7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
99
High Definition on the Timeline
Combining SD and HD Clips in the Same Sequence
As mentioned above, you can combine all possible formats and resolutions on the Timeline. Each time
you create a new Sequence, however, you define a specific output format for each Sequence so that a uni-
form master of the Timeline can be output. Clips that do not exactly match the defined output format are
converted to the master format. This includes
Frame rate (fps) -
This property is adapted automatically by duplicating or eliminating frames. One second is
always one second; each clip always retains its original length. The system initially tries to accom-
plish this by performing a realtime adaptation (also see “Different Timecode Systems” on page
87).
Interlaced/progressive -
Automatic adaptation to a uniform interlaced or progressive mode.
Aspect ratio -
This adaptation must be defined for each clip individually (or for several together) in the clip
Properties. According to the default setting, each clip initially retains its original aspect ratio.
Image resolution (size) -
Images that are too big or too small are initially centered in the Master Viewer inlay; clips that are
too big are partially trimmed and those that are too small are displayed with black bars of varying
widths. In order for these clips to fill the inlay, set the Scaling option in the clip Properties accord-
ingly.
An NTSC clip in an HDV 720p Sequence is initially displayed with a black border but can be
expanded to fill the window by changing the resolution to 1280 x 720 pixels. Note that this
“upgrade” from SD to HD will not improve image quality (sharpness or richness of detail).