User Guide
Table Of Contents
- Contents
 - 1 Introduction
 - 2 Songs
 - 3 Transport
 - 4 Recording
 - 5 Playback and Mixing
 - 6 Mastering and Mixdown
 - 7 Effects 
- 7.1 Automated Fader
 - 7.2 Band Effect
 - 7.3 Chorus
 - 7.4 Compressor
 - 7.5 Convolutor
 - 7.6 Deesser
 - 7.7 Doubler
 - 7.8 Dynamics
 - 7.9 Echo
 - 7.10 EQ
 - 7.11 Exciter
 - 7.12 Flanger
 - 7.13 Guitar Amp
 - 7.14 Master Limiter
 - 7.15 Multi Effect
 - 7.16 Noisegate
 - 7.17 Parallel Effect
 - 7.18 Phase Inverter
 - 7.19 Phaser
 - 7.20 Pseudo Stereo
 - 7.21 Reverb
 - 7.22 Rotor
 - 7.23 Saturation
 - 7.24 Stereo Effect
 - 7.25 Tremolo
 - 7.26 Tuner
 - 7.27 Vibrato
 - 7.28 VST Plugins
 - 7.29 DX Plugins
 - 7.30 External Sidechain Routing
 
 - 8 MIDI Instruments
 - 9 Automation
 - 10 Editing 
- 10.1 Editing Tracks
 - 10.2 Editing Audio Tracks
 - 10.3 Vocal Pitch Correction
 - 10.4 Editing MIDI Tracks
 - 10.5 Editing Notes
 - 10.6 Pianoroll Editor
 - 10.7 Notation Editor
 - 10.8 Drum Editor
 - 10.9 Controller Editor
 - 10.10 MIDI Pattern Editing
 - 10.11 Tempo/Time Signature Editing
 - 10.12 Song Editor
 - 10.13 Multi MIDI Editor
 - 10.14 Multitrack Editing
 - 10.15 Chords and Lyrics
 
 - 11 Devices
 - 12 Control Surfaces
 - 13 Audio and MIDI Files
 - 14 Keyboard Shortcuts
 - 15 Touchscreens
 - 16 Preferences
 - 17 Tools
 - 18 Miscellaneous
 - 19 Requirements
 - 20 Troubleshooting
 

Audio Edit Control window 
Audio Edit Controls have the following features:  
l Volume fader: Changes the volume of the selected part. Note: In most cases it is better to use an 
Automated Fader effect to change volume levels of certain parts of a track, as this leaves the audio 
file untouched.  
l Fade: Performs a fade in or fade out on the selected part.  
l Reverse: Reverses the select part.  
l Transpose: Pitch shifts the audio signal by the specified amount of semitones and cents. This 
features is powered by DSP Dimension's Dirac Pro technology.  
Preserve Format corrects the formant to make the transposed signal sound like the original (ie. to 
avoid the 'chipmunk' effect).  
Two algorithms are available: Polyphonic and Monophonic. If the audio track is monophonic you 
can switch to Monophonic which is faster and offers better sound quality. The selected algorithm is 
used for stretching and warping as well.  
l Pitch correction: see Vocal Pitch Correction.  
l Normalize: Makes the selected part as loud as possible.  
l Effect Slots: The Effect Slots can contain effects such as EQ or reverb.  
Note: Normalizing a file introduces rounding errors and thus compromises sound quality, especially with 16 
bit files. Both normalizing individual tracks and normalizing the final mix are bad habits. The Master Limiter 
effect should be used to make the final mix as loud as possible. 
Dragging audio by a small amount  
For best results the Ctrl key can be pressed while dragging audio by a small amount. This is best explained 
using an example: 
Consider a word in a vocal track that's a bit too early. You can select the word (including some surrounding 
"studio silence") and drag it to the right. Now a piece of silence will appear on the left side of the selected 
part. This happens because the original word is removed. Better result may be obtained using the Ctrl key 
(to copy the piece instead of move it), so the original word will stay in place. The result is that the 
background noise that appears just before the word is repeated once. This usually is less objectionable 
than plain silence.  
Deleting audio  
A part of an audio track can be deleted using the track editor's Delete button. However, it can be more 
convenient to take advantage of the Tweakable Edit feature. After selecting the part you want to delete click 
the Edit button and drag the Volume fader all the way left and click Apply. Now the part is deleted, and you 
can fine-tune the edit by dragging and/or resizing the selected part. In critical cases, where the Delete 
function results in noticeable silence, you can consider pasting a recording of "studio silence" instead of 
using the Delete function.  
Sometimes you might want to truncate a file destructively (eg. a master file which appears to be a bit too 
long), rather than turning it into a .aem file. You can rightclick an audio track's editor and choose "Truncate 
File" to truncate the file at the mouse position. Note however that this is a destructive operation which 
cannot be undone. Use a track editor's Export function instead if you feel you don't fully understand this. 










