages to
select.
Access buttons can be used to ip between
pages too, which works great if there are only a
few pages. But if the module has a lot of pages
and the parameter you want is more than a few
pages away, hold [SHIFT] and press one of the
lit arrows to jump to the rst or last page. Then
use the Page Up/Down buttons to reach the
desired page.
MACRO ASSIGN button
This Access button opens a page that is
like a hallway with eight doors, and behind
each one is a lab that makes a powerful
performance control called a Macro. You can
dene up to eight modulation routes for each
Macro, and then use the Control knobs and
Control buttons to manipulate the Macros
from the Home page. Each patch has its own
set of 8 Macros.
To learn more about what’s on the other side
of those doors, see the chapter Mastering the
Macros (p. 74).
MOD MATRIX button
The Mod Matrix button reveals a digital patch
bay that provides up to 32 sets of modulation
routes per patch. These are in addition to the
Macros, although they can be controlled by
them (and vice versa).
• Potential sources for the modulation
routes include LFOs, Envelopes, Velocity,
the Expression pedal, either of the CV
inputs (Mod 1 and Mod 2), and any MIDI CC
# (Continuous Control number).
• Destinations can be almost any Hydrasynth
parameter, including any Mod Matrix route.
Additional destinations include the Macros,
the Mod 1 and Mod 2 CV outputs, and any
MIDI CC #.
There’s a lot to say about this topic, so you’ll
want to read The Mod Matrix (p. 78).
CV/Gate Section
11
4
These seven connectors allow the Hydrasynth
to interface with the wild and wonderful world
of modular synthesizers. There are ve outputs
(Pitch, Gate, Mod 1, Mod 2, and Clock) and two
inputs (Mod 1 and Mod 2).
The outputs send voltages and signals that
can control external devices, and the inputs
receive voltages that allow external devices to
control parameters inside the Hydrasynth.
The range of each voltage and what type of
sig nals are sent are dened in The System Setup
Pages (p. 89), and information about how to
use them is in The CV / Gate Section (p. 82).