7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
112
Chapter 6 Input
Basics
Logging and/or digitizing defines clip properties:
Æ “Logging” and “digitizing” page 112
Æ Clip-in/clip-out and mark-in/mark-out page 113
Æ Stereo or mono page 114
“Logging” and “Digitizing” (Capture)
Let’s begin by defining our terms:
“Logging” means viewing (and listening to) played A/V material, where clips can be defined by
means of their mark-in and mark-out. You can name and attach comments to these clips, store
them in Project Racks and, if desired, transfer them directly to the Timeline.
You can but do not necessarily have to digitize logged clips. You can make this decision later on.
“Digitizing” means transferring A/V data to the system’s A/V storage media so that it can be
played and edited in Avid Liquid. Since this term has come into common usage, it is also used
where there is no actual “digitizing” (conversion via codec) taking place but data is simply being
copied as when, for example, DV material is “digitized” (when it is transferred via i.Link/IEEE
1394). Another term for the very same process is “capture”.
Digitized clips are normally stored in Project Racks but can also be inserted directly on the Time-
line (see “Send Clips To Timeline (Direct Insert)” on page 141).