Manual

55
We believe that mono auxiliaries are related to the module’s input signal rather than
its output signal, therefore post-fader auxiliaries are derived pre the steer control
and
L or R or L+R selection.
Similarly, we believe that a stereo auxiliary is related to the module’s output; therefore
when (11) is selected the auxiliary signal is derived post the steer control. Selective
use of BAL (23) and STEER (24) allows different balances to be achieved on stereo
auxiliary and the module’s stereo output. (If the left input only, or the right input only -
or a mix of the two - is to be used, the question of a stereo auxiliary is unlikely to
arise.)
Only now has it to be decided the signal to be routed to the left and right mix busses.
L (12) enables the left-path signal to be panned (22) between the left and right mix
busses; R (13) enables the right-path signal to be panned between the left and right
mix busses; L+R enables a mix of the left and right paths to be panned similarly.
ST (14) overrides switches (12) and (13) and places the stereo signal from the module
on the left and right mix busses - bypassing the panpot. Switches (12), (13), (14)
also act as channel mutes.
MON (15) is identical with that in the microphone/line module except that a monitor 1
signal is only available if (12), (13) or (14) is selected.
PFL (16) - with its indicator LED (17) - routes a pre-fader STEREO signal to the
PFL mix busses.
Overload LEDs - L (18) red, and R (19) green - illuminate 3dB before clipping at the
input to the stereo fader.
The P&G stereo fader (28) is calibrated 10dB down from its fully open position
allowing the operator to work with 10dB of gain in reserve.
(When stereo modules are specified, connector 2 becomes a female XLR.)