7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
155
File Ingest
Step by Step
Some of the File Ingest functions you may already know from the Logging Tool.
1 Open File Ingest and select a source from the list in the upper left corner. A remote controlled
source (e.g. a video recorder) can be cued to the desired starting point on the tape.
However, note that File Ingest is basically a Live capture because the system determines neither
the player’s starting point nor its stopping point.
2 Define all Source Tracks (video, audio, stereo or mono).
3 The Reel name defaults to the current date, which is also inserted when you click the Plus sign.
You may enter a different name.
4 Enter any clip name you like.
5 Now enter the Capture Duration. This is mandatory, even if you want to cancel the ingest process
before the end of the duration.
6 Destination: Select the location where the media data should be saved.
7 Now select the Media Format (Codec, capture format). Consider the compatibility of playback
formats used in all networked edit stations. For Vortex, it must be DV(avi).
8 Create clip in active rack causes the clip to be placed in the Rack currently selected in the Project.
This lets you skip the import procedure described below.
Every file created with File Ingest gets a path/file name which is a combination of the individually selected
clip name, the media format suffix and the directory path to where it is being saved. Examples:
X:\cpr\TEST1.AVI or W:\rsz\INGEST001.M2V
9 Start the ingest process by clicking the Digitize button. A progress bar keeps you up to date.