7.0
Table Of Contents
- Site Settings
- Index Site Settings
- Avid Liquid Reference Manual
- Contents
- Introduction
- Documentation
- Basics
- Signup
- High Definition
- Input
- Logging and Digitizing (Capture)
- EZ Capture
- Starting EZ Capture
- Basics
- The Logging Tool and Its Functions
- Video Inlay, Timecode Fields and Status Field
- Player Source (D)
- Reels and Racks (E, F)
- Controls (Player and Edit Buttons, G)
- A/V Inputs (Selecting Source Tracks, H)
- Stereo or Mono (I)
- 4:3 or 16:9 (I)
- Selecting a Media Format/Codec Preset (J)
- Destination Volumes for Digitizing / Capture Volumes (K)
- Select Audio Monitor /Mute
- Video Tool / Calibration Control /IPB Settings
- Clip Tab: Naming and Numbering Clips
- Color Correction Tab
- Audio Tab
- Master Tab
- Media Tab
- Send Clips To Timeline (Direct Insert)
- Properties
- Methods
- File Ingest
- Background Live Capture
- Importing Objects
- Copying/Pasting Objects from Other Projects
- Media Management and Object Import
- Creating Objects
- Voice-Over
- Importing EDL/AVID MediaLog Files
- Exchange
- Administration
- The Project
- The Object
- Media Management
- Edit
- Video Editing
- Audio in the Timeline
- Special Functions
- Finish
- Effects in Avid Liquid: The Basics
- Detailed Description of Classic Effect Editors
- Realtime FX
- AFX PlugIns
- Special FX
- Timewarps and Color Correction
- Color Correction Editor
- Linear Timewarp
- Timewarp Editor
- Audio
- Audio Postproduction and Audio Effects
- Basics
- ASIO Driver and DirectSound
- 32-bit Floating Point Audio
- Special Characteristics of Audio Clips
- Inserting Audio Clips on the Timeline
- Assigning Tracks
- Stereo and Mono, Panorama and Balance
- Muting Timeline Tracks (Audio Playback)
- Audio Scrubbing - Digital or Analog
- Working with more than 16 Audio Source Tracks (Real- Time Playback)
- Audio Tool
- Audio Editor
- Special Functions
- SmartSound: Background Music Made to Measure
- Audio Effects
- Avid Liquid Plugin Audio Effects (VST)
- Basics
- Audio Postproduction and Audio Effects
- Titler
- DVD Authoring
- Export
- Customize Avid Liquid
- Glossary
- Index
164
Chapter 6 Input
Default TC System
Autodetect Framerate should be enabled here. The two other options are only needed in such cases where
the automatic mode does not return the desired results, or when you want to force a conversion.
Default TC System -
Select the frame rate that matches the video object you want to import. All values here are fps,
frames per second.
Assume Drop Frame -
Enable this option when the selected TC System is of the drop frame type.
Autodetect Frame Rate -
lets the system do the job of identifying the source material frame rate. Should be enabled in most
cases.
See also “Timecode Systems” on page 14.
Options
Automatic Detection of Animations
The individual files of an animation are detected as such and loaded as a clip if their file names contain a
sequence number (such as Anima001, Anima002, etc.). The system automatically converts imported
animations to a playable format.
Click the file with the lowest
sequence number. The associated files are loaded automatically (make sure
all relevant files are in one directory).
Trust Media Meta Data
This option applies to the live capture function of
Avid Liquid Blue
. See “Editing While Another
System is Still Capturing” on page 158.
Converting to PCM
This option, which by default is activated, ensures that audio files intended for use in Avid Liquid will
always be converted to the correct format: Uncompressed 48 kHz PCM audio, WAV file format.
Deactivate this option if, for example, you want to import unconverted MP3 audio.