7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
128
Chapter 6 Input
Destination Volumes for Digitizing / Capture Volumes (K)
The two fields at the bottom right allow you to select the volumes (i.e. hard disk drives or directories) on
which the A/V data should be saved (captured), one for video data (V) and one for audio data (A).
List of available volumes (V and A)
If only one field AV is visible, separate recording of video and audio was deactivated (see also Video Tab/
Audio Tab on page 147).
These list boxes combine several functions:
Display recording capacity -
The remaining recording capacity of the current selected volume is displayed and continuously
updated (time remaining, percentage of total capacity, absolute capacity remaining) during digi-
tizing.
Select volume -
On the list boxes, the mouse pointer changes to a triangle; click it to display the list of available
drives and directories from which you can select a volume for digitizing.
This also changes the Primary Volume Definition, page 147.
Edit Media Management settings -
Whatever you can select from the list is defined in the Media Management Settings (Edit > Con-
trol Panel > Site > Media Management Settings; page 145). Click the V or A icon to go there
directly.
Too l t i p w i t h v o lu m e i n for m a t i o n -
When you rest the mouse pointer on the field, a tooltip is displayed indicating the complete path
of the volume currently selected.
Warning before capacity limit is reached -
If you define a clip whose dimensions exceed the available memory, a warning flashes in the list
box.
For capturing (digitizing) purposes, use NTFS partitioned hard disk drives exclusively. FAT32 may cause
problems with longer clips (i.e. > 18 minutes).